Though modern-day antiwar music spans many different genres, one common thread unites the musicians: They are all aging, fading, and facing imminent decline. This is not to say, however, that the Rolling Stones do not still command a massive following or that the Material Girl is eternally devoid of material to sing about. Nevertheless, it is probably safe to assume that those who today are "rocking against Bush" are not too far off from the day when the only rocking they'll be doing is in rocking chairs.With what software was this translated into English? But I'll say this for Mann -- he's stylistically consistent. Here's a bit from the only other Windsor Mann article I could find:
Whatever one calls it, time off allows us all to refocus our energies on more important things. It is during times of recess that we can follow the trial of the King of P-O-P rather than the judicial nominations of the G.O.P., shop for gas grills instead of appropriations bills, watch "The Wedding Crashers" instead of the Bolton bashers and learn the name of a summer flame so long as it is not Valerie.I like to imagine Mann throwing gang signs as he recites this to his horrified editors.
The decline in conservative writing proceeds apace. As a youth, I could enjoy the style if not the sensibilities of Ernest van der Haag and W. H. von Dreele ("Theopompous claims that God is dead/His congregation's comforted"). I never thought much of P. J. O'Rourke, but at least his shit had some snap to it, so even to this day professional O'Rourke impersonators maintain a certain level of freshness.
Those days are gone. Now, apparently, the sole requirements for conservative authorship are adherence to party dicta and semiotic signifiers of Humor (like the cute rhymes, showing, in lieu of an actual joke, awareness that a joke would go well there).
Soon it will all be Haw haw, Michael Moore shore is fat! The blogosphere offers plenty of potential recruits.
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