IRAQI GRANNY INVITES US TO HER HOMELAND.

In related news, one wingnut working group has been tasked with indoctri-ma-cating our young on the gloriousness of the Iraq War and democracy at the point of bombardment. Check out these bits from their lesson plan for today's Iraq elections:

PARALLELS WITH U.S. HISTORY--


United States: Declaration of Independence from Great Britain, July 4, 1776 (amidst war).

Iraq: Liberation from Saddam Hussein, April 9, 2003 (amidst war).

Have fun explaining how Pulaski and Lafayette carpet-bombed America's cities in order to liberate us (and our rich maple-syrup fields) from George III. Show woodcuts of French dirigible leveling Boston, and grateful citizens waving wooden limbs in tribute.

QUESTIONS FOR DISCUSSION...

3. Do you think it is more or less difficult for a country to form a democratic based constitutional government today than in 1787?

Hella simple now! Consent of the Conquered is easier to secure that the support of a bunch of pesky revoltionaries. There'll be no Shay's Rebellion this time, I can tell ya! The money's good, too!

Still more questions for discussion:

Why do you think voter turnout in Iraq has been 60-65% and the average U.S. voter turnout is much lower?

No electricity, no TV. Duh.

Wars are often controversial: many colonists opposed the American Revolution; Abraham Lincoln resisted enormous pressure to compromise with the Confederacy and allow slavery to continue in order to end the United States Civil War; there was opposition to the Vietnam War. Discuss the war in Iraq in light of the goals of the December 15 election. Are there similar moments in United States history that can help us understand the moment?

...and by the time you get to the end of the question, of course, the students forget whatever hint they may have noticed that many (and maybe most) Americans disapprove of the war. Especially when your PowerPoint presentation flashes the Dirty Hippie icon on the word "Vietnam."

Best of all: class projects!

(K-5) Create a dramatization of voting day in Iraq. Have students take the roles of different persons: Iraqi men and women who come to the polls, Iraqi security forces, American soldiers, terrorists, international observers.

SHAUN as U.S. Soldier: Welcome to voting! Everybody vote for freedom! Come to my voting party!

TIFFANY as Iraqi Lady With Scarf Like In The Picture: I want to vote, Mr. Soldier! I want to play with the purple ink!

DYLAN R. as Ahmed Chalabi: Vote for me and my American friends will give you all ice cream!

DYLAN L. as Terrorist: I keel! I keel!

(DYLAN L. gestures with gun; several students fall dead. TIFFANY screams. SHAUN kills the terrorist and several other students.)

TIFFANY: Mr. Soldier is hot! Thanks Mr. Soldier!

DYLAN R.: Now I am President! Ice cream for everybody!

EVERYBODY: YAY!

TEACHER: I'm sorry, kids, there's no ice cream!

EVERYBODY: Awwwwwww.

TEACHER: Now everybody help clean this up, and Tiffany, you wash off that purple ink before we start Jesus Made Science class.

DYLAN L. Democracy sucks!

Say, this lesson plan may go better than I thought.

THE NEW ANTI-GAY-MARRIAGE ARGUMENT! Now here's one I hadn't heard before:

...The picture is of two people of the same gender in full wedding regalia.

They look longingly into each other's eyes as if to say, "I love you so much, I'm willing to make the state fund our forgery of marriage and enforce its acceptance on everyone else". Though the romance is laudable, there is an immediate sense of offense to one's values. This isn't like the bigoted offense of seeing a person of a different race move into the neighborhood, as it is often portrayed by same-sex marriage advocates. It is easier to celebrate the love of two people. But here there is offense because depending on how much one values the ideals of equal gender participation one might see something very precious and dear being imitated and mocked. Whether that mockery is intentional or circumstantial, it may be best described as the offense a black-man who may have seeing old vodvillian actors who pretended to be black by painting their face with shoe-polish and saying "Mammie, Mammie" to the laughter of the crowd. Surely bringing the offense to the crowd would make one in that day and age a party-pooper also.

Gay marriage is to heteros what blackface is to black folk! I guess that makes ass-fucking the equivalent of a Confederate flag or something. And "Will & Grace" is Birth of a Nation.

Give it three days and it'll be a Maggie Gallagher talking point.

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NO HONOR AMONG JERKOFFS. Original rightwing Australia spin: John Howard and his brave, plucky, white Aussies are the "third pillar in the Anglosphere." Howard "gets it," WOT-wise. Howard is "Bush's soulmate."

Post-Sydney-riot rightwing Australia spin: "It's like Paris Down Under." The yobs at Little Green Footballs weigh in: "Those guys are just beggin' for a Darwin award as they race toward extinction," "What a shame Australia emasculated their citizenry from protecting their lives & property against these middle eastern assholes. This would last about 5 seconds in Texas," etc.

Sorry, Howard, you've been Chiraxed! Now line up for your Axis of Weasels portrait.

If you don't wish to rely on the Pajaosmas link the Perfesser provides -- at which you will hear nothing about the white-pride types who are involved in the riots (probably the version the LGFers got) -- try an Australian newspaper. It may be "old media," but at least it's not complete bullshit.

And spare a thought for John Howard. Being one of these guys' "allies" is about as raw a deal as you can get.

SPANNING THE GLOBE. Whoops! At PowerLine:

Our friend Mac Owens writes:

I don't know if you saw this. I think it's a pretty good analysis of the president's Iraq strategy document. [Note] my last paragraph in which I refer to the Copperhead faction of the Dem Party (most of them, led by Murtha-Pelosi) and the Copperhead-lite alternative (Kerry and Hilary). I thought of the link when I read [Paul's] reference to "defeatocrat-lite"..."

No, no, Big Trunk or Trunkrocket or whatever you're calling yourself this month! Owens' note was obviously meant to be private! He was just explaining how you should frame his story because you're a little dense and need that sort of prompting. When you show a guy talking so lovingly about his own column, it makes him look like an idiot.

Which Owens is. So nevermind.

Here's a bonus citizen soldier! Nine-Star General Ralph "Blood 'n' Guts" Peters, one of my favoritest cartoon characters, sounds off about Howard Dean's claim that we can't win in Iraq. The General mocks Dean not only because he "encourage[s] our enemies to kill American troops" (all in a day's work for us traitorous Dems!), but also because Dean "never bothered to serve in uniform" and for "his ignorance of military history." One imagines Jonah Goldberg standing behind the General, shaking his GI Joe at Dean and yelling "Burn! Wicked burn!"

As always with the General, lots of entertaining froth, such as this:

Consider this: Not one of us would consider looking over a neurosurgeon's shoulder and directing an operation. Yet a colonel in our military has more years of formal education — and far more varied hands-on experience — than any surgeon.

Fucking pussy surgeons. I can cut good's they can. (Drunkenly unsheathes his Ka-Bar.) Hold nice 'n' still.

Great fun, but the General grows tedious by pretending to wish fervently for a non-treasonous "responsible and strong Democratic Party." I direct him, yet again (does his adjutant not relay my communiques?), to my Perublican Party Manifesto.

Oh, I mentioned Jonah Goldberg, didn't I? Then I guess I have to mention his latest. It is, as usual, the stupidest thing ever written, and will remain so until he writes something else. Sample quote:

In "Patriot Games," Harrison Ford shot a man in the kneecap to get the information he needed in a timely manner. In "Rules of Engagement," Samuel L. Jackson shot a POW in the head to get another man to talk.

And the audience is expected to cheer, or at least sympathize with, all of it. Now, I know many will say, "It's only a movie" or "It's only a TV show." But that will not do. Hollywood plays a role in shaping culture, but it also reflects it. It both affirms and reflects our basic moral sense (which is one reason why it dismays some of us from time to time).

No person, not even Goldberg, could speak those lines aloud and believe that they made any sense.

To end on a unreasonably high note, here's Free Republic's Friday Toons, made by people who are as crazy as our other subjects but so much more fun, bless them. In fairness, I must point out that some of the cartoons are actually funny, and a few diverge from the Freeper party line. But for the most part it's the usual:

I note with interest that "State of the Union" now features Jeff Jacoby.

This fellow hates newspaper publishers so much, he makes them turn black! (BTW, this isn't racist, why would you think that? You must be racist yourself.)

I'll let this guy wrap things up -- he sure can write a punchline!

SORRY, OLD CHAP. I really hate to say this, but Harold Pinter's Nobel Prize speech was not well played.

In a way I admire it. He had a world stage, and gave from it (or from a TV set perched on it) the explicitly political lecture he wished to give. There is a touch in this of Brando sending out Sacheen Littlefeather, which I also admire. Fuck 'em if they can't take a rant. What makes their party more sacrosanct than the Oscars? It's his party this year, after all.

My quarrel is that he did not explicitly tie his gift to literature -- the occasion for the speech -- to his political argument. This judgement may be based on ignorance of his more recent work, which I have seen mostly on right-wing websites, by which torn pieces covered in wolves' spittle no sensible person could judge it.

That notwithstanding, I do see a break in Pinter's speech that cut his authority as a great writer away from his reasoning as a world citizen. And without that authority his argument, again given the occasion, loses the force it might have had.

All the early stuff about his working method is, or should be, nectar to writers:

In the play that became The Homecoming I saw a man enter a stark room and ask his question of a younger man sitting on an ugly sofa reading a racing paper. I somehow suspected that A was a father and that B was his son, but I had no proof. This was however confirmed a short time later when B (later to become Lenny) says to A (later to become Max), 'Dad, do you mind if I change the subject? I want to ask you something. The dinner we had before, what was the name of it? What do you call it? Why don't you buy a dog? You're a dog cook. Honest. You think you're cooking for a lot of dogs.' So since B calls A 'Dad' it seemed to me reasonable to assume that they were father and son. A was also clearly the cook and his cooking did not seem to be held in high regard. Did this mean that there was no mother? I didn't know. But, as I told myself at the time, our beginnings never know our ends.

This is excellent, largely because it approaches the universal by way of the particular. Not everyone starts as Pinter does, but the conclusion at which he arrives is both philosophically astute and common knowledge – it’s also funny, which demonstrates that the mystery Pinter pursued is one we all can acknowledge, and gives evidence of his lasting gift.

Pinter remains on the right track with his first relating of language to politics:

But as I have said, the search for the truth can never stop. It cannot be adjourned, it cannot be postponed. It has to be faced, right there, on the spot.

Political theatre presents an entirely different set of problems. Sermonising has to be avoided at all cost. Objectivity is essential. The characters must be allowed to breathe their own air. The author cannot confine and constrict them to satisfy his own taste or disposition or prejudice. He must be prepared to approach them from a variety of angles, from a full and uninhibited range of perspectives, take them by surprise, perhaps, occasionally, but nevertheless give them the freedom to go which way they will. This does not always work. And political satire, of course, adheres to none of these precepts, in fact does precisely the opposite, which is its proper function.

This is inarguable. Shortly thereafter:

Political language, as used by politicians, does not venture into any of this territory since the majority of politicians, on the evidence available to us, are interested not in truth but in power and in the maintenance of that power. To maintain that power it is essential that people remain in ignorance, that they live in ignorance of the truth, even the truth of their own lives. What surrounds us therefore is a vast tapestry of lies, upon which we feed.

Well... okay... but...

As every single person here knows, the justification for the invasion of Iraq was that Saddam Hussein possessed a highly dangerous body of weapons of mass destruction, some of which could be fired in 45 minutes, bringing about appalling devastation. We were assured that was true. It was not true. We were told that Iraq had a relationship with Al Quaeda and shared responsibility for the atrocity in New York of September 11th 2001. We were assured that this was true. It was not true. We were told that Iraq threatened the security of the world. We were assured it was true. It was not true.

The truth is something entirely different. The truth is to do with how the United States understands its role in the world and how it chooses to embody it.

Here you get the feeling that only the thinnest reed connects Pinter’s argument with its target: he has begun to compare the quest of earnest travellers toward truth, such as himself, with that of professional liars. It isn’t that the argument is too big for the target – though I think it is – but that one has nothing really to do with the other.

By the time we get to the painful descriptions of Reagan’s Nicaragua policy, Pinter’s argument is as far off the mark as a bird’s argument with a cat. It is beyond the province of literature, and, I fear, there is nothing in it that can wrest the argument back toward terms more favorable to literature. That may be Pinter’s assessment, too, and while I appreciate his dire conclusion –

I believe that despite the enormous odds which exist, unflinching, unswerving, fierce intellectual determination, as citizens, to define the real truth of our lives and our societies is a crucial obligation which devolves upon us all. It is in fact mandatory.

If such a determination is not embodied in our political vision we have no hope of restoring what is so nearly lost to us – the dignity of man.

-- the speech, meant to accent the "crucial obligation," because it plays on the enemy's field is forced to leave its weight on the "enormous odds."

It may be that Toni Morrison’s Nobel Speech has as little relevance to the real, bleeding, scheming world as Pinter’s, and Lord knows I prefer his work to hers. But her Speech hinged on a metaphor – a blind woman trying to discern the fate of a bird in hand – and tightly connected her gift, such as it is, to the enemy it faced in the State:

The systematic looting of language can be recognized by the tendency of its users to forgo its nuanced, complex, mid-wifery properties for menace and subjugation. Oppressive language does more than represent violence; it is violence; does more than represent the limits of knowledge; it limits knowledge. Whether it is obscuring state language or the faux-language of mindless media; whether it is the proud but calcified language of the academy or the commodity driven language of science; whether it is the malign language of law-without-ethics, or language designed for the estrangement of minorities, hiding its racist plunder in its literary cheek - it must be rejected, altered and exposed.

I would be remiss not to mention the Speech by the Russian poet Joseph Brodsky:

"How can one write music after Auschwitz?" inquired Adorno; and one familiar with Russian history can repeat the same question by merely changing the name of the camp - and repeat it perhaps with even greater justification, since the number of people who perished in Stalin's camps far surpasses the number of German prisoncamp victims. "And how can you eat lunch?" the American poet Mark Strand once retorted. In any case, the generation to which I belong has proven capable of writing that music.

This is not to play Dueling Oppressions, but to recognize that oppression remains what it has always been, as art has, and though the former tries like hell it has not in all these centuries been able to eradicate the latter. Pinter might have spoken of the particularly seductive language oppression, Western-style, has learned to deceive its subjects; what a speech that might have been!

But we already ask too much of our artists when we ask them to tell us how they do what they do. And I note with displeasure that the Nobel Speeches get longer each decade – look at Knut Hamsen’s! If Pinter’s speech disappoints you, read the plays. They contain everything you need to know.

TIGHT-LIPPED, CONDESCENDING, MAMA'S LITTLE CHAUVINISTS. The right wing observes the 25th anniversary of John Lennon's death:

• New York Post wishes Lennon could have gotten to know and love Rudy Giuliani (then, at least, he'd merely be in jail instead of dead);
• Washington Times hopes Yoko Ono, having been "mugged by reality," has become more conservative (maybe they should send her a card);
• NRO crackpot tries to convince himself that he and John Lennon shared some of the same politics, because he rilly, rilly likes John Lennon's music. Which, come to think of it, explains a lot of that "Top 10 Conservative Movie Trailers/House Music Records/Book Jacket Designs etc." type of horseshit that they do over there.

SHORTER PEGGY NOONAN. (to the tune of "Who Put The Overalls in Mrs. Murphy's Chowder") 

Now me Grandma came from Ireland a hundred years ago
And she had things so much tougher than them boys from Mexico
True, Mexicans risk life and limb to get into th' States
But Grandma briefly wore a card all marked with names an' dates

One night me Grandma had to sleep out in th' open air
(I guess th' campesinos, bein' campers, wouldn't care!)

Now Mexicans are runnin' wild -- Lou Dobbs showed me th' tapes -- 

And they laugh at dear old Grandma as they come to pick our grapes! 

Chorus

Who let th' Mexicans in Peggy Noonan's country?

Soon racially we'll be naught but gallimaufry

Grandma slept upon a bench

Now I'm grand as Judi Dench

No Mexicans in Peggy Noonan's country!

PUTZ COUNTER PUTZ. Finally saw one of those "blogjams" at PJOSM Whatchamacallit. It went something like this:

Like my colleague, I was against the war in Iraq. I wanted instead to invade Iran, Syria, Saudi Arabia, and the United Arab Emirates, and kill everyone in them and replace them with our own illegal Mexican immigrants. Still, the Iraq thing is going great.

I must disrespectfully disagree that the Iraq war is going well. Just look at the evidence...

Why isn't President Bush sending AmeriCorps volunteers to plant trees in Iraq? I eagerly await your response.

What? I don't see what that has to do with...

 

 
Why do you keep dodging my questions? This is typical of the Left. Don't you agree that the left threw poisoned kittens over my fence in an attempt to make my Rottweilers sick?

That's terrible, Michael. I guess some Leftists are pretty crazy, sure. It didn't used to be this way. I have fond memories of when they had that I Ain't Gonna Play Sun City thing and the Boss sang along. I guess things have changed...

Why do Leftists fart in elevators and then say I did it? Why do Lefists make me look bad by wearing certain fabrics, like gabardine and flannel, with a flair I cannot achieve? Your evasions do nothing for your case. Again, I keep agreeing with you that Bush erred in not biting open the throats of the illegal detainees and marching into the World Court, hauling their corpses in with one hand and giving the judges the finger with the other! We are not so very different, you and I.

 
Actually I am very much against the mistreatment of our detainees. But, hey, that's a discussion for another time

MARK TWAIN VS. MAX BOOT. At OpinionJournal Max Boot sings -- as Homerically as such as Boot can manage -- the praises of Leonard Wood, a doctor-soldier who assisted greatly in the subjugation of the Philippines and Cuba during America's earlier age of empire. "Never has Wood's example been more timely," says Boot. Here's part of that example as described by Boot himself:

...[Wood] dealt ruthlessly with all opposition. The primary threat [in the Moro district of the Philippines] came from juramentados, knife-wielding assassins who thought that they could win a place in paradise if they died fighting Christian infidels. To defeat them, Wood shelled numerous cottas (forts) containing not only enemy fighters but also women and children. His scorched-earth policy sparked controversy but achieved results. Moroland had been temporarily pacified by the time Wood left for Manila to take over as military commander of the entire Philippines in 1905.

Let us pause briefly to think what America's new bestest friends, the Iraqi People, would think to hear such activities described as exemplary behavior of conquerors toward the conquered. Then let us hear the same incident as reported by a very different sort of journalist from Boot -- Mark Twain:

A tribe of Moros, dark-skinned savages, had fortified themselves in the bowl of an extinct crater not many miles from Jolo; and as they were hostiles, and bitter against us because we have been trying for eight years to take their liberties away from them, their presence in that position was a menace. Our commander, Gen. Leonard Wood, ordered a reconnaissance...

Our soldiers numbered five hundred and forty. They were assisted by auxiliaries consisting of a detachment of native constabulary in our pay -- their numbers not given -- and by a naval detachment, whose numbers are not stated. But apparently the contending parties were about equal as to number -- six hundred men on our side, on the edge of the bowl; six hundred men, women and children in the bottom of the bowl. Depth of the bowl, 50 feet.

Gen. Wood's order was, "Kill or capture the six hundred."

The battle began-it is officially called by that name-our forces firing down into the crater with their artillery and their deadly small arms of precision; the savages furiously returning the fire, probably with brickbats-though this is merely a surmise of mine, as the weapons used by the savages are not nominated in the cablegram. Heretofore the Moros have used knives and clubs mainly; also ineffectual trade-muskets when they had any...

General Wood was present and looking on. His order had been. "Kill or capture those savages." Apparently our little army considered that the "or" left them authorized to kill or capture according to taste, and that their taste had remained what it has been for eight years, in our army out there - the taste of Christian butchers.

One hates to use the phrase, tainted as it is by the touch of the Ole Perfesser, but: read the whole thing.

In any contest between a propagandist and a genius, you may be sure the early returns will favor the former; but thereafter the tide may turn. Boot regrets history's neglect of Wood, though I would say in this case history is actually maintaining an embarrassed silence on him. I suspect Clio's treatment of Boot will be less kind.

I OUGHTA GO TO WORK, BUT I AIN'T GONNA DO IT/BECAUSE I'M REALLY JUST NOT QUITE UP TO IT. It’s low-hanging fruit day. I mean, who really wants to follow the "You take back what you said about Uncle Irving" thread at The Corner? It’s like Long Day’s Journey Into Night as performed by the Willowbrook ’72 Dramatic Society. Today I just don't have that much jam.

So let’s indulge in some really dumb shit. Tbogg points to this charmer’s “Rock Songs Conservatives Can Love.” Now, you all know by now how I feel about the relationship of art to politics – if the former is not master of the latter, bullshit ensues. And many if not most overtly political rock songs, whether you like the politics or not, are terrible – for every “London Calling” there are a dozen or more like “Gun Control” or “Do They Know It’s Christmas” or that horrible thing your sister’s boyfriend sang about apartheid at the 1983 talent show.

But when I read trenchant analysis like this --

Camper Van Beethoven - Might Makes Right (anti-Iraq war but with only in one line. Ignore the line and the song plays like “Team America”)

-- what can I say except, hey, buddy, let me help you out with some real conservative rock songs:

“No Feelings” – Sex Pistols

“White Minority” -- Black Flag

“I Live, You Die” – Flotsam & Jetsam

“Pray I Don’t Kill You, F****t” -- Run Nigger Run (Steve Albini project!)*

“N****r Loves His Possum” -- Collins and Harlan*

And anything by the Allendale Melodians! Here’s me bus! Bye!

UPDATE. Oh, for Christ's sake, the madness is not limited to the margins -- one of the numbskulls at The Corner is now compiling his own "conservative rock song" list! Feel free to send him my suggestions.

UPDATE 2. Lotsa good suggestions -- "I Don't Care About You," Fear -- "Suit & Tie Guy," DRI -- "Killing an Arab," the Cure -- and, meta as always, Jeremy Osner suggests "Psychotic Reaction" by the Count Five.

Let me say this in response to commenter Kyle -- because he contends honorably, and because it has to do with what we always talk about when we talk about culturewar here: I don't see evidence for the subtler argument you attribute to SMB. His language is as knuckleheaded as that found at The Corner, where conversion of otherwise poli-sci-neutral artworks into rightwing rah-rah is a thriving business. The difference between "songs that conservatives would find especially agreeable" and "songs that were written to cheerlead for conservatism" is as real as you suggest. But the words you put in front of these phrases -- "looking for" -- changes everything. That's what our nemeses do, because they can't imagine any art that isn't -- oh that phrase -- politically correct by their lights, and by making such lists encourage a false understanding of what art is for. If we get to the point -- a point these guys are working toward -- where a person can't enjoy a song or a story or a poem without first being assured that it reflects his reified world view, then we are lost, not just politically but as human beings.

I mean, "Okie From Muskogee" and Leonard Cohen's "The Future" and Graham Parker's "You Can't Be Too Strong" are great songs. If I worried about where they fell on some bean-counter's notion of a political spectrum, I'd be deprived of their pleasure. And some poor kid sucked into the blogosphere's sorting machine may never get the chance to enjoy them as I did.

Even Rod Dreher could enjoy the Clash. Jesus Christ. If that clueless Flanders can enjoy music without a political imprimatur, why can't everyone else?

UPDATE 3. They just keep getting worse. Highlight of this particular "Everyone I like must be exactly like me" fantasy: "I feel [Lennon] would have become a card-carrying Republican and voted for President Bush in the 2004 election. Perhaps his latest song would have even been a cover of 'G-d Bless The USA.'" J-s-s Chr-st, what an -ssh-le.

* -- titles expurgated to please illiterate bureaucrats at Google, who consider straight quotations (with quotes around them, even!) to "incite hatred against, promotes discrimination of, or disparages an individual or group on the basis of their race or ethnic origin, religion," etc.  Please, nobody tell them about The Adventures of Huckleberry Finn and N***r Jim.

SHORTER MOE LANE, OR CONSERVATIVE ARTS APPRECIATION DEFINED: Here is a long, derogatory review of a film I have not seen.

UPDATE: A commenter points to a related post by Doctor Mrs. Professor Reynolds, in the comments section of which DMPR vomits contempt upon artists in general, then complains that they don't want to hang out with her. Somebody ought to check the Instahouse for stupid gas.

FORWARD, KVETCH! Meet Keiran Michael Lalor, shown here posing with right-wing celebs and yelling at protestors. Lalor has served his country in Iraq, a fact which all his published work announces. As you can see from the photos, he is a fine specimen of a lad with a shaved head and a "I have killed many men and I will kill you" look omnipresent in his tiny eyes. You do not want to fuck with this Marine.

We do not hear much specific about Lalor's military service, but we do know that he has been held prisoner and tortured -- not by the Iraqis, but by the professors of the Pace Law School. Hear his woeful tale in today's New York Post, as he describes his student days as a series of psychological torments that would not be out of place at the Hanoi Hilton:

I started law school just days after returning from a tour of duty in Iraq. Orientation centered on a case of determining the rightful owner of a painting stolen by a soldier in World War II.

It struck me as odd that with countless legal decisions in Anglo-American jurisprudence, the school chose — as an introduction to the study of law, during a time of war — to focus on a case where the bad guy was an American soldier.

The professor leading the class used examples from his practice to illustrate legal concepts. And he had cut his legal teeth defending draft dodgers, so his lessons typically involved a bumbling and heartless U.S. military persecuting a saint-like draft evader.

Yes, Good Soldier Lalor is forced to listen to this filth and worse: "a guest speaker compare[d] U.S. soldiers to Nazis... one question on the final exam of her legal ethics class incorporated an anti-military theme mocking operations in Iraq..."

There is more, but I can see my readers are overcome, so I will spare you the details.

I have to ask: why is Lalor attending this Stalinist indoctrination center? For one thing, there are plenty of fundamentalist Christian law schools -- Jerry Falwell has one! -- which I'm sure would welcome a mean, lean, logic-killing machine like Lalor.

For another, it's not like Lalor didn't know what he was getting into. According to an earlier column, this is his second stint at Pace! Highlights from his 2001 tenure:

I was then in my first few weeks at Pace Law School with a front-row seat to the left's post-September 11 reaction...

[My professor] mentioned the "My Lai massacre" in Vietnam, slavery and the treatment of American Indians as examples of American terrorism. Twenty-five miles from Ground Zero, where rescuers struggled in hopes of finding survivors still alive, this law professor chose to focus on the blemishes in our history as an introduction to our first post-September 11 class. I have to give him credit for being on the cutting edge of liberalism because at this point the now notorious International Freedom Center slated to occupy Ground Zero was just a twinkle in the left's eye...

A few months later, I left law school when my Marine Corps Reserve Unit was called to active service. We prepared for the war that had been brought to our shores on September 11 and resolved to defeat the enemy. At school, some students and the bulk of the faculty seemed markedly unconcerned about U.S. victory or defeat. There was a reflexive, leftist preoccupation with trying to understand, defend, and excuse al Qaeda. The rhetorical energies of my teachers and some classmates were focused not upon responding or defending the country but on proving the U.S was somehow to blame...

...and so he came back a took a seat in the same school, where, chained to a desk and withstanding horrific assaults to his patriotism, he bravely blinked out a New York Post column in morse code.

One might ask why, but, for that matter, why do I bother to read and write about this crap? I guess we both just like to complain!

THE CULTURE WAR'S REAR ECHELON. Writing is a hard dollar in any case, so I can understand why a lot of marginal scribes have over the years flocked to National Review, the Claremont Institute, etc: they're always hiring, it seems. I have myself written utter hogwash for corporate clients, so I will not judge these factota on moral grounds. (Oscar Wilde could. When a friend of his whose hackwork offended Wilde shrugged, "A man must eat," Wilde replied, "In your case, I fail to see the necessity.") But as a professional, even as a mercenary, I find myself increasingly offended by the increasingly low quality of their work.

Not that it was ever good. During the Reagan-era goldrush of right-wing propaganda gigs, tractability trumped talent -- prickly Old Guard authors like Karl Hess gave way to faux-contrarian bloviants like R. Emmett Tyrell (who, with the aid of a thesaurus, impersonated an author just badly enough to convince the sub-literate that he was one, and thus emblematized his profession and his age).

But nowadays it's even worse. Consider that it took two authors to write this. Most of the piece summarizes the plot of a comic book -- and while this job is poorly performed, it at least gives the reader some tangible details and images; the passages that are (apparently) meant to analyze the comic book actually make it harder to tell what the thing is doing or trying to do:

If satire is the stuff of Jonathan Swift — intelligent, probing, witty, sharp, and scathing — then Liberality falls woefully short. It is, in fact, none of those things. Walking a blurry line between oblivious self-parody and conscious self-deprecation, it is a hysterical, hilarious romp through a nightmarish right-wing fantasy land...

Regardless of how Liberality's humor is intended, it's there in spades. On the back cover of one of the comic books, Hannity's metal fist clenches a squirming caricature of an Arab terrorist by the throat, holding him up in a gesture of triumphant contempt. Purposefully or not, it is the perfect culmination of this carnival of colorful absurdity.

How does this sort of thing get published?

Desperation is a possibility. Figure that every young toff who announces himself to the wingnut network by joining the local YAF or Protest Warriors chapter will eventually be recruited by agents of Scaife or Moon. These lads and lasses cannot be forever happy working in the mailroom. They know that to break out, they either have to blow George Roche (or his not-yet-disgraced equivalent), or publish something high-profile enough to make a name and a place on the path to editorships and junior analyst slots.

Think how many essays this must engender! And think what sort of people are writing them: Bible-college yearbook editors; clench-fisted debate-club nerds; and, probably more than anything else, political hacks who sincerely believe that literary greatness, like everyone and everything else they have yet encountered in their short lives, must fall to their energy and powers of persuasion.

For the most part these are young people who lack both the experience to comment sensibly on real-life experiences, and the patience or depth to comprehend theoretical abstractions. And, like nearly everyone else in these United States, they think that first-class writing is distinguished not by clarity but by opacity.

So they pick topics that will not get them called for ignorance -- because their editors don't know about them, and nobody else cares about them: comic books, movies, TV shows, celebrity bloggers, etc. On such bare themes the young Turks hang words, metaphors, subordinate clauses and apothegms in (their articles suggest) whatever order they happen to come to minds only hazily acquainted with the rules and traditions of English composition.

Like all amateur artisans, they lay their materials on thick. When they make a mistake or intuit how lost they are, they just add more. Eventually the accretion is so monstrous that it seemes singular: maybe, the budding authors muse, this is what they mean by style.

Such monstrosities pour over an editor's transom. The editor sighs; there is no money in the budget for remedial education, and he has no time to educate all the sprats himself. He keeps hoping they'll get better; but they don't. They spend their free time horsing around. The males try to mack on the females, and the females try to make each other jealous. The editor wonders why they didn't go into advertising. Maybe if Rupert Murdoch owned an agency...

Meanwhile his boss -- a moneyed crackpot who lives in a Georgian mansion in North Dakota and practices incessantly at his private rifle range to prepare for the coming Mexifornian invasion -- looks in: any new talent coming up?

The editor hands over some of the less deformed creations. The boss scans the copy of one, cannot make heads nor tails of it. This is not unusual, but it seems even worse today; maybe, he thinks, it's time for a new contact lens prescription.

Nonetheless he sees keywords of which he approves -- Hannity, Liddy, Limbaugh, Rand -- and that pleases him. That's usually as much as he needs to see when reviewing the magazine, certainly: he will trace the conservative signifiers just far enough to assure himself they are connected with flattery, and the liberal signifiers far enough to assure himself they are wedded to scorn.

In this respect, all is well with the article; if he cannot quite follow the through-line, he figures, it may be a "youth" thing. The kids have their own language; funny books, iPods and so forth. Who is he to judge? The boy wouldn't be aboard if he weren't right on the issues.

And his approving grunt cues the dawn of a brilliant career.

It may of course be simpler than that. Maybe the places are like monkey houses before the advent of humane zoo management: a chaos of screams, leaps, and masturbation. Maybe the cause is not so much editorial desperation as depravity. Maybe the stuff is generated by computer programs while the interns and tyros lay around the office smoking crack.

But speculating on it sure beats the snot out of reading it.

WHAT ARE WE FIGHTING FOR AGAIN? The U.S. military is planting pro-U.S. stories in Iraqi papers. Jeff Goldstein thinks that's OK -- indeed, commendable, because "the truth of the matter is, we need to win the war before we can worry about leaving behind a pristine democracy..." (not to mention intact buildings, electrical grid, etc). He also says people who don't like it, including Justin Gardner and the editors of Reason, are engaged in "sanctimonious posturing," "gin[ned]-up outrage," etc.

When guys like Goldstein start hollering at guys like Gardner (of Donklephant, a centrist site that makes Joe Lieberman look like Eugene Debs), you know their war isn't going well.

Goldstein also says the frauds are "no different than, say, the LA Times or the New York Times reprinting press-releases from the anti-gun lobby." Sadly, he does not list their rates. But I'll bet the Iraqi papers charge much less!

THE DECLINE OF THE CONSERVATIVE INTELLECTUAL CLASS, PART INFINITY. It's late 2005, but National Review Online runs yet another gurgler about how South Park is rilly neat and conservative and neat. Jesus Christ. Must be the right-wing equivalent of a golf penalty -- "That's alright, old chap. Just write us a South Park piece and we'll call it square." "Decent of you, Dickie. Here, I'll use this cocktail napkin."

This one is dumber than most, and includes this prescription:

In World War II our most talented writers, directors, and actors helped the war effort. This time around we might similarly challenge young, creative Americans who understand the streets of the Middle East, the humor of the young there, and what forms of ridicule could really work against the Baathists, the Shiite theocrats in Tehran, al Qaeda, and the Wahhabis. It should be possible to figure out how such a team could be guided by Parker’s and Stone’s genius.

Might the article actually be a plant for Albert Brooks' Looking for Comedy in the Muslim World? Alas, no. The byline reads "R. James, Suzanne, Robert, Daniel, and Benjamin Woolsey." R. James Woolsey, his 2001 bio tells an incredulous us, "is an attorney and former director of the C.I.A (1993-1995) who labels U.S. policy on Iraq over the past ten years 'feckless.' He strongly advocates a thorough investigation into Iraq's possible linkage to terrorist attacks against the U.S. and has sought to prove the Iraq connection in the 1993 World Trade Center bombing." Well, no wonder he's spending a lot of time with his family these days!

You may think this is the nadir, friends, but so long as Jonah Goldberg draws cupcake fumes, there is always a lower depth. Watch for it!

FURTHERMORE, FUCK YOU. Prairie putz James Lileks has enjoyed imagining New York nuked. Now a spate of upcoming national-disaster shows gives him that old feeling:

If they were smart they would run two shows Tuesday and Wednesday night, one set in Midwestern town of medium size, the other set in New York. The latter would collapse into anarchy, I suspect, and the former would do nicely. A town like Fargo, for example, doesn’t need elevators. New York is rather dependent on them. Elevators and money. Take them away, and what do you have? More good people than bad, but guess which side has most of the guns... The Fargo series would be different, of course. Smaller towns tend to be more socially cohesive. Plus, all that wheat and all those guns.

Yeah, we city folk don't know how to handle a shootin' ahrn. And we don't know how to live among people, either, not like the folks in Lileksland:

In Minnesota, local news stations filmed people getting trampled at the front entrance as hundreds poured into a local Wal-Mart. Extreme measures were used in the northwest where some stores used police to control the mob. One policeman in Washington used pepper spray to stop shoppers from endangering each other.

If you fucking hicks can't act civil-like during Black Friday, I shudder to think how you'll handle Doomsday.

As for us, we had a bit of a disaster four years ago. Handled it pretty well. Asshole.

UPDATE. Sample response: "I'm from MN. fuck you." This gentleman is well within his rights. When responding to insults to my hometown, I sometimes fall back on the barroom argumentative style, and forget that other patrons may hear it and take it amiss. Apologies to the good folks all over this great land of ours who are not adult males living at Jasperwood.

WHAT A REPUBLICAN CALLS HIMSELF WHEN HE WANTS TO GET LAID. The sirens went off and the local precinct has been notified. Volokh:

For instance, the long New York Review of Books article not once mentions the word "libertarian," while at the same time treating libertarians, such as InstaPundit, as "conservatives." InstaPundit (the most widely read of the "conservative" blogs that the author mentions) does have seemingly "conservative" takes on many issues, but of course it's miles away from conservatives on many social policy issues.

... sorry, could hardly catch my breath for a moment. No matter how many times I hear it, the Instapundit/libertarian gag still cracks me up.

The Ole Perfesser's observable priorities begin, of course, with self-promotion. Second place goes to promotion of that thing they call the Blogosphere (which in his case is nearly the same thing as self-promotion). But thereafter it's all straight-up conservative politics and support for the Republicans who implement them.

One need only scan any given page of the Perfesser's site to see how deeply in the bag for the GOP he is. Hell, even at this writing (with the Perfesser pointing to the Volokh cite!), here's what we find:

• Love to Lieberman, the Kaus of Connecticut;
• Homage to John Bolton;
• Hiss boo to Kyoto;
• Stroking internet commerce;
• Times-bashing;
• Link to incredibly feeble rightwing clown who will hereafter be the Perfesser's loyal slave;

Etc. ad nausuem. Check it yourself if so inclined.

As a Volokh commenter put it, "Note, for example, that [Reynolds] has blogged about the Sandy Berger scandal a whopping 102 times, but has mentioned the Abramoff scandal exactly once. 101-1 is pretty telling, is it not?"

Whither the Perfesser's libertarian cred? Hell, during the last election he even bailed on gay marriage, shrugging that it was a "generational thing" not worth getting riled over, and sternly warning his gay readers that opposing Bush and the FMA would cost them in the long run: "It's possible to package gay marriage as a move toward traditional values and away from 1970s style hedonism (not that there's anything wrong with that). But again, you have to make the case, not call names, if you want to win people over."

So every once in a while he talks smack about the Patriot Act, while working hard to make sure the people who wrote and passed it stay in office. He does seem to support teen sex -- in fact, he takes a keen interest in it -- and Lord how that man loves guns. But that makes him more eligible for a spot on an FBI watch-list than on the editorial board of Reason.

Let's be frank. Real libertarians are as rare as pieces of the True Cross. There are plenty of guys who'll say they're "mostly libertarian" when there are social or sexual points to be scored by it. There are celebrities who use their swingin' libertarianism as a differentiator within their market: their libertarian rap may be no more substantial than the equivalent liberal rap of the Robbins-Sarandon crowd, but the cool factor is much higher. You can call them libertarians if you like; I prefer the more old-fashioned usages, "fraud," "hypocrite," and "bullshit artist." (Say, maybe the Perfesser is a libertarian after all!)

BONUS. My person favorite libertarian site right now is Build Freedom. They're feel-good, empowerment types. They preach "libertools" -- that is, "any tool that can be used to liberate yourself from an 'unwanted condition' in your life... Pecunix, e-gold, and similar alternative currencies and payment systems may become powerful libertools for individual economic empowerment." They quote Ayn Rand. They praise "freedom engineering" and bemoan the tyrannical State. They invite you into their "Coalition of Freedom Lovers" ("Anarcho-Capitalists, Classical Liberals, Conservatives, Constitutionalists..." etc). And they also invite you into their money-making schemes ("Find out more about 'Mr. X' and 'Blind Front-End Marketing!'").

Water finding its own level -- that's what freedom's all about, baby!

NICE FREEDOM OF SPEECH YOU GOT HERE. BE A SHAME IF SOMETHING WAS TO HAPPEN TO IT. (JOSTLES PRINTING PRESS.) In a recent Captain's Quarters fumlination on the damn librul media, we find this odd note:

Until the media starts reporting honestly from Iraq, the divergence will continue to grow as civilians continue to operate from ignorance, while the military operates from a position not only of intelligence but from experience. The real danger presented will be the self-fulfillment of the Starship Troopers (movie, not book) paradigm, where the only people qualified to control the military are the military themselves -- and the press will have created that atmosphere based on their short-sighted adherence to their anti-military and anti-Bush biases.

The cautious use of the word "danger" notwithstanding, doesn't this guy sound excited by the prospect of entering the Spartan world of Starship Troopers for really-real? Maybe someone ordered a life-size Carmen Ibanez action figure for Christmas!

The psychopathology continues in comments:

Ever read "Seven Days in May"? If the liberals and their MSM counterparts are successful, that old 60's novel may be way more prophetic than even its author intended.

It is an observable fact that American conservatives are getting weirder by the day, but it still throws me when they take famous fascist-takeover scenarios and blame the outcomes on liberals. I wonder if they think the Jews brought the Holocaust on themselves by acting too Semitic.

REWRITE. The actual Iraq war isn’t going so hot, so rightwing citizen journalists are putting their hope in the movie version:

Bruce Willis is apparently making a film based on the superb Iraq War reporting of blogger Michael Yon…

Okay... finally a pro-democracy, pro-US involvement feature film about Iraq. I'm placing a bet right now this movie will go through the roof, to the consternation of many of Willis' peeers.

Simon’s I-betcha I-betcha fantasizing is carried forward in comments by various littlebrains proposing that Bruce Willis put Warren Beatty in his movie and then kick his ass.

Though Simon is a Hollywood insider, I got the drop on him with these leaked pages from the original Willis screenplay of The Boys of Company 9/11:

(As sunlight glints Michael-Baystyle on the desert sands, the Boys move in slow-motion over the ridge: GAMER HOUSTON, a goateed demolitons expert who carries a rifle and a skateboard; CHARLIE WANNAMAYKSUMTHINUVIT, a quarrelsome Cherokee with a doctorate in astrophysics; SCUNGILLI “SCUZZ” DYSLEXIA, a street-wise street-kid born on the streets with street-smarts; GRIMACEOUS T. “ME HUNGRY” JONES, a large, simpleminded Negro; and their leader, Sgt. BUTCH COJONES.)

COJONES: Alright boys, take a break.

(All flop to the ground except CHARLIE, who keeps walking)

SCUZZ: Eyyyy, yah crazy Injun! Da Sarge says take a break!

CHARLIE: (stopping) I did not hear the husky, masculine whisper of Big Chief.

SCUZZ: Well, get de feathers outta yer ears, Red Man! I wanna win dis war pronto and get back to de Apple by Rosh Hashanah.

JONES: M-m-m-m-m-m-m-m-me hungry.

GAMER: Yo Sarge, so we’re stopping in like the middle of this like desert? What’s up with that?

COJONES: You boys ever hear of “rope-a-dope"?

SCUZZ: Yeah, sure, I know dat one! We usedta play dat routine on the Yancey Street gang! Yuh go someplace where yer pract’cly beggin’ ta get massacred, see, but yuh leaves a few guys hidin’ out nearby; so when de udder gang comes on out ta massacre yuh, den your udder guys crack dere skulls! Some fun! Dat what we’re doin’, boss?

COJONES: Yeah, that’s what we’re doin’, Scuzz. Only there’s a catch. We don’t have a second wave from our own gang to help us when the fighting starts.

GAMER: Like what! Like why not?

COJONES: (lighting up a Camel straight) ‘Cause some sob-sister ex-Marine Democrat got ‘em pulled out of Iraq, that’s why.

SCUZZ: Lousy no-good Democrats! I don’t know why I keep votin’ for ‘em!

JONES: W-w-w-w-w-w-w-when we start k-k-k-k-k-k-k-k-killin’, boss?

CHARLIE: (ear to the ground) The trembling of the earth says killing comes soon, oh large, marginally-retarded one.

(Hundreds of TERRORISTS are coming fast over the sands on genetically-modified super-camels. They brandish rifles and the severed heads of hostages, and wear giant I HEART SADDAM buttons. They are led by Princeton Professor CORNEL WEST, to the back of whose super-camel is tied COJONES’ girlfriend, TESS, wearing provocatively-torn clothing.)

COJONES: (aiming rifle) Try not to hit Tess, boys. I sure would love a bowl of her chili when this thing’s over.

(Extended battle scene. Each of COJONES’ men kills dozens of TERRORISTS, sometimes while making character-appropriate wisecracks – e.g., “You are like so dead” and “Dat’s for me brudder – he got a bad falafel onct.” Intercut scenes show MICHAEL MOORE and SATAN at their San Francisco bunker, observing the battle on closed-circuit TV. For a time the battle seems lost; JONES is badly wounded, and lies across a fallen camel with arms outstretched in a Christlike manner. Then, miraculously, thousands of ordinary IRAQIS come running over the sands to bury the TERRORISTS in flowers and toppled statues. Their leader, FEHEED “ROCKY” ISHKABIBBLE, riding a white stallion, calls out to COJONES:)

ISHKABIBBLE: Hey, Cojones! Got a present for you! (He holds up the severed head of RAMSEY CLARK.) With the thanks of a grateful nation!

JONES: (as his wounds are tended) R-r-r-r-r-r-r-radical!

SCUZZ: Is dat yer final answer?

(The BOYS all go “woo” and hug everybody.)

Unfortunately this fragment does not include the final “Showdown at the U.N.” scene, but I’m told that Warren Beatty is being considered to play Kofi Annan, who gets his ass kicked.

IT'S CRAP, AND IT'S CONSERVATIVE! We are always being told by our wingnut brethren that the liberal media ceaselessly indoctrinates helpless citizens into buggery, bestiality, treason etc.

But when polls make conservatives gloomy, they apparently get in the mood for counterintuitive changes of perspective. Then it is time for S.T. Karnick, whose stock in trade is to find conservative-safe TV shows and report hopefully on them. Last December, in a review of House (!), Karnick wrote, "A few TV episodes do not a religious revival make, but they are much more than we had a decade ago."

Now Karnick sees double-plus-good messaging all across the boob tube -- but with this caveat:

...in network TV in recent years the unconventional has increasingly been used to make conventional moral points. Thus comedies today are bluer than ever before, but they indicate a serious longing for more order in the characters' romantic lives. Similarly, today's dramas are blood-red but express a positive view of conventional morals.

Let's look at some of Karnick's examples of this Great Awakening:

Hot Properties (ABC) tells the story of three female real-estate agents, and guess what: more sex jokes. In the premiere episode, sluttish behavior by two of the agents came back to haunt them — but not enough to make a moral point.

Hear that, ABC? Next time make it more like Don Giovanni. That's TV comedy gold.

...CBS's How I Met Your Mother tells the story of a conservative, young, urban male who really wants to get married and has found the woman he thinks is right for him. The comedy flows from the fact that the cues regarding romance no longer make sense to such a person.

I've seen this show, and "flows" is not a good word for what the "comedy" does. The "cues regarding romance" appear to bellowed zero entendres which would not make sense to anyone, liberal or conservative.

I am particularly fond of this one:

Fox's Kitchen Confidential and ABC's Freddie follow the same format of showing the value of traditional morality while presenting lots of overly frank, sexually oriented jokes and story material.

What does it say for traditional morality that you have to spike it with tit jokes and sleaze in order to get people to swallow it?

Of course, under all the bullshit, there is a kernel, tiny and hard, of truth: very old-fashioned ideas can adopt a contemporary guise. That's why directors keep dressing Shakespeare characters like cowboys, corporate lawyers, etc. But this stuff here ain't Shakespeare. It's just the usual crap with homey sentiments stuck to the ass-end in order to fool suckers.

Looks like it works, too.

SHORTER JONAH GOLDBERG. Snotty atheists are like Marxists and scientists who think I love my wife and turkey sammiches because of the chemicals. But God must exist because burp, wet fart, tee hee. (Runs out of room.)

(Warning: only read the Goldberg if your tolerance to him has been built up over time. It damn near made me puke, and I'm a expert spelunker.)

GET READY FOR ANOTHER "LIBERALS ARE RACISTS" THREAD! The folks at OpinionJournal are grateful for...

Our friends the Mongolians. The press corps had a high old time mocking President Bush for visiting Ulan Bator this week, but Americans are lucky Mongolians aren't as cynical as journalists. Despite its small population, the country is keeping 150 of its troops in Iraq. As recent converts to democracy, Mongolians have a better appreciation for freedom's struggles than do certain Europeans we know...

...not to mention certain (that is, most) citizens of the United States, who, as BTC News points out, find Bush less acceptable than torture. (Though Bush is apparently ahead in polling for the Heisman Trophy... oops, wrong Bush.)

You take your advantages where you can: Conservative Voice sees great things in the U.S.-Mongolia alliance: "Mongolia Could Become a Strategic Ally," it proclaims, without offering any reasons why the economically-frail, sparsely-populated nation would so serve, other than this: "In the 13th Century Chinggis Khan brought China to its knees and made his Mongol warriors the most feared and respected Cavalry on Earth." Maybe Bush's plan is to bring someone dressed like this to his next meeting with Putin, and have him pick his own teeth with his sword while glaring like Odd Job at the Russian President.

I see a problem with the budding alliance, though. Didn't Genghis Khan outlaw torture?

"WHAT IS THIS, DISCOVERY?" WELL, IN A WAY, MS. ALTHOUSE. Ann Althouse tells us that rude jokes at Atrios mean that Democrats (not merely Atrios and his commenters, but Democrats) believe "women who don't hew to liberal dogma deserve sexual harassment." She doesn't accept Atrios' claim that the jokesters had their tongues in their cheeks:

Sexist jokes galore, and I ought to just learn to laugh about it. He seems to lack a shred of sensibility about how pathetically retro-male chauvinist that is. I'll say it again: Democrats have a long, long way to go to convince me that they care at all about feminism.

Wait till Althouse sees Blazing Saddles! Then we're in for a long, dotty post about all those racist white Hollywood actors tossing around the word "nigger."

Thankfully for Althouse, there is an alternative to the chauvinist Dems: the Republican Party. We may assume she finds the GOP more in sync with her wymyn-friendly agenda, as she voted for and reliably supports the Bush Administration, and her faith in them is such that, when SCOTUS candidate Alito was revealed to say that "the Constitution does not protect a right to an abortion," Althouse responded positively, saying she was looking forward to the "debate" comparing "the full set of conservative legal positions... with the liberal positions."

One thinks of John Reed walking up the steps of the Imperial Palace in Reds: "Boy, this Kerensky's some socialist!"

To be crystal clear: I can imagine an abortion-neutral and even an anti-abortion feminism, and even grasp the concept that people who joke about being sexist dirtbags may be covering up for actual sexist dirtbaggism.

Pointing out the (theoretical) hypocrisy of others, however, is not proof of one's own intellectual consistency. Althouse claims her feminist mantle by proclamation. That's her right, of course. I could call myself a monarchist, or a member of the Greenback Party -- it's a free country. And I guess I could insist, as Althouse does, when people point out that my postings in no way support such a self-interpretation, that it would take hours for me go dig up proof to the contrary, which it is not worth my while to do.

And it isn't, unless you wish to make an argument capable of being taken seriously by serious people. But if identity politics is your thing -- as increasingly seems to be the vogue on the right -- then why bother?

UPDATE. Echidne of the Snakes called this bullshit earlier and better.

UPDATE II. Topic engenders predictable willful misapprehension. CV's commenter is a peach, too: "The Left swallows everything up into its government-control agenda. They use workers, Negroes, women, homosexuala, Jews to promote socialism and Communism -- and then discard them when they have outlived their usefulness to the collective." What, we're already done with the Negroes? I needed them for my production of The Green Pastures!

BLUE MONDAY BARF BAG: A CLEVERLY-NAMED MISCELLANY. Someday I'll graduate from this blog bush league and become a real live pundit. Then I can talk about TV celebrities whom I think have gone too far:

...I found Penn Jillette's "This I Believe Essay" on NPR this morning to be particularly grating and representative of a strand of atheistic libertarianism I loathe...

First off, you've seen Jonah Goldberg, right? Try to imagine him saying the word "loathe." Goldberg's a full tank shy of the George Sanders hauteur necessary to pull off a word like that. In fact I don't even think he pulls off "atheistic libertarianism." It's like Cousin It reciting the Gettysburg Address.

The object of Goldberg's loathing is Jillette's ode to atheism. Jillette finds the idea of God ridiculous; Goldberg finds this "a form of bullying" of the sort that the large and powerful atheists' lobby is always pulling on the small, underprivileged Judeo-Christian caucus. Then Goldberg drags in the theological support of... Greg Easterbrook! Finally a colleague of Goldberg finds a way of saying he's a hypocrite and an ass without getting fired -- smart fellow -- and Goldberg says, you don't understand, it was Jillette's tone of voice. "Perhaps you should listen to the tone of Jillette's comments," he dudgeons, "as it's difficult for the printed word to capture the full extent of his smirking condescension." Yes, folks, Jonah "Cheese Eating Surrender Monkey" Goldberg accuses someone else of smirking condescension! Then he deep-throats a pound cake. Well, no, I mean I don't know but I believe and who are you to judge me, heathen?

But as I was saying: when I go big-time, I'll be able to impose my bullshit paradigms on children's entertainment:

J.K. Rowling's bleak vision of government

Well, I...

No. I can't submit you good people to a lengthy blockquote from this thing -- you have lives, families. Here, though, is a perfectly illustrative short section: "I recall a variety of businesses that come off rather well in Rowling's books, including the Weasley twins' burgeoning joke business..." The author also addresses countervailing POVs on the specific, hidden political orientation of a fucking kids' book. It's so Dungeonanddragony you could puke. In the great Scrabble match that is glibertarian blogging, those Jane Galt boys get the Triple Nerd Score.

But lo, in bitching out these bitches I have become the very thing I despise! So let me add to this post some political roughage -- and the trade doesn't get much rougher than General Ralph "Blood 'n' Guts" Peters. If there's one thing he hates worse then Frenchies (against whom he even sides with Muslim rioters -- or, as he usually calls them, "Allah's butchers"), it's the Demmy-crats. Some flecks of his latest spittle:

Forget about our dead soldiers, whose sacrifice is nothing but a political club for Democrats to wave in front of the media. After all, one way to create the kind of disaffection in the ranks that the Dems' leaders yearn to see is to tell our troops on the battlefield that they're risking their lives for nothing, we're throwing the game...

The General argues that the Democrats' antiwar shtick is nothing but treasonous vote-grubbing ("As long as the upcoming elections show Democratic gains, let the terrorist threat explode"). Were we dealing with a sane man, we might ask whether these "Democratic gains" are not signs that the average American voter is also turning treasonous, and if so, how many men the General will need to effect the obviously necessary military coup d'etat.

Oh, finally: Kurt Vonnegut wrote Slaughterhouse-Five, Cat's Cradle, Mother Night, Welcome to the Monkey House, and many other deathless books; James Lileks collects matchbooks and Glenn Reynolds just sucks.

CALL ME SCHOOL BULLY, CLOTH-EARS! So James Piereson is saying how the money we contribute to our alma maters is all going to buy Ward Churchill a new pair of America-stomping boots, and then his assertions get still bolder:

...this explosion of money has been accompanied by a steady erosion in the quality of education, especially in the humanities. Many research organizations, including the Intercollegiate Studies Institute and the National Association of Scholars, have documented the elimination of the traditional core curriculum at most of our leading universities.

No supporting figures or studies are cited -- alas! I was really looking forward to reading proof-points like "today only 35% of Harvard graduates can find a decent job" and "90% of Classicists identify Homer as the husband of Marge Simpson." In fact I would have appreciated any sort evidence at all.

Since the only authority Piereson gives for his charges are the names of the organizations that back him up, I checked them out instead.

Media Transparency quotes the President of the Intercollegiate Studies Institute, T. Kenneth Cribb, who says ISI's mission is "to establish a contemporary presence for conservatism on campus, and contest the Left on its own turf. We plan to do this by greatly expanding the ISI field effort, its network of campus-based programming." What sort of programming? Well, ISI publishes Rick Santorum's books, such as It Takes a Family; perhaps, comes the academic revolution, Senator Man-on-Dog can teach zoology.

Further glimpses of ISI's reading list are on view in its donors reports: can you guess what texts are found in "ISI’s Law Enforcement Library," which is "distributed to student groups, as well as criminal justice departments, to facilitate an understanding of, and thoughtful discussion about, the many challenges facing law enforcement officers today"? No, not Clockers, you anti-Western-Civilizationist! "The Library includes volumes such as: A Student’s Guide to the Study of Law by Gerard Bradley, The Roots of American Order by Russell Kirk, and Are Cops Racist? by Heather MacDonald." Because if Manhattan Institute stalwarts like MacDonald aren't around to tell the kids at John Jay that cops aren't racist, the core cirriculum is dead.

Well, at least ISI's getting them to read -- a positive thing, as its VP of "Institutional Advancement" Jeff Cain tells us, "as [unnamed] study after [unnamed] study shows, the kids entering college today no longer read books." (Maybe it's time I got my doctorate! If I can do it without reading books, how hard can it be?) The ISI seems to be nerd-bait, using lofty notions of the academic calling to lure underserved prodigies unto the right-wing think-tank track. Well, as the pterodactyl/phonograph-slave said on The Flintstones, it's a living.

The National Association of Scholars, again per Media Transparency:

First gained notoriety in 1990 at the University of Texas, as Austin, where NAS faculty succeeded in blocking the inclusion in an English course of civil rights readings that had been proposed in response to increasing racial and sexual harassment on campus. During the controversy, the faculty group also encouraged a right-wing student group to lead an ultimately successful campaign to defund the unversity's Chicano newspaper.

With a record like that, who needs statistics? (Except the money-counting kind: the MAS gets beaucoup bucks from Scaife, Olin, and all the usual suspects.) Well, NAS does have a few numbers, or at least "declining" and "rising" number statements, regarding K-12 education. Their solution: No Child Left Behind! Making them the only "scholars" of any sort I've ever come across that are warm for it. (They also state that "there is no empirical reason to set a cap on [classroom] size." So quitcher bitchin', soccer mom, and help us punch ventilation holes in Johnny's new, SRO Chem lab!)

But, like all their type, NAS defines itself more by what they're against than what they're for. The air of constant edumacational crisis, requiring the immediate attention of pedagogical firemen supported by your tax-exempt dollars, is thick and heavy. At the online forum we are told that "Madison[, WI] is a Midwest center for drugs, binge drinking, recreational sex, homosexual pride, and abortion, and therefore it is a leftist favorite." (For bonus comedy points, the author portrays no awareness of student dissolution before our current age of homosexual pride; can't NAS afford prints of "The Rake's Progress"?)

What can one do about such outrages? Send money! And we in turn will send our foremost fist-shakers to state legislatures, where they will suggest a hostile takeover of college curricula by right-thinkin' Americans (or, as this particular speaker, Stephen Balch, hilariously puts it, the Legislature should "exercise due diligence in satisfying itself that the conditions under which [intellectual] autonomy has been granted are truly being observed." Well, someone l'arned him real good!)

I suppose if I looked harder and longer I might have found some solid proof that liberals destroyed our schools, but the more time you spend around these guys, the less you expect a straight answer.

TODAY'S PURGE:

"GRAND OLD SPENDERS" [Ramesh Ponnuru]
George Will is upset by social-conservative excess and by Republican overspending--e.g., the failure to reduce the growth of Medicaid even slightly. The excesses and the overspending are both worth criticizing. But it might be worth noting that the congressmen most likely to have supported the Medicaid restraint Will wanted were social conservatives. The Republican congressmen who would most heartily agree with Will about evolution, Terri Schiavo, etc., are the ones who would most likely disagree with him about Medicaid.

Posted at 01:29 PM

That's right, folks -- Ramesh Ponnuru finds George Fucking Will insufficiently loyal to the conservative cause.

I now believe National Review Online is a CIA black-bag op to discredit the American Right.

ECONOMICS PROVES GOD MEANT YOU TO BE GROUND UNDER MY HEEL. In the midst of this pro-forma OpinionJournal review of some new pop-economics book, we find these statements:

[The author] calls it an "uncomfortable state of affairs" that in a pure market system whoever pays the most gets to send his children to the best schools. Why is that uncomfortable? Somebody has to send his children to the best schools. Why shouldn't it be the people who pay the most? And he repeats the canard that when American workers are hurt by free-trade agreements a "civilized society" should support and retrain them -- without acknowledging that you can't be hurt by a free-trade agreement unless you're overpaid to begin with.

In context, of course, they are unremarkable, but I bet if you showed these passages to normal people, they might feel less than kindly disposed toward the glib asshole who wrote them. Even a capitalist (or a bystander to capitalism, such as myself) might think them unseemly, like a guy telling a friend who'd lost his job, "Tough shit, and don't expect any help from me -- you must have deserved it."

As the Delphi crisis shows, the entitlement mentality among corporate leaders has reached the status of depravity. I know several people working for a large corporation that just announced it would be downsizing "substantially" -- over a period of months. That means thousands of workers will, like concentration camp prisoners, busily dig graves while wondering whether, or when, the bullet will be fed into their own skulls and their bodies pushed in.

Normal people don't think or behave like this. I wonder why the Democrats don't do a better job of pointing this out?

THE TRUTH ABOUT LILEKS & REALITY. The very mention of 50 Cent's book deal* literally freezes Lileks in his tracks this morning; and after, I would guess, tense moments of wondering how to chastise this overambitious blackamoor without getting those P.C. creeps all up in his forehead, the author decides to smack down a foul-mouthed female instead -- while (I like to imagine) wearing a white, spaghetti-strapped t-shirt, with a baby screaming the background and the neighbors banging on the walls of his trailer, on the door of which is hung a piece of cardboard with the words "Jasper Wood" spelled out in colored macaroni. (Gnat made it for school afore she got knocked-ed up.)

"It’s the mainstreaming of shite jokes that annoys me," says Mr. Matchbook. Yet all his ideas for the employment of diarrhea in prop comedy are golden! That bit about Silverman throwing a pail of diarrhea in Jimmy Kimmel's face made me laugh. In fact, I shall bring it to mind for comfort in the grim days ahead.

* I find Mr. Cent's book deal amusing myself. We truly do have the culture we deserve! I note with interest that Cent name-checks Donald Goines, and it would be nice if his enterprise churned up another writer like that. But the relationship of Goines' art to 50 Cent's is roughly that of Edith Wharton to Liz Smith: that is to say, outside of milieu, none at all. For more comprehensive 50 Cent coverage, see Harry Hutton.

SAY IT, BITCH. SAY "YOU ARE THE KING OF CARTOONS." The internet, as any 300-pound Casanova or unpaid imagineer of Buffy-Willow sex scenes knows, is a place where dreams can come -- well, if not true, at least validated by like-minded others, which is often good enough.

So we shouldn't bedgrude Stephen Green his humiliation fantasy involving the mainstream media, though we should not mistake it for serious analysis, as many others have done.

Somberly addressing his audience of GI Joes, in the manner of Marlon Brando in Reflections in a Golden Eye, Green calls out the "arm of decision" in each of the past Century's wars. In WWI the arm was manpower -- or, as he is pleased to call it, "chests... and I don't mean war chests... Young men by the millions put their wool-covered chests up against machine gun nests." (Whatever floats your boat, buddy.) Today in Iraq, says Green, it's the press that will either win the war for us -- or (and here we can almost see the color coming rapidly to his face) pay the price for losing it:

But I do mean to serve notice to the MSM.

When a nation loses a war, it looks to punish the people it believes are to blame. After Vietnam, neither Washington nor our Armed Forces were ever the same again3. But if we lose this Terror War, our media will be seen as largely to blame. They'll suffer blame for their ignorance and for their petulance. They'll suffer blame for seeing al Jazeera as comrades closer than the privates and NCOs and officers fighting to protect the First Amendment. They'll suffer blame for putting their hatred of a Republican President before their love of country. Whether that assessment is fair or not, it is how the public will see things.

Then the public would demand changes. And they'd probably get them, courtesy of a government looking for scapegoats, real or imagined. Should that day come, we'd lose our free press, and we'd lose our freedoms. We'd lose our country.

He says he's against this, but ah, mon chere, that look in your eyes never lies!

People think I'm a miserable cynic, and they're half right at least, but see, this chests-and-chastisement sort of nonsense is why I try not to give myself over to glorious visions of how things will be when the Good Guys win. It is good to keep in mind that, comes the revolution, rather than living together forever in harmony and bliss, everyone will probably have to change his underwear every half-hour, and wear it on the outside so Esposito can check. Thus you will be forearmed against the disappointment, shame, and (sometimes) danger of naivete.

Of course, when we finally do the old Saigon '74 shuffle in Iraq, and crowds of angry citizens fail to show up at the Time-Warner building with pitchforks and torches, guys like Green will have forgotten all about it, and be on to some other, equally ridiculous fantasy. But I assume you, dear readers, have more sense and longer memories than that.

IT ALL DEPENDS ON WHAT YOUR DEFINITION OF THE WORD "BULLSHIT" IS, PART 1,533. God knows I am not an optimist -- I never get caught up in wishful-thinking epidemics such as the great pony hunt -- but I can admit that, as Bush's numbers do a little ANWR drilling of their own, some of the major crooks and idiots of our time may in fact be headed for an ass-kicking.

How can I tell? First of all, Ole Perfesser Reynolds is circling his wagon. You know, for someone allegedly not in the Republican tank, the Perfesser is a pretty reliable source of White House spin in its times of crisis. This week he says the Administration is "thumping" the opposition (in the person of Ted Kennedy!), and the GOP's "pushback" against the Dems "seems to be a general effort, not a one-off" (the Cavalry is coming!). In between these All-Is-Well proclamations, the Perfesser soothes himself and his fellow bunker residents with classic rightwing thumbsuckers, from the Krauthammer Diagnosis (enemies of Bush are insane) to the Medved Maneuver (Hollywood hates our fighting men). When your stalking horses get skittish, you know things are bad.

Also, I see that the Republicans have started hauling out the old-timers to reinvigorate the troops (the typing sort of troops, we mean). Grandpa Podhoretz is not short of wind, alas, but in the course of his ramblings keeps falling back on sentences like this:

All this should surely suffice to prove far beyond any even unreasonable doubt that Mr. Bush was telling what he believed to be the truth about Saddam's stockpile of WMD.

"Telling what he believed to be the truth"! One wonders what Podhoretz' idea of truth is -- plausible deniability, perhaps; he downplays Bush's WMD claims by quoting a few innocuous examples of Presidential jingo-jangle and then dismissing them, as if they carry the whole case. I don't think I've seen one of these guys mention this chilling bit from the 2003 State of the Union address:

Before September the 11th, many in the world believed that Saddam Hussein could be contained. But chemical agents, lethal viruses and shadowy terrorist networks are not easily contained. Imagine those 19 hijackers with other weapons and other plans -- this time armed by Saddam Hussein. It would take one vial, one canister, one crate slipped into this country to bring a day of horror like none we have ever known.

If he acknowledged it, Podhoretz would no doubt insist that no positive assertion was made herein, and his client should walk. No wonder the Perfesser is so animated; the Bush White House has reached the lawyerly stage of its decline. Maybe Bush can get Reynolds to negotiate the terms of his community service.

INTERNATIONAL VICTOR DAVIS HANSON THEATRE!

(Stage hung with flags of the world, some shot to pieces. In the eerie twilight, VDH squints dramatically at his own fist.)

VDH: First Europe turned on us... then Latin America...

(despite himself, his voice breaks and his hands fly to his face)

¡Ay, Manuela! ¡Mi vida, mi córazon!

(recovering himself with difficulty)

No, no diga arroz; diga, diga Vitarroz. Life calls and I go on.

(stoically)

I thought we could count on Antarctica at least -- but now it turns out that the penguins are gay. But never mind. It is time to move on. Behold our new best friends!

(Lights come up on three symbolic figures standing nervously against the cyclorama upstage.)

VDH: First, Vishnu -- loyal friend first of the British Raj, and now head of 20,000 subcontinental telephone operators whose employment helps "correct" wages in America. Then, Kazuo -- or, as we like to call him, Pete. He does not say much -- I speak no Japanese, and he knows only one English phrase, "Please give money" -- but is his not a friendly face? Finally, me Aussie friend, Blinky Bill Bollocks. Many's the night and morning we've spent around the barby, drinking tubes of Foster's and talking about the homosexuality of most of the world's nations.

(Stirring music)

VDH: Mark it well, friends: we didn't leave Europe, Latin America, and all together two-thirds of the world's population, and all of its penguins -- they left us. To them we say: Get a life!

(to the others)

VDH: Are you with me, fellows?

GUPTA: Mujhe Kucch Kehna Hai!

PETE: Please give money!

BLINKY BILL: Fuck off!

VDH: Excellent! We are the new Jamestown, and we will remake this soon-to-be-barren planet in our own image. Thank you, and good night!

(Stirring music climaxes, but cannot mask the sound of Blinky Bill strangling Pete and shouting "This is for World War Two, mate -- ye cut me father's balls off!)

FOREVER REMEMBER 11-10 or 11-9 DEPENDING ON YOUR TIME ZONE! Funny, I haven't seen bloggers saying We Are All Jordanians the way they were saying we were all Londoners and Madrileños and New Yorkers etc. a while back. I guess multiculturalism really is dead!