ARTS POLICY. I've been on a tear lately about rightwing dabblers in the arts-criticism racket, but I feel it behooves me to go into negative space to better define my territory. Here is the beginning of a recent book review in the New York Sun by Otto Penzler:

Let me make something clear. I'm prejudiced: I don't like people who don't like America, and I especially don't like Americans who don't like America. I've never met David Ignatius, but I don't believe I'd like him, though I hope I'm wrong because he sure can write. I just find it impossible to separate the political tone (it's all our fault) from the novel, just as I can no longer be enchanted by Barbra Streisand's voice or Sean Penn's thespian skills.

Now, if you're more open-minded than I am (I won't say liberal, because no one is more closedminded than liberals, thereby ruining a wonderful word and an outstanding concept), just skip this column and go out and get a copy of "Body of Lies" (Norton, 349 pages, $24.95) because it is an exceptionally exciting thriller.

I have no objection to this, nor even to the fairly politicized (but still analytical) body of the review that follows. In fact I admire it. Penzler lays his prejudices on the line right up front, so we know what his terms are. I may be suspicious of his conclusions, but I feel so because I have been warned, not because I smell a rat.

I suspect Penzler's rigor has much to do with his genuine interest in the material. Penzler knows from thrillers, being the proprietor the excellent Mysterious Bookshop, and I sense in his caveat a tinge of embarrassment that his personal preferences interfere, in this case, with his keen appreciation of cracking good yarns.

That isn't a bad way to approach any task of criticism that engages our dual loyalties when we come across a subject we find aesthetically interesting but abhorrent for other reasons. I try to do it myself -- see for example my review of The Passion of the Christ -- and I find it requires a good deal of doubt.

I was going to say "self-doubt," but isn't all doubt self-doubt? The religious think doubt is a demon, because it feels that way -- burning, confusing, easy for the simple to pin on the Father of Lies. I think of it as a safeguard. I think of the late adman Bill Bernbach, who carried in his pocket a piece of paper that said "Maybe he's right," which I imagine served for him a function similar to that of the crown-bearer who whispered in the Roman general's ear "Victory is fleeting": a guard against hubris fatal to his true purpose.

Doubt is not always easy to summon. Life is easier (I imagine, not having had the experience since I was a little boy) when every intellectual decision is binary and predetermined. Doubt makes us work, and allows error. It's usually inconvenient, it can wreck your career, it looks bad on your face, it invites others to doubt you.

But I think doubt is absolutely necessary -- not in politics, so much, as I fear this blog demonstrates regularly, but in matters of art, which I find much more important.

In politics, certainty is a winner. We can't elect candidates or win favor for ideas, on the platform "On balance, I think we might be right." I see its utility. But I fear that if I let such relative externalities as politics sink so deep into my own bedrock that I would let them affect my ability to appreciate the things in life that are really beautiful -- the things that make life worth all the tedious business that goes with it -- that I had to say, no, I reject the appeal of this character, this melody, this gesture, because it conflicts with my political program, then I will have lost my soul. Maybe if the compensation of gaining the world were available -- if I were a Presidential candidate, for example -- I would feel differently. But, for good or ill, I don't have that option.

That's probably why I'm so annoyed by the culture cops. They don't seem to know that there is anything more important than their smelly orthodoxies -- little, as Orwell had it, or big, as in the case of megachurchmen and other such fixers who seek to herd every true desire for transcendence into promixity to their ancient buncombe and collection plates. That's why any encounter with a work of art, however unpropitious its aspect, however contrary it may at first blush seem to the other thoughts I have rattling around in my head, is something to which I want to be available, and which I would rather enjoy than condemn. Wherever else I may be forced to hold the line, let my heart and soul be open.

IF I COULD GET PAST HER BODYGUARDS, I BET SHE'D REALLY, REALLY LIKE ME. Ha! No sooner do I finish dealing with Ross Douthat's complaint that the mean liberals won't write novels about Republicans than Kenneth Lloyd Billingsley complains that the mean liberals won't make anti-Communist movies for him.

(Like Douthat, Billingsley is one of those guys who goes over works of art with an ideological spectrograph, looking for wavelengths of wrongthink. He also thinks the Hollywood blacklist was no big deal because the "free market" took care of it. That's why this piece of shit appears in Reason, I guess.)

I keep saying it and saying it but I never get a satisfactory answer. Why don't you make your own fucking books and movies? Pen and paper are cheap, and I'm sure Murdoch, Scaife, and Sun Myung Moon will be happy to bankroll The Joe McCarthy Nobody Knew or Red Dawn II or whatever stupid shit you want to make.

I guess the opening aria, in which Billingsley imagines top Hollywood stars acting out one of his favorite Stalin exposès ("Harvey Keitel turns in a powerful performance as American Communist boss Earl Browder"), really shows us where he's at: he wants celebrities to validate him. He wants those figures on the posters on his bedroom walls to tell him, "Yes, Kenneth, we agree with you, only under capitalism can the soul of man thrive; and you look really cute in those pajamas." Maybe that's what's eating all these morons. Maybe they're all secretly 12 years old. Their prose certainly supports this theory.

UPDATE. The Perfesser hehindeeds. He really surprises me. Weren't blogs and nanobots and home recording studios supposed to make Hollywood obsolete, like they did newspapers and traditional medicine and everything else?

I forgot -- nothing the Perfesser says means anything except what he, at some future date and depending on circumstances, retroactively wishes it to have meant.

UPDATE II. The New York Times hears from a successful screenwriter who was first drawn to cinema as a boy by a love of slasher flicks ("We devoured them and they, in turn, juiced us up"), and derives from this experience that slasher flicks turn people into deranged killers. Is this some sort of coded confession to some as-yet-unsolved serial murders? I hope the FBI is profiling the shit out of him. This could be bigger than Zodiac!

ATTENTION WHORE. Ross Douthat, incomprehensibly installed at the Atlantic Monthly now, bitches that no one's writing great works of literature about the Bush Administration:

If Soviet Communism didn't make "the aesthetic feel insufficient" for Aleksandr Solzhenitsyn, then I don't want to hear a peep from the poor delicate darlings who think they're too traumatized by the Bush years to write anything that's any good...

No, the fact that none of our artists have managed to make something out of this Administration tells us way more about the artists than the Bushies. It suggests that there aren't any interesting Republicans in our fiction not because Republicans aren't interesting, but because our intelligentsia's political prejudices blind them to the possibility that a Republican might be, well, a complicated human being rather than just the sum of every liberal's fears.

He seems awful mad that none of us wants to write about him and his buddies. But are Douthat's arms broken or something? No? And he's supposed to be some sort of a writer, isn't he? Then why doesn't he write the goddamn Great Republican Novel himself instead of crying because no one else will do it for him?

First possible answer is, by his own admission, Douthat isn't the greatest judge of Republican character. More likely, it's because Douthat is, despite his ornamental pretensions to aestheticism, really just another culture warrior who thinks of art as a commodity to be turned out according to the specs of the Central Planning Committee he hopes to run someday. It's not something he would dirty his own hands with.

BOOK CLUB. Another reason to hate them all, of course, is because they're such pissy little shits. Al Gore says* his favorite book is The Red and the Black, and the National Review guys start going "Oh no he dih-hint" and snapping their gum. Derbyshire at least admits only that he would like to believe Gore is lying about Stendhal (though Clinton, in the Derbview, is presumed to lie about everything, especially the Tomes of the Ancients): John Podhoretz says, with no evidence whatsoever, that Gore was trying to "make it appear he is something he almost certainly isn't: A steady reader of great literature." Not like Podhoretz, who walks around the office in a toga, index finger heavenward, declaiming on lofty artistic subjects between infusions of malted milk.

You can just see them balling their tiny fists and wishing they could make Gore take a test with lots of trick questions.

Literature, like everything else in this life, means nothing to them but an opportunity to score points on the people they have been trained to hate. Were they not trusted advisors to the scum who wreck our lives, I'd pity them.

*UPDATE. Actually Gore made this claim in 2000, and the Cornerites were roused by its recent mention by Rick Brookhiser, who adds:

George W. Bush said his was The Raven, an old Pulitzer prize winning bio of Sam Houston that is readily available in Texas. Most interesting bit: Houston had the same problem Bush had.

I had no idea Sam Houston was a sociopathic coke freak, nor that he believed the Alamo to be a great success right up till such brains as he had were dashed out by Mexicans. History is fun!

RASHOMON WITH RETARDS. It has been some time since we looked in on Gates of Vienna, which is sort of like Little Green Footballs for logorrheic Eurotrash. I could use a laugh, so let us don our Hazmat suits and return.

In recent months the Gateseans have devoted much of their time to spying on local Mohammedeans, even going so far as to do airborne reconnaissance of their home with the giddy enthusiasm of little boys playing Army Mans ("OK, I’ll lay out everything I can about the 'basketball court.' I’ve been studying it for a long time in the full-res versions..." Yes, that's an actual quote.)

Local MSM reporters are less suspicious but, as all GoV readers know, the press is part of an immense conspiracy to turn all free, still-predominantly-white nations over to global jihad. Further evidence of this is offered in a Scandinavian's report called "The End of the American Dream?" Apparently the sort of wingnut who is normally enraged when Europeans talk smack about their native land will not mind this fellow doing it, as he shares his readers' fear of dusky-hued peoples. For several paragraphs he even gets away with noticing Bush's involvement in the mass transportation of Mexicans into realms heretofore known for their whiteness, before losing his nerve and blaming "left-wingers" who "see it as a goal to erase the Western cultural heritage." (The Scandinavian also informs us that Los Angeles is "becoming a Third World city, with little glamour left." Maybe it's time I moved there!)

But my favorite bit is "Making The Modern Case for Monasticism," in which correspondent "Dymphna" reports that her boy, away at school, was nearly entrapped by a "young liberal co-ed" -- not in the badger game of olden times, but in an assault claim. His story sounds less fishy than sad:

“Max” and I had water guns and were using them to squirt people at various points during the party [held at our dorm suite]...

This intoxicated young woman suddenly attacked me, trying to take the gun...

When I wouldn’t let her take it, she grabbed my glasses instead. Afraid she might break them; I grabbed her arm — without hurting her — and took my glasses back. At which point the girl said:

“I could call the police.”

I was mystified. “About what?”

“You attacked me!”

I looked at her, up and down. “There aren’t any marks on you.”

She drew her own fingernails down her skin. “Not yet. There could be.”

Mind you, this is what he told his mom, who blames "feminism," which she says "exists solely to promote abortion rallies and arrange emasculation events." But even given its provenance, the lad's narrative lends itself to still more piquant interpretations than self-defense before the matriarch. There is some poignance already in the fact that, while in the company of "intoxicated" women at college, he chose to shoot water pistols with his pal; might he have misunderstood the female's physical approach, or at least misplayed it? I think of "I looked at her, up and down," and of her arm-raking gesture, and wonder what might have been. Maybe he will, too, when he's older.

For the rest of them, there is clearly no hope.

TURNABOUT IS FAIR PLAY. You have to hand it to Newsbusters. Who else would have imagined that the proper objective correlative to the current DC Madam story would be the liberal media's brutal suppression of the 1996 Dick Morris story?

ABC pounded the word "tabloid" in all of their coverage (even though Hume noted no one in the Morris or Clinton camps denied the Star story). But now ABC is the "tabloid" outlet on the Call Girl beat. Ross touted his scoop on Monday's Good Morning America about a State Department official who resigned in disgrace, even putting on a prostitute's lobbyist to denigrate him...

I and everyone I know must have been incredibly plugged-in back in the 90s, because we all knew that Morris was consorting with prostitutes and improving his status with them by letting them eavesdrop on his conversations with Bill Clinton. And all we had to do to obtain this suppressed information was occasionally pick up clandestinely-published samizdat such as the New York Times and Newsweek.

I kid. Newsbuster's angle is not that the MSM spiked the story -- who could claim that? -- but that they took a different tone about it, talking about it as if it were tabloid-sourced, which it was, and surprisingly undetrimental to Clinton's standing in the polls, which it also was.

What is Newsbusters trying to show here? One interpretation might be that Clinton suffered little from the Morris affair because the MSM had his back -- that we all heard the story, including the salacious details, but were hypnotized into ignoring it by Peter Jennings' Jedi mind tricks. Of course, Clinton had long been associated with sexual scandal by that point -- thanks to vigilant reporting of his imbroglios by the press -- and it may be that citizens were simply relieved that it was a Clinton flack, rather than the Big Dog himself, who got caught with the prostitutes. While, in the current case, the first disgraced party is a celebrated promoter of abstinence from America's Party of Moral Uplift, and his exposer claims to be sitting on a fat batch of further revelations.

That agents of the mainstream press may be manipulated by political spin doctors is a proposition accepted by people of all political philosophies. But nothing cuts family ties in that community like a nice, juicy scandal. Whether a newsreader arches his left of his right eyebrow while reporting such tawdry tales, his audience will still be focused on the savory (or unsavory, depending on your point of view) details -- the stained dress, the cigar, Leaves of Grass, and so forth.

It may be that our famously horny former President got away with much more than Randall Tobias ever will because, somewhere along the line, the Democrats were established as the sexed-up Party, while the Republicans were cast as defenders of Values, Guardrails, and Christian Revivalism. I don't think it's unfair to note that, if this assignment of roles involved mind-tricks, they did not originate with Peter Jennings. That a number of Republicans have of late been discovered with their pants down, and that many of us find this appallingly funny, may have less to do with the prejudices of reporters than it has to do with the law of unintended consequences.

SHORTER ACE O. SPADES: (through angry, helpless tears) Why don't you stop picking on someone your own size?

UNQUALIFIED. Eugene Volokh on a columnist who complained about St. Rudy Giuliani's Vote-For-Me-Or-Die-in-a-Terrorist-Attack bullshit:

Now Giuliani's speech may well be unsound; I'm not a Giuliani partisan, and I have no desire to defend it on the merits. But I'm puzzled, as I often am about such arguments, by the claim that "milking one's 9/11 reputation for crass political gain is, obviously, despicable"...

Imagine a surgeon who, in the wake of some disaster, does what many see as a superb job of saving many patients. He then goes to hospital managers and says that the hospital's patients will do better if he (rather than his rivals who he thinks haven't shown such skills) were given a promotion to an even more responsible surgical position.

Would we fault him because "milking [his] reputation [formed during a deadly disaster] for crass [careerist] gain is, obviously, despicable"?

Well, this analogy holds only if the surgeon's record includes the following:

• A spotty performance including some exceptional saves and many incredible bonehead errors, costing the hospital millions of dollars every year.
• Alienated the hell out of nearly the entire hospital staff, patients, benefactors, etc.
• On one exceptionally trying day, found the super-special operating room he'd built (at great expense to the hospital) for such days was completely useless; still, performed his duty as dictated by his office without shitting his pants.
• Tried unsuccessfully to avoid mandatory retirement by strong-arming the doctors who were in line for his position.
• In applying for a more prestigious hospital leadership position, declared that an operating room should be run every day the way his was on that Great Day when it was blown up -- that is, in crisis-triage mode, with lots of fear, panic, and running around. Also let it be known that he no longer believed in any of the shit he pretended to believe back when he was at that other hospital -- except for the part where he was hailed as America's Surgeon.

Also, if I were Volokh I'd be careful about defending Giuliani with the image of an angry, lisping duck.

MISSION ACCOMPLISHED. Back from DC now, with no bad Von Hippel-Lindau-related news at present. Thanks for all the goodwill. I did less sightseeing than usual, mostly strolling and working on my sunburn and taking drinks at the rooftop bar of the Hotel Washington. There I met an heiress of indecipherable middle age whose family, she claimed, had once owned the hotel, but had sold it for ready cash. She drank Irish Coffee, though it was after midnight, and said she no longer bothered with doctors as they had poked and prodded but never done her any good. Well, you can't argue with success.

I did have dinner with Thomas Nephew, who's a prince -- smarter and better educated politically than I by several orders of magnitude, as his weblog daily demonstrates, yet still willing to engage my bilious, jejune prattle. He happily maintains a wife, child, and pets, and also an easy-going sense of humor and perspective, despite his proximity to the thrumming engines of government that comprise much of his subject matter, which would drive me madder than I am -- I wonder how he does it? He matched me beer for beer, so I doubt that he takes sedatives. Remarkable fellow.

Also saw the Jasper Johns show at the National Gallery. The exhibition was full of studies and multiple versions, which added to the impression that any subject, however silly, may be elevated by talent and obsessive hard work. It's just amazing how much energy is still in those paintings, even when they're so thick with scrawls, smears and impastos that the lines of force seem to be cancelling each other out. It's like the subjects -- targets, cans, compasses, legs, and assorted gee-gaws -- so mesmerized him, simple as they were, that they became mysteries that he had to paint his way out of.

OCCAM'S RAZOR TO THE RESCUE. Andrew Klavan at City Journal:

The thing I like best about being a conservative is that I don’t have to lie. I don’t have to pretend that men and women are the same. I don’t have to declare that failed or oppressive cultures are as good as mine...

Of course, like everything, this candor has its price. A politics that depends on honesty will be, by nature, often impolite. Good manners and hypocrisy are intimately intertwined, and so conservatives, with their gimlet-eyed view of the world, are always susceptible to charges of incivility. It’s not really nice, you know, to describe things as they are...

Man, if I had a dime for every ill-mannered little shit who believed that the cold stares provoked by his bigoted drivel were proof of his incorruptibility and his hearers' intolerance... well, I might have enough money to be one of those little shits myself.

Klavan has overthought the sitiation. If he's not "the sort of person you want to be seen with," it's probably not because he's "the sort of person willing to speak the truth" about Muslims, poor people, etc.; it's probably because he's an asshole.

(Hat tip to Sven)

AND AS HOWARD ROARK RAVISHED DOMINIQUE, HE CRIED, "WON'T SOMEBODY PLEASE THINK OF THE CHILDREN?" Megan McArdle, known at her own blog as "Jane Galt," says:

In the wake of the Virginia tech murders, there has been a lot of editorialising about gun control and mental health interventions. But I haven't found a single editorial addressing one factor we know creates these mass murders: reporting on the mass murders. In the next few weeks and months, even over the next few years, expect to see copycat killings inspired by Cho's actions. The more saturated the media coverage, the more such events we are likely to get. But as far as I know, few papers have taken to advocating that we cut down on news coverage of these events.

Funny, I was just talking about bullshit libertarians, and here we have someone named after a fucking Ayn Rand character who thinks free markets, while good in their place, just don't apply to news.

I don't want to hear any more crap from these people about how I hate freedom because I want to use tax money to give medicine to sick paupers.

SERVICE ADVISORY. I had a discussion with Editor Martin the other day. He's down in Georgia working with the CDC on public health issues. He marveled at the CDC's effectiveness, and especially marveled that the incompetence that emanates from the Bush Administration like stink lines from a cartoon skunk had not damaged the CDC as it has so many other Federal entities. We speculated that perhaps even the Bushies balked at imposing their maladministration upon agencies of public health -- and then we thought of the FDA and Walter Reed Hospital.

Well, who knows. CDC is perhaps both good at its job and good at holding the line. I suspect the same of the National Institutes of Health, which I visit every year as a subject in their Von Hippel-Lindau study. Their facilities are amazing, their staff top-notch, and they accomplish amazing things.

I hope I'm of some help, though my interest is not entirely altruistic. The good news is, if they find tumors in you, they take them out, and they're very good at it. The bad news is, they sometimes find tumors. I've had a few pheochromocytomas out, and for ten years I've been running on only a tiny sliver of adrenal tissue. Pheos tend to recur, so chances are one of these years I'll come back from Bethesda an Addisonian, like JFK. Again it's a good news-bad news situation -- your face gets puffy and you have back problems, but you get to run the country and ball Marilyn Monroe (or, I am assuming, her contemporary equivalent).

Tomorrow I'm off for four fun-filled days in Medical Disneyland, during which time posting will be light.

BRING BACK THE BLACK PANTHERS! Gosh, the Perfesser sure is laying it on thick with the gun posts, isn't he? Columbine in the New River Valley really put the zap on his head.

Clearly the poor man is suffering from Posse-Comitatus-itis, a disorder characterized by itchy trigger fingers. As long as the fit is on him, we will never hear the end of his plaintive cries for universal gun ownership -- by force if necessary.

Fortunately I know the cure:



Bring back the Black Panthers! In the 60s there was no more outspoken group of gun-rights enthusiasts. The Panthers marched in state capitols, bravely brandishing their firearms in defiance of those that would take away their Second Amendment rights.

No swifter cure for Posse-Comitatus-itis has been found! Soon open-carry laws were shutting down all over the place -- including California, where the sight of black folk with firearms worked so effectively on Governor Ronald Reagan's Posse-Comitatus-itis that he signed the Mulford Act.

Displays of armed negritude will work like lightning on the Perfesser's condition, and on the cracker community he serves.

Then we'll only have to think of ways to get him to shut up about everything else.

THIS WAS SOMETIME A PARADOX, BUT NOW THE TIME GIVES IT PROOF. "[Glenn] Reynolds describes himself as a libertarian, specifically a libertarian transhumanist." -- Wikipedia.

"As a libertarian myself, I'd love to see the nation run under small-government principles..." -- Instapundit.

"A LOOK AT WHO'S TAKING AID AND COMFORT from Harry Reid's statements." -- Instapundit (link is to Eugene Volokh, often cited as a libertarian but undeclared as such, who says that Senator Reid is "strengthening the enemy's morale as well as by weaking our own soldiers'" by saying that the Iraq War is lost).

Here Perfesser Reynolds denounces NBC for encouraging "copycat mass shootings" by running its freely-obtained Cho footage.

Here is Jane Galt/Megan McArdle, another libertarian, explaining why the overthrow of Roe v. Wade would be a good thing, using an internationalist argument ("The restrictions that could actually be passed at the Federal level would probably bring our abortion law roughly in line with the rest of the world's").

We could go on and on with this, but why bother? With all props to those brave souls who cleave, come what may, to a coherent libertarian line, in the broad swath of public discourse "libertarian" is not a philosophical affiliation at all, but a grace note one adds to one's conservatism as a distinguishing feature (or, we might say, marketing ploy) to gain a wider audience, mostly consisting of people who are vaguely ashamed of current American conservatism.

This is why, despite my predilections, I try not to refer to myself as "libertarian-leaning" -- not out of contempt, but out of respect. Words should have meanings as specific as reason can make them, or all hope of using reason to dig out of the mess we're in is lost.

UPDATE. I made two little changes: in the penultimate graf, I changed "philosophy" to "philisophical affiliation," and I removed "the word" from "the word 'libertarian.'" Because how can a word be a philosophy? I mean really! My only excuse is that I post these things shit-ass drunk, just to test my skillz.

SHORTER DAVID KAHANE. For the Virginia Tech massacre, I blame the liberal moral relativist Alfred Hitchcock.

RIGHT WING "MEDIA CRITICSM" EXPLAINED. The Ole Perfesser, back in ole times, razzed "Big Media" for not showing video of terrorists sawing off Nick Berg's head. But now NBC shows some footage of Mad Dog Cho -- in which he does not saw off anyone's head -- and the Perfesser starts dropping Kaus turds and other effluent to tweak Big Media for not shielding the public from the grisly spectacle of a guy posing with guns and knives.

Similarly, but as always more spectacularly, Ace O. Spades is outraged that NBC showed the Cho footage ("They might as well be inviting the rest of the idiots in the stands to take a lap around the basepaths"). Then he goes mad with rage that the Em Ess Em hasn't given heavy play to a gruesome rape/torture/murder story. (Mr. Spades believes liberals are covering for the rapists/torturers/murderers because they're black -- which brings up an interesting question: If we're spiking that case solely to protect African Americans, does our heavy Cho coverage mean we're attacking Asian Americans? Or is it all about getting Whitey, whose votes we presumably do not need?)

When you read anything by these awful people that has to do with what should and should not be covered, please recognize that they are not trying to inform you. For them everything -- news, art, science -- is propaganda. There is no aspect of human life which they do not see an opportunity for partisan advantage.

That's why I'm so hard on them -- not so much because they're wrong on the issues, but because they're twisted freaks who seek power, and that sort always needs resisting.

SHORTER BYRON YORK: I don't acknowledge a difference between reality and make-believe.

SHORTER JOHN DERBYSHIRE: PC liberals won't let you say this guy was crazy! Let us celebrate my great courage.

SHORTER KATHRYN J. LOPEZ: I'll be at this party, and I will have had a lot of beer.

GUNS DON'T KILL PEOPLE -- WORDS AND PICTURES DO! Crunchy Rod Dreher finds the real Virginia Tech culprit:

This is what you get too from a society that tolerates all manner of lurid, explicit violence in its visual art, and forbids nothing except the impulse to forbid. I don't think for a minute that everyone who watches slasher films, or who plays violent video games, or who reads sadistic novels, or who listens to violent music, will turn out to be Klebold, Harris or Cho. Clearly that's not the case, and it would be stupid to claim that. But... no taboos... nihilistic... culture of death... moral imagination... gurgle...

When his commenters are less than respectful, Dreher says, "Do I really have to explain that I don't think Goya or Shakespeare are the same thing as Nine Inch Nails or the collected works of Cho Seung-Hui -- even though they all depict violence in their work?" Watch out, Trent -- God-Boy's a-gunnin' fer ya! Even the love of a few other wingnuts won't protect you from his fully-engaged moral imagination!

Since ten seconds after the VT massacre, every conservative in existence has jumped to inform us that whatever else we may think about it, we must not blame guns. But, boy, are they concerned about ink and pixels! The very idea that NBC might publish some of Cho's ravings has them flipping out.

It says something about their reasoning that they think we can handle semi-automatic weapons, but not words and pictures.

UPDATE. MSNBC is running the Collected Works of Psychonerd:

You had everything you wanted. Your Mercedes wasn’t enough, you brats. Your golden necklaces weren’t enough, you snobs. Your trust fund wasn’t enough. Your vodka and Cognac weren’t enough. All your debaucheries weren’t enough. Those weren’t enough to fulfill your hedonistic needs. You had everything.

I'll be durned! Cho Seung-Hui was a Crunchy Con!

Oh, and folks? If you're forced to commit mass murder now, please don't tell anyone where you read this.

HE WAS A BIT OF A LONER... JUST LIKED TO WRITE THINGS ON HIS COMPUTER... Ace O. Spades wonders aloud why no one ratted out the VT Shooter as a potential mass murderer, then answers himself (unsatisfactorily, of course):

We've been conditioned since infancy with thousands of morality plays that just because someone seems weird doesn't mean they are weird. Or bad. Or dangerous.

The trouble is that weirdness has a pretty high correlation with badness and dangerousness. If someone has a dysfunction that prevents the normal sort of interaction and empathy with one's fellow human beings, well, that's not likely to be a person that's otherwise well-adjusted....

This made me think: what would happen if Mr. Spades were a student, and someone sent the authorities a link to his website? What would they make of Mr. Spades' weird amalgam of self-loathing porn ("The first click is safe, it's the second click -- the click once you get there -- that has a very, very big content warning on it... [splorch]... something has gone seriously wrong with our culture"), misogyny ("they're fucking guys so quickly guys hardly have a chance to catch their names"), numerology ("9/11 3/11 7/11 ...? How about 8/11? I know 7/7 doesn't work.."), and irrational violent rages ("When he dies... I hope his son slaps this stupid fuck right in the face")?

If we lived in the kind of world Mr. Spades favors, he'd be in a nuthouse quicker than you could say Preventive Detention. For the moment we live in another kind of world, and one which I prefer -- though it's nice to know that, once that other world comes around, it will have an upside.

ALSO: THE KILLER WAS RIDDLED WITH STEM CELLS. The blood is barely cold, but Carol Iannone knows what caused the Virgina Tech shootings: co-ed dorms and English Literature.

And I'm sorry, some will really think me foolish, but I don't think dorms should be co-ed, so that crazed, jealous boyfriends can enter their girlfriends' dorms and kill them and the innocent young men who come to their aid. If it had been a single-sex dorm, the killer might not have been able to enter so readily. There aren't enough difficulties getting young people through college these days so that we have to deal with "domestic disputes" in their dormitories as well?

And, sorry again, but thoughts also arise on the killer's being an English major and on the spiritual emptiness of much education nowadays.

He better not have been reading anything by Noam Chomsky! Or French!

Bonus hilarity:

Once a student erupted in rage at a colleague of mine and the administration excused it as a sign of "stress."

And that little boy grew up to be.... CHARLIE MANSON!

Is clinical insanity a requirement at National Review, or just a nice-to-have?

UPDATE. Meanwhile, from Cockslapper Jeff, another 87,000-word version of "I'm not intellectually dishonest, you're intellectually dishonest." Mass murder really brings out the worst in some people.

FROM MY COLD DEAD HANDS TO YOUR COLD DEAD HANDS! A gun massacre seems like a bizarre occasion for a Second Amendment pep rally, but the Perfesser was never known for his good taste.

Tbogg picks up the projection racket going on this subject at Protein Wisdom and other bullshit clearinghouses. And the Perfesser continues to help out. As a Second Amendment sympathizer, I say, go ahead and flood the South with guns. We can start with the Perfesser's own campus! It may turn out that the libertarians are right -- more freedom really is the solution to all our problems!

UPDATE. In a transparent attempt to class up his coverage, the Perfesser puts up a little VT flag at half-mast. At first I thought it was just another product he'd wheedled out of some corporation -- maybe a sexual aid or something. I was looking forward to that review: "When I applied it to my perineum, nanobots of pleasure ran up my spine." Also, the Perfesser says,

...a lot of the sports bloggers are observing a moment of silence for Virginia Tech. That's a nice gesture, and I'll do the same.

How does one observe a moment of silence on a text blog? I like to think the he means that he shut off the techno version of "The South's Gonna Do It Again" that's been playing in his skull since late 2001.

CONSERVATIVES SAY THE DARNEDEST THINGS 2. Jonah Goldberg, 9:55 am::

...one of the things that astonishes me when I visit college campuses is how successful the 21 age limit [on drinking] has been.

Jonah Goldberg, 11:08 am:

But your post gives me a good excuse to clarify one thing: I was not saying that the 21 drinking age is effective (one reason why I'm for lowering it is that I think it isn't).

One day his posts will all just go like this:

Faaarrrrt, faaaaaarrrrrtt. FART. FA A A A A A A A ARrrrrrrrrt. Frt. Fr. F A A A A A A A A A A A A A A A A A A A A A A A A RRRRRT! Phoot.

And his colleagues will still say "Jonah's point is interesting" and then shift the topic.

CONSERVATIVES SAY THE DARNEDEST THINGS 1: "That's why the Post story upsets me. It intimates a 'Screw you' to the socials that is very far from the Rudy I know."

Perhaps what Andy McCarthy means is, the Rudy he knows wouldn't say "Screw you," he'd say "Fuck you," or maybe "Fuck you, bitches, up the ass with a nightstick." That's just the sort of warm. lovable guy he is.

The whole NRO hard-on for Giuliani is hilarious, anyway. Obviously, like me, they expect Saint Rudy to start full-on pandering to the social conservatives any second now. But he keeps holding out -- probably just because he loves giving the back of his hand to people who need something from him -- so the NROniks keep making excuses for him: He didn't mean to hurt you! Not the Rudy I know!

Again, I expect the son of a bitch will eventually reveal that the Virgin came to him in dreams and told him to repeal Roe v. Wade, if this is the cost of the nomination. But I have no stake in his conversion, so it troubles me not.

SHORTER ANDY McCARTHY: Don't call it a lie -- say it was something that could conceivably have been true.

(Then, later, bitch about moral relativism.)

SHORTER OLE PERFESSER: Climate science and the survival of future generations are not as important as my hatred of liberals.

THANK YOU FOR HOLDING ME UP. Finished the run of Los Angeles last night. After three months' involvement with this project, I feel a bit lonesome now that it's done. Mostly I'm a writer, and normally detachment is something I cherish. But working on a play pulled me much further out of myself than I'm used to. For weeks, crowding into a little box stage right, waiting for my cue with a bunch of actors -- have you ever eaten with one? -- was a major annoyance. Now I miss it.

That's one of the amazing things about theatre: it breeds massive egos yet relies upon collaboration. To be part of it, you have to amplify yourself sufficiently to be seen and heard above the common run of humanity -- and then subsume yourself in the shared vision of a play. We were lucky to have a grand vision, and we all worked hard to realize it. Everyone in the show labored to elevate his or her colleagues -- and in so doing we were all exalted.

All that's left now is the kudos, so: If you want to see good theatre, The Flea is always a safe bet; if you want to follow an exciting new playwright, Julian Sheppard is well worth trailing; Adam Rapp is a gee-nee-us; and, if you ever get a chance to play a scene with Katherine Waterston, take it -- it's like playing Horse with Michael Jordan, if Jordan conducted you into the lane and boosted you up on his shoulders so you could dunk. These people lifted me beyond my talents because generosity is included among their talents. May you, in whatever field of endeavor you choose to contend, come across such like.

HELP. alicublog seems not to be loading properly. Or, in some cases, at all. I haven't done anything to it except add last night's post. Other blogspot sites seem fine.

As you know, blogger is useless dogshit when it comes to assisting its constituents, so I turn to you. Any helpful hints?

AN OLD FART WITH HIS PALL MALLS. I heard a bunch of people today who said they read Kurt Vonnegut when they were young. So did I, tons of it. It's easy to form the impression from this experience that Vonnegut, who passed Wednesday, was a YA author: simple prose, outlandish premises, and what seemed to me then a clever fatalism that fit well with my other early and ill-digested experiences of literary despair. It's easy to forget that Vonnegut's best-known works were written from a mature perspective; he was a 47-year-old World War II veteran when he created Slaughterhouse-Five.

But I picked a copy of Jailbird out of the dollar bin a few years back, and was surprised and delighted to be reacquainted with his prose, which is indeed simple, but also sturdy enough to support all kinds of fantastic conceits -- Tralfamadorians, Ice-9 and so forth. It also supported a world view which was not, in retrospect, so much despairing as accepting, and at times wise.

Not that Vonnegut didn't recognize the absurd and unjust -- he just saw the humor in them. And his wasn't the common kind of black humor, either, with which most of us seek to neutralize our outrage when it becomes too much to bear. In fact, the absurdities and injustices that were his great subjects -- war, world annihilation, the plight of unrecognized innocents, and the decay of age -- called for something much larger than the gesundheits with which we normally brush away our little glimpses of these things. It required an epic imagination, which Gore Vidal noted in his post-mortem remarks: "He was imaginative; and our generation of writers didn't go in for imagination very much."

I see what he means: while James Jones, for instance, gut-punched his way through the feelings that the War left him with, Vonnegut wove fantasies from them -- fantasies of what might be behind the worst things in human experience that made them, well, part of the human experience. A Nazi in the afterlife, for example, from Happy Birthday, Wanda June:

It was almost worth the trip--to find out that Jesus Christ in Heaven was just another guy, playing shuffleboard. I like his sense of humor, though--you know? He's got a blue-and-gold warm-up jacket he wears. You know what it says on the back? "Pontius Pilate Athletic Club." Most people don't get it. Most people think there really is a Pontius Pilate Athletic Club.

He then figures that he should get a warmup jacket ("we got very good tailor shops up here") bearing the name of the man who killed him. This is utterly fantastic, but that a Nazi might react this way to Christian forgiveness is very easy to believe.

Much later, when age oppressed him, Vonnegut wrote books like Jailbird, in which an old man who, despite his best intentions, finds himself a convicted Watergate felon, muses on the grand caprices of fate as he watches a dog at play:

I observe how profoundly serious Nature has made her about a rubber ice-cream cone -- brown rubber cone, pink rubber ice-cream. I have to wonder what equally ridiculous commitments to bits of trash I myself have made. Not that it matters at all. We are all here for no purpose, unless we can invent one. Of that I am sure. The human condition in an exploding universe would not have been altered one iota if, rather than live as I have, I had done nothing but carry a rubber ice-cream cone from closet to closet for sixty years.

He may have been brought to this understanding because of the outrageously grim twists in his own fortunes, but his epiphany comes from a dog with a rubber ice-cream cone. This is absurd but, I think, more dignified than most absurdism. It is an insight into the universal via the particular, which is the business of first-rate writers.

THE MILLION-MAN SCRUM. Sick as I am of the whole Imus business, I feel it necessary to address this:

And, in a particularly sinister misinformation campaign, key leftists are now trying to portray Imus as a conservative! That's despite his endorsement of John Kerry in the 2004 presidential race and past tirades against the Bush Administration from a decidedly leftist perspective.

With, naturally, an InstaHeh.

Whatever else we can say about Imus, I don't thing we can say he's particularly partisan. I'm surprised so few people (well, Digby, but he's exceptional in so many ways) have recalled this 1996 Radio and TV Correspondents' Dinner, at which the I-man said stuff like this in the presence of President Clinton and his wife:

...the President was at Camden Yards doin' play by play in the radio with John Miller. Bobby Bonilla hit a double, we all heard the President in his obvious excitement holler "Go Baby!" I remember commenting at the time, I bet that's not the first time he's said that. [Turns to President] Remember the Astroturf in the pickup?

Then, some gags about Whitewater. A bunch of conservatives got their equally-offensive lumps, though none of them was President and placed directly in his line of fire. Since his Billy Sol Hargis days, Imus' patch of media turf has ever been wild outrage, and whether you find him, as Digby does, a "spoiled, petulant bully with an incoherent worldview" or an amusing diversion is a matter of taste.

But now the guy is just another ball contended for in that million-man scrum that is our discourse. It had to come to this. In the blogosphere, people embroiled in scandal eventually become mere signifiers for one political team or another. 'Twas ever thus. It even happened in the big Trent Lott affair of '02, recalled fondly by blog triumphalists as a bi-partisan victory for sweet reason, but in fact just another bone of contention, as I remarked at the time:

Trial balloons were floated, bearing the idea that liberals were insufficiently outraged by Lott's remarks, based partly on Tom Daschle's mild, collegial reaction, and, perhaps, on faith that the Right's zone-flooding strategy would, by sheer force of volume, render outside opinion irrelevant. "Either the Democratic Party is appallingly inept, by dropping the ball on this issue, or it's appallingly cynical...I guess 'inept' wins either way," mused InstaPundit. "Where's the New York Times?" cried Andrew Sullivan. "Howell Raines is so intent on finding Bull Connor in a tony golf club that when Bull Connor emerges as the soul of the Republican Senate Majority Leader, he doesn't notice it."

Word was also spread that Lott was never a friend to the Right at all: He was a weak and inefficient Senate majority leader who had effectively given the hated Clinton a pass in his impeachment trial. "He is only for the status quo," wrote Arthur Silber, "stunningly lackluster and uninspiring...tin ear and vacuous mind" In fact, after the GOP's victory in 2002, Capitol Hill Blue reported, "a Republican consultant I know threw up his hands in disgust" (pause to digest this counterintuitive image) "and said 'Christ, this means we'll have Trent Lott as the leader again.'" One wondered how Lott got the job in the first place--till Robert George told us (via another blind Republican quote), "Trent Lott survives because the ex-frat boy puts on a good kegger."

As always happens when conservatives are in high dudgeon, comparisons to Clinton were hauled out. Quoth National Review's Rod Dreher, "Ol' Trent is just following the example of his fellow Baby-Boomer Son of the South, William Jefferson Clinton." A parody at Transterrestrial Musings had Lott, in his BET appearance, announcing that, as "Bill Clinton was the first black president," he was "the first black Senate Majority Leader." Get it?

Things haven't improved since then. In the pro-am pundit community, Imus will be torn at until the game gets old, and then someone other object will serve.

This is not meant as a defense of Don Imus, but as a reminder that the real discussion is about something entirely different.

HONKY, PLEASE! Libertas on the Don Imus case:

“Nappy Headed.” I had no idea that was a slur. No idea whatsoever. Do you know how many times I’ve heard that term used affectionately or comedically between black people in movies or on television? Thankfully, I’ve never called anyone “nappy headed,” because I didn’t know what it meant. But how am I supposed to know it’s yet another “N” word when no one tells me? How am I supposed to know it’s offensive when black people use it all the time as a punch line?

Also: "I’m used to the double standard that allows black people to call each other what they want." And: "Or, is it African American guy? Or Afro-American guy? Or People of Color?"

I feel bad for the guy. I grew up in a white working-class neighborhood where the preferred word for black people was "niggers," yet somehow I eventually figured out how to deal respectfully with people of different races. It helps to be more interested in people than in preserving, indeed cultivating, one's outrage over Political Correctness, rap music, etc.

I guess Culture Warriors don't find that trade-off worthwhile. Their loss, I'd say.

WELCOME WAGON. The moratorium on Elizabeth Edwards criticism has been cut short because she publicly disapproved of her neighbor, one Monty Johnson. Hear, for example, The Anchoress:

Elizabeth Edwards seems to have embraced her inner Rosie. A few weeks ago, we had Rosie O’ Donnell lecturing us on how using a word like “terrorist” de-humanizes terrorists. O’ Donnell apparently has never figured out that when she says things like “Christian Fundamentalists are as dangerous as Muslim Fundamentalists” she’s “de-humanizing” a lot of people, too. And now, this Edwards woman - a true Rosarian, it seems - is characterizing someone as “rabid, rabid Republican” and suggesting that it’s perfectly fine and good to dislike people you’ve never met - to decide before you’ve ever tried to meet them that you would not be civil (I assume she means “civil” when she says “nice,”) to them.

There has been a bit of coverage on Johnson, including this corker from the Carrboro News, which includes a photo of his domicile, which features a boarded-up window and is strung with barbed wire. As a paranoid, I approve of Johnson's approach -- if not the Bush/Cheney sticker -- but I can imagine why Mrs. Edwards is troubled by his proximity. In another interview, Johnson says, "[Edwards] claims to be for the poor people... He don’t care about us. I see him jogging. He doesn’t pull over and say, 'How are you doing?’" This is hardly surprising as, in addition to giving out several interviews denouncing Edwards, Johnson has also been seen stalking government agents on his property with a gun.

Again, as a paranoid I approve of Johnson's Cold Dead Hands approach to gummint interference; I may move to his neighborhood myself someday, as it seems tailor-made for folks with my attitude toward society and indeed socialization. But I can also see how Mrs. Edwards, who has a husband running for the Democratic Presidential nomination (and children as well), would be apprehensive about having a belligerent, armed rightwinger living across the way. The Anchoress may see this as unChristian, but I see it as common sense.

THAT JOKE ISN'T FUNNY ANYMORE. The front page of Sunday's New York Post was devoted to this story:

I DUMPED HILL FOR OBAMA '08
City Hotel Man Opens the Door to Dem Upset

April 8, 2007 -- Bryant Park Hotel doorman Gregory Smith campaigned door to door for Bill Clinton in 1992, he voted for Hillary Rodham Clinton in both her Senate elections - but last week he went online and gave $25 to Barack Obama for president.
He says he has dumped the Clintons for the upstart Democratic senator from Illinois, whom he calls "a needed breath of fresh ideas and openness."

The doorman told The Post that Hillary Clinton's flip-flop on the war and her earlier coyness about her presidential ambitions have turned him off her - probably forever...

You can read the whole thing, but it all boils down to this: a doorman changed his choice of Presidential candidate. I know about Breslin and the gravedigger, but come on. The election is many months away. The conventions are many months away.

It has long been the conventional wisdom that we "gotta love the New York Post" for its ludicrous front-pagers -- "Headless Body in Topless Bar" and all that. I respect the tabloid writing style, and the Post editors who come up with fresh, snappy heds on a daily basis. But for me the Post's cuteness has long since worn off.

The turning point may have been this front page, in which the French and German Ambassadors to the U.N. were shown as weasels, to demonstrate the paper's contempt for those Ambassadors' lack of susceptibility to Colin Powell's U.N. slide show, which was alleged to prove that Iraq was hiding WMDs in smudgy boxes identified as mobile bioweapons labs. I suppose it might have been mildly amusing if you really believed that Colin Powell was telling the truth, and hated the French and the Germans enough to find Der Sturmer caricatures of them clever. But you have to admit that the joke hasn't aged well.

Chacun à son goût and all that, but to me this sort of thing falls into the same category as Don Imus' gag about the Rutgers Women's Basketball Team. I strongly disapprove of his suspension -- let a hundred stink-weeds bloom, so that we may not be spared knowledge of what we have become. And, in the name of the Republic, leave those who find this sort of thing funny free to laugh their fool heads off over it. It's just not my thing.

UPDATE. My editor has corrected me as to the specific object of Imus' slurs in this instance.

SELLER'S REMORSE. Michael Ledeen notes the latest mayhem in Iran, blames unnamed liberals:

But, just like women stoned to death in Iran, or the mass starvation of the people of Zimbabwe, these horrors are greeted with the silence that racists reserve for the less-than-humans who behave in an uncivilized way. Their unspoken attitude is, well, what can you expect of these untermenschen?

And anyway, it's all Bush's fault.

The Ole Perfesser concurs:

"UNTERMENSCHEN:" He's right. That's how they seem to think.

UPDATE: Reader Ted Clayton emails: "Perhaps you could specify who "they" refers to. "

As you can see from reading the linked item, it refers to those allegedly-progressive Westerners who refuse to hold non-Westerners to the same moral standards applied to, say, America and Britain. That should be obvious to, well, anyone who's paying attention.

ANOTHER UPDATE: Reader Drew Kelley writes: 'I am shocked, shocked, to find prejudice among our "best and brightest'." The descent of the "progressives" into racist double-standards is an old story, but it's still one that bears pointing out now and then.

I'm sick of this shit. First, conservatives called for the invasion of Iraq, with the welfare of the Iraqi people one of their flimsier pretexts. And since the whole DemocracyWhiskeySexy business went south, it's conservatives we most often hear talking about what a disappointment the Iraqis have been.

General Ralph "Blood 'n' Guts" Peters, for example, has said he wants an end to "'peace, love, and understanding' silliness" in Iraq, and cites as a better model for pacification "the Mau-Mau revolt, in which the British won a complete victory -- thanks to concentration camps, hanging courts and aggressive military operations." And, he has also said, "if Iraq's Arabs choose to backslide into the regional addiction to corrupt governance, it's a lick on them, not on us."

John Derbyshire has said that while he supported the invasion as a "psychic shock to the whole region" -- which "It would have done, if we’d just rubbled the place then left" -- he came to realize that "we have submitted to become the plaything of a rabble, and a Middle Eastern rabble at that."

Another rightwing erstwhile warfan, Crunchy Rod Dreher, now says that "I hate that a single drop of American blood was shed for these people."

John Podhoretz says "If the Sunnis and Shiites really go at it, it's hard to see what exactly we can do to get them to stop."

Even Rich Fucking Lowry, author of the notorious "We're Winning" National Review cover story, has said that "The problem with Bush’s freedom rhetoric is that it appears to not be true... All around the chaotic and violent Middle East, human hearts are yearning for many things, but freedom isn’t high on the list."

Yet Ledeen and the Perfesser persist in saying that those of us who predicted that their invasion would result in a shitstorm are the ones who look down on the Iraqi people.

I'd say they suffered from guilty consciences, if there were any indication that they had consciences of any sort.

UPDATE. Commenters point out that The Good Glenn got there first with more. How could I have forgotten the Perfesser's "more rubble, less trouble"? I guess that's why Greenwald is at Salon and I'm wearing a cardboard belt.

ACE O. SPADES, HETEROSEXUAL. The blogosphere is a gold mine for writers. I don't mean you can make a ton of money doing this -- I mean it in a figurative sense, which is the only sense in which most writers, online or off, will ever see much gold of any sort. That is, you can observe certain human behaviors under glass -- the glass of your monitor, in this case -- in much the same way Ibsen used to observe the behaviors of that scorpion her kept in a beer mug on his desk.

Let us follow the tail-swishings of one Ace O. Spades:

5:03 pm: Mr. Spades declares a member of Monty Python who is leftwing unfunny. "Now, I didn't want to go into all that, because even as I pump up John Cleese as the greatest performer and writer on Python, it turns out he's a bit of a New Age left-liberal space-case prick himself. Still, he's not as loud about it..."

9:00 pm: Terry Gilliam isn't funny either! "Terry Gilliam Renounced His American Citizenship Due To Bush's 'Brazil'-like Persecution of Charismatic Rebel-Terrorists... Brazil? Fey, precious drivel. Boring. Not funny, and I don't care how many people insist to me that it is funny... 12 Monkeys. Okay -- that movie I liked a lot. No compaints on that one. Still..."

4:14 am: Wonkette isn't funny, they're only pretending they are -- their japes at Michelle Malkin and Karl Rove were, despite all appearances, deadly serious, and they only pretended they were funny because they were bad at the investigative reporting for which Wonkette is known. Plus they're gay: "boychiks pretending to be 15 year old high school girls... creature of indeterminate gender identity... for a guy who's had more cock in and out of him than a Purdue regional distribution center, you'd think he could manage to lay off the constant gay/transexual 'jokes' for five minutes... This too-gay-even-for-Showtime act is growing thin," etc.

Mr. Spades admits that he was wrong about the Belgian BBQ tax story that had previously incensed him, which means he was "punk'd," which is not the same as being gay.

5:28 am: Ace considers an actress' appearance on Letterman, and a related link, which he's pretty sure is a joke, but which has "naked pics. A lot of naked pics. And a movie of naked chicks which is, yes, officially pornographic." Rosie O'Donnell joke appended.

1:08 pm: British hostages released. "It's about time Feminists invested themselves into knocking the nuts off our enemies for a change."

1:40 pm: New Die Hard movie coming out! Things will blow up! "Presumably John McClane will see through this scam early on, to reassure the few liberal members of the audience that we're not questioning their patriotism."

2:25 pm: Grisly Australian murder story repeated. "Wonkette's about to run a picture of Karl Rove toting the bloody head under his arm, suggesting it's a good tip while tossing in a couple of exclamation points to demonstrate they're not quite vouching for its accuracy." Because Wonkette is serious, and gay.

2:54 pm: Lengthy discussion as to whether Serenity is better than Star Wars. "Dorks" appears in headline, so no fair making fun.

7:28 pm: Essay on Dr. Mrs. Ole Perfesser link about how guys don't like for women to ask about their position on abortion. No data or even anecdotes about such queries cited, but Mr. Spades is incensed:

If moonbattish political conformity is important to a woman, so much so that she really isn't interested in getting to know a guy unless he voted for Mondale whenever he's had the opportunity (if he changed residences in 2002 just to vote for Mondale in his last Senate bid, bonus points!), then, hey, it's better to find these things out early...

It may be superficial to ask about politics as if that's the measure of someone's character, but 1, to a liberal, your politics are indeed the sum and entirety of your character...

...BTW, the answer to this question is always, "Yes, she's a One Week Wonder; they all are." Maybe not just a week, maybe a Golden Fortnight; maybe not even a full week. But yeah. Pretty much... Rosie O'Donnell...

...most guys are quite a bit more conservative than women, and when a woman says she wants a really liberal guy for her man she's usually thinking "I'd like nice gay shopping buddy that will occassionally cuddle with me, like I've seen on television"...

...which is something they'll never think about Mr. Spades, by God! Now, if only he could get one of them to have sex with him, he might not have to spend so much time writing about Firefly, Star Wars, and Rosie O'Donnell.

Thank God he can't climb out of that mug.

TOO CHILDISH-FOOLISH FOR THIS WORLD. The Ole Perfesser plays The Ole Foolosopher, striking what I suppose passes among conservative propagandists for a contemplative attitude. As we have come to expect from such people, the tone is wounded, and the approach entirely self-justifying.

First, after noting that yet another of his stories has turned out to be full of shit, the Perfesser prints a note from some guy telling him how great it is that the Perfesser stooped to correct the item. Then he muses:

Well, a polite email always counts for something, especially in the blogosphere these days. As I note in the FAQs, I don't promise never to link to things that turn out not to be wrong (no blogger could do that) only that I'll try to correct the error if I find out about it. Rein's email is certainly nicer than some I received about the Ware story, though I think I got about as many from Dartmouth alumni complaining -- correctly -- that I shouldn't have called it Dartmouth University in my New York Post column. Well, nobody's perfect.

So not only is the Perfesser a real sport to print the sort of retraction he is constantly demanding of newspaper editors; he's also not responsible for all those other, interesting-if-true tales that he just leaves lying out there -- like dirty hippies beating up a soldier -- for, though they advance an alternative version of reality that exactly conforms with the Perfesser's own, they are innocent mistakes, like getting a name wrong. And those impolite bloggers (not anti-civility, just on the other side) who think otherwise can be dismissed with a hearty "heh."

Incivility bothers the Perfesser a great deal. After hailing James Taranto's Matthew Dowd damage control, the Perfesser presses his knuckles to his brow and ponders:

I've never felt that degree of attraction to, or affection for, Bush -- you never saw the kind of praise for him here that you once saw for him elsewhere. Mostly, I've just felt vaguely sorry for him, and hoped he'd manage to do a decent job under difficult circumstances. On the other hand, I haven't had the same over-the-top response to disappointment with him, either. But I try to keep the political and the personal separate, something that seems increasingly old-fashioned these days.

"I try to keep the political and the personal separate" -- brother, is that rich! Because the whole schtick of these rightwing blog kingpins is about reducing politics to lifestyle choices and personal tics.

There is, for example, Jim Lileks, who has reinvented himself as a 21st Century Babbitt. (In today's episode, he hollers about the damned artists and hoteliers who have ruined his beautiful Roger Smith Hotel, as if the many midtown lodges that draw customers with arty touches were responding to orders from the Third International rather than the demands of the market.) Column after column, Lileks presents conservativism as something that arises less from argument and assessment than from a longing for the Goode Olde Days, when men were men and matchbooks were matchbooks and nobody talked with a filthy mouth, proving that, if Lawrence Welk were plying his trade today, he'd spend most of the show talking about the life-affirming philosophy represented by Champagne Music and the Beatles' spiritual debt to Josef Stalin.

There is Ann Althouse, now in the final, gruesome throes of dementia, for whom all issues are literally all about Ann Althouse, and the most convincing side of any debate is the one that sends her the most mash notes.

And there is the Perfesser. As we sometimes demonstrate here with the Ole Grey Perfesser Test, he is a fairly doctrinaire conservative, with just a little socially-liberal trim added to differentiate him from the currently overstocked pool of Bill O'Reilly impersonators. The Perfesser tumbled early to right-wing market realities: for example, that while Rush Limbaugh's politics was a factor, it was his self-presentation as a callous, self-satisfied douchebag that reminded suburban burghers enough of themselves that they made him a god. But the crafty Perfesser has aimed slightly higher: between newsy bits, he rattles on about high-end coffee-makers and hand dryers and cars, portraying himself very convincingly as exactly the sort of shopaholic dink he wants to draw to his site. They're a demographic bonanza, after all -- moneyed, acquisitive, and fundamentally insecure.

This persona requires another innovation on the Limbaugh formula: while Rush's white dreamers of disenfranchisement relate well to authority, the Perfesser's target auditors are a little more urbane and feckless. So while rightwing politics must stay in the mix -- one cannot dispense entirely with authority, nor with the narrative of liberal betrayal, lest the audience drift away -- it must be a cooler version of rightwing politics, less beefy-faced and sweaty, more accomodating to people who, in the depths of their soullessness, really just don't give a shit about anything except their own personal comfort and primacy.

In answer to that need, the Perfesser and his peers embed their rightwing talking points in a creamy, formless mess that we might call I Can't Believe It's Not Politics. Its apotheosis is -- was, I guess I should say; who takes this shit seriously anymore? -- the "Anti-Idiotarian" concept, which held that old ideas of "Left" and "Right" had lost all relevance, and the real litmus was now whether you agreed with the Perfesser's right-wing ideas, or were an idiot. This is politics with no fuss, no muss -- that feeling of resentment the Perfesser's hehs and indeed have stirred in you are all the sign you need that you're in the right church.

When the heavy lifting involved in reasoning and comparing has been done away with, the politics goes down smooth, so long as the host maintains an entertaining line of patter. And so their readers increasingly perceive politics as something that has to do with Ann and Glenn and Jim and their affection for them. Any other relevance of politics to their lives would be a drag to think about.

Well, they have a right to make a living too, I guess. But let us not pretend that they aren't making the political personal, nor that this is an improvement.

NOSTALGIE DE LA BOUE. Dean Esmay is yelling at the Arab guy at his website:

It's very hard for me to look at American Muslims, or Muslims in general, or anyone who considers themselves "liberal" or "progressive" or "humanist," who claim to stand for freedom and human rights and then attack everything America has done and tried to do in Iraq over the last four years...

Furthermore, anyone calling himself a "liberal" or a "humanist"--Muslim or not--is in my view faced with a stark choice:

You either sit around pretending that a vicious, murderous, fascist "insurgency" that routinely cuts people's heads off and shoots children in the face blah blah blah blah blah...

Wow, it's just like the old days! Bombing Iraq as the real, classical liberalism! Also takin' me back: Saddam-statue-style warblogger hubris:

The fact is that the naysayers claimed we weren't really striving for liberation. We were. They claimed we'd install a new puppet dictator. We did not. They claimed that we wouldn't really try to set up a democracy. We did. They claimed there would be no legitimate elections. The Iraqis had three national elections in a row, all certified as legitimate by international observers, not even counting the local elections that were held before that.

They claimed we'd do everything possible to get out of the country "before the next elections"--they claimed that before the 2004 elections and again before the 2006 elections. It didn't happen. Now these same people in many cases are cheering for a Congress that's trying to force us out of Iraq even though the war supporters consistently say "no, that would be morally and strategically wrong."

Time after time the naysayers have proven themselves both morally and intellectually incoherent, and yet they never have the introspection to acknowledge this.

That's right, liberals who aren't really liberals -- gaze upon the success that is Iraq and gnash your teeth!

It's nice to know someone's keeping the old standard aloft. Sometimes I worry that people won't believe me when I tell them such people ever existed.

L'ENNUI. Welp, haven't been posting much, let's see if there's a TV review at National Review Online... ah, here we go:

Through the drama, a national dialogue takes place on the issues of love and marriage, family, abortion, and faith or lack thereof...

The show has explored what it really means to love another person, moving beyond mere sexual desire. The show’s writers have managed to make interesting and lasting relationships, even if we wish they had also made the characters married.

At least the characters are generally moving toward marriage. And the show, despite the fact that it does away with nearly all sexual mores, does seem to acknowledge that a happy marriage is somehow the desired end of romance...

...It is never suggested that fatherhood has turned unconnected, selfish, womanizing men into responsible fathers...

...while she admits that unexplained miracles do happen, she never allows that a higher power was behind them...

Here’s an idea, Lords of TV: How about just one, rippin’ hot hospital chaplain who offers the patients hope?

The review is about "Grey's Anatomy." Not that it matters.

I could have written about this meditation on "a conservative view of culture" based on the Texas A&M bonfire (sample: "Of course, in both a marriage and the bonfire tradition, such a self-conscious, analytic process leading to an intensity of experience signals the loss of unself-conscious piety, of an intensity that arises from the loss of self"), but you know what? Life is too fucking short.

ROCK THE CASBAH. Peter Suderman applauds an Iranian antiestablishment rocker -- as do I! (Also I disapprove of shitting on a burning flag, except if it's done tastefully as part of a cutting-edge "reimagining" of Dialogues of the Carmelites or something! There, that'll put an end to those posts!)

Then Suderman goes for the big picture. First there is the expected moment of gibberish:

Where's Williamsburg's sneering hipster outrage when you need it?

Oh, Peter. Williamsburg is played out, man! Greenpoint is where it's happening!

But wait:

Not surprisingly, I tend to think that Islamic totalitarianism—the kind that seeks nukes, denies the Holocaust, and bans indie rock (among other things)—is one of the central challenges the world faces in coming years. I often suspect, however, that a large part of the solution will simply be the passage of time, as the younger generation grows into power and, unwilling to give up Western rock music or cell phone flirting, rejects a lot of the extremism we see now. I suppose it's almost the opposite view of D'Souza, in that I tend to think that Western culture and technology, whatever problems they definitely have, will ultimately be a civilizing, moderating influence on Islam, at least in the next generation.

Ah, we are not so different, you and I. Now can you tell your colleagues to stop praying for war with Iran? I'd much prefer to win the Iranians over with booty calls and The Decemberists.

While my good friend Pete and I wait for our decadent culture to reverse centuries of religious mania (he in Iran, me in America -- just like Stalin and Gus Hall!), some of the brethren are more excited by the dream of using American comic-book movies to excite our citizens into jihad. Victor Davis Hanson diagnoses a "liberal furor over 300" -- and implies that the film's critics would have preferred success for Oliver Stone's Alexander, a film that was fulsomely panned by just about everyone on the planet (including me). Hanson then dissects the merits of 300 as if it were a CIA leaflet dropped from helicopters to sway a populace, citing its relevance to contemporary events and his own classicist daydreams. You would never imagine, reading his analysis, that 300 is an action movie consumed with popcorn and soft drinks by citizens with disposable income and a desire for well-ordered thrills.

Some people will never figure out that American culture does its work in the world not as a propaganda for America's policies, but as food for the world's appetites. You may argue that it is junk food, but it is undeniably tasty, and it comes in a multitude of flavors to suit a multitude of tastes. Soviet teenagers certainly spent more of their black-market kopeks on bootlegs of Exile on Main Street than on The Wealth of Nations. Like George Clinton said, free your ass and your mind will follow.

Still, give Hanson credit for stirring the Ole Perfesser to drop one of his more amusing culture bombs:

Part of it is that the movie industry -- or at least the critic section thereof -- is stuck in the 1970s, when moral ambiguity and angst used to be groundbreaking and novel. Now they're overdone, predictable and boring.

Moral ambiguity and angst haven't been novel since Doctor Faustus, if they were then, though the Perfesser is right to intuit that some of us (though not the lords of the "movie industry," surely) prefer the age of The Godfather and McCabe & Mrs. Miller to the age of The Hills Have Eyes 2. But that is a matter of taste, not a problem of politics.

UPDATE. Premiere critic Glenn Kenney is also on the case, and better. I didn't know before I read Kenney's post that Hanson actually contributed to (and presumably profited from) a piece of 300 ancillary marketing -- because Hanson didn't mention it. Well, when you're intellectually corrupt, I guess the other kinds of corruption just naturally follow along.

TANTRUM. Ann Althouse's recent webcam performance has been, I think, widely misapprehended. To say she "loses it" in the video, as C&L does, is technically correct but misleading. That is, we may also say that a badly-brought-up child who throws a tantrum has "lost it," but this implies that the child is thoroughly and helplessly victim to his own passion, when experience teaches that kids milk their shit-fits in hopes that they will cause the relevant adults to change the rules in their favor.

Professor Althouse's whole online career, as has been tediously documented here, may be seen as one long series of tantrums, thrown to remove from herself the responsibility of making logical arguments on behalf of her crack-brained ideas. She constantly commits the most egregious offenses to common sense -- as when, after ceaselessly decrying political correctness in others, she decided Mel Gibson's anti-Semitic remarks made his movies retroactively ungood -- and, when challenged, says that her opponents just like to argue ("link only for the things they disagree with"), that their "political vision... feels like depression," and other such non-sequiturs.

In other words, as soon as things start going any way other than her own, Professor Althouse resorts to behaviors usually seen in the as-yet-unsocialized. So let us not deceive ourselves that the Professor was showing us anything new when she blew up at Garance Franke-Ruta. Her video tantrum only looks different from her written ones because, confronted with a live commenter whose words she could not delete, Althouse resorted to a more physical form of her usual schtick -- that is, yelling and making faces.

And she got what she wanted -- Franke-Ruta backed down like Alan Colmes with a shy bladder. I think that's too bad, but I suspect that even if Franke-Ruta had come roaring back, Professor would have done something else as evasive -- sticking her fingers in her ears and singing "Yellow Submarine," perhaps.

And the same people would notice, and the same people would fail to notice.

AN OLDIE BUT NO-GOODIE. Think I'll drop by that New Criterion blog. After all, they got a fancy Latin name... they can't be too much like the mouthbreathers I usually consort with...

Why America Hates New York

[Posted 12:37 PM by James Panero]

'Forty Days in the Dessert'? The 'Immaculate Confection'? The possible New York Post headlines here are endless (and yes, I know the difference between the Immaculate Conception and the Virgin Birth.) But one thing is clear. From Piss Christ to The Sensation Show, America hates New York for cheap art-world stunts, and for good reason. Check out the following notice that just came over the transom...

Piss Christ and Sensation! How did he miss Karen Finley? Must have been edited for space.

He's angry at a Jesus made out of chocolate, by the way. Oh wait, I forgot the best part:

And why have I yet to see a custard Mohammed?

Blasphemous and soft on Islam! I hope Panero storms this exhibition, throwing Holy Water and screaming "The Power of Charles Johnson compels you."

On the bright side, at least America hates New York again. Thank fuck! I was really tired of them pretending not to.

FOGGY MOUNTAIN BREAKDOWN. The L.A. Times has a story about how Democrats get more famous musicians to play at their fundraisers than Republicans get. This should be no shock to Republicans, as the Party of acid, amnesty, and abortion has long been the natural home of all us godless artists.

The Ole Perfesser, however, reacts to the news as if he has just seen a passel of bluecoats comin' over the ridge:

ANOTHER REASON WHY REPUBLICANS should cheer the music industry's troubles, and perhaps help them along by repealing the DMCA or something. As I've suggested in the past, though, I think their reflexive tendency to side with big business has gotten in the way of smart politics.

Not enough musicians like the GOP. Let's punish them with frivolous legislation!

As previously mentioned here, the Perfesser seems not to know the difference between art and propaganda. We might try explaining it to him by using his own work as an example -- take your own short films of car interiors, Perfesser, or your thoughtful essays on how much hotels charge you for internet access -- surely these are not political in purpose, but pure expressions of those few vestiges of humanity left in that shallow grave we call your soul!

But then again, why bother?

P.S. Since the recent box-office triumph of 300 was supposed to mean that Americans want to be ancient Spartans, does this latest development mean that Americans now wish to be anthropomorphic turtles? (Favorite Libertas line: "If white men kill darker men in this story, it’s not because of their color, it’s to stave off their slavish culture, just as we must do today." Wow, maybe that will be the Sean Bell officers' defense.)

SHORTER ACE O. SPADES: Giuliani shows signs of beginning to consider to pretend to almost support my positions. Yessss!

RIGHT-WING NUTS SAY THE DARNEDEST THINGS, #452,885. "Here, morality is not being used as a lens through which to view the facts, but rather as a hammer that can smash the inconvenient ones." -- The American Thinker on (not that it matters) so-called global warming.

(Me, I use morality as a lint-brush to de-pill my bedspread. Hat tip to the deranged housefrau wearing a breastplate made of old brooms and declaiming lines from Saint Joan. The whole thing is insane, but I'm all about the piquancy of clumsy metaphors and the sweet taste of low-hanging fruit. You may have at the "Thinker," and his claim that liberal alchemists are trying to hypnotize us, in comments.)

UPDATE. I'm so lazy today I forgot to check: one post earlier, Jean D'oh writes:

So, you know...if the big boys of Global Warming aren’t really taking the issue seriously,,,if they find it so unserious as to allow the issue to be used as a political wedge or a rabble-rousing sound-bite, and that’s all...well, then I don’t have to take it seriously, either.

(Original rendered in bold, italic, flaming type with a car horn blaring "ah-OO-ga" in the background.) This is not about global warming so much as about styles of denial. Their reason for denying the credibility of global warming theories, however much its expression changes from post to post, is simply that people they don't like are advocating them. Maybe some GW advocates ought to appeal to them by wearing American flag pins and talking smack about Chavez, and thus save the world from catastrophe.