TRY, TRY AGAIN. Since my job has forced me to pay attention to what's going on in Albany, I haven't expected much from the state senate in the way of gay marriage. (I was slightly surprised that they actually brought it to a vote today.) The New York senate is a shithole of graft and corruption and represents the worst elements of the state's political culture, so I knew when they got to the subject it would be badly handled. Tom Duane, a major backer, says that "promises made were not honored." I'm sure he is being quite literal. I wouldn't trust most of these bums to guard a dunghill.
Though a lot of gay folk are fuming at the no-voters, I'm sure each of those senators considers this vote a political plus in his or her respective backwater district, whether it be Ozone Park or Olean.
I will say that Hiram Monserrate surprised me, in that I don't see how he manages to be so perfectly disgusting all the time. From his beginnings as a deranged cop to his (as a councilman) Willets Point double-cross to his involvement with the Albany "Gang of Three" shakedown artists and Coup to his assault on his girlfriend, this guy seems almost consciously determined to set new standards of repulsiveness. Maybe he's a government experiment of some kind.
Anyway. I've been around a long time, and have learned how ingrained both the bigotry and the cowardice represented by this vote are. All we can do is keep being right and hope some of us live to see things change. Things do get better -- they were burning witches not many generations back -- though not always on our timetables.
One other thing. It's interesting to note that, where once upon a time rightwingers would on these occasions take pains to distinguish between their opposition to "special rights" and their personally enlightened attitude toward gay people, today they're basically openly saying "Get the faggots." There's a lot wrong with our current poisonous discourse, but at least we have been relieved of the obligation to treat these shitheels politely anymore.
While alicubi.com undergoes extensive elective surgery, its editors pen somber, Shackletonian missives from their lonely arctic outpost.
Wednesday, December 02, 2009
STILL IN BAGRAM. I really don't see what these guys are bitching about. They're getting pretty much what they would have gotten from any other President, alas: a renewed commitment of blood and treasure, with some trimming in keeping with our straitened circumstances.
I can see why they would object to the language, as it is not as bloodthirsty as they normally enjoy, but as a pitch to a recession-weary populace, it made sense: he made the problem look resolvable and of limited duration, and he appeared cost-conscious, which is a nice change of pace.
"The words were meant to be inspirational," claims Ann Althouse, "but there was no lift... no lift of a driving dream." We've been at war for nine years; I doubt Obama or anyone else is looking for uplift at this point. (She says of one passage, "I had to imagine Reagan saying it to understand what it was supposed to mean." Try to imagine Reagan saying it if Jimmy Carter had invaded Afghanistan in 1980 instead of just boycotting the Olympics, and we were still there in 1988. Or try to imagine President Palin saying it in 2013. There aren't enough gosh-darnits in the world to put that one over.)
This playing for time business is depressing, especially when you consider that the best we can hope for is reduced levels of violence in the countries we have broken and are endeavoring to un-buy. But barring the kind of sweeping reform of national priorities that we increasingly unlikely to get from either party, we can't expect better. The swords will stay swords for some time; let us hope we aren't called upon to melt down the ploughshares anytime soon.
I can see why they would object to the language, as it is not as bloodthirsty as they normally enjoy, but as a pitch to a recession-weary populace, it made sense: he made the problem look resolvable and of limited duration, and he appeared cost-conscious, which is a nice change of pace.
"The words were meant to be inspirational," claims Ann Althouse, "but there was no lift... no lift of a driving dream." We've been at war for nine years; I doubt Obama or anyone else is looking for uplift at this point. (She says of one passage, "I had to imagine Reagan saying it to understand what it was supposed to mean." Try to imagine Reagan saying it if Jimmy Carter had invaded Afghanistan in 1980 instead of just boycotting the Olympics, and we were still there in 1988. Or try to imagine President Palin saying it in 2013. There aren't enough gosh-darnits in the world to put that one over.)
This playing for time business is depressing, especially when you consider that the best we can hope for is reduced levels of violence in the countries we have broken and are endeavoring to un-buy. But barring the kind of sweeping reform of national priorities that we increasingly unlikely to get from either party, we can't expect better. The swords will stay swords for some time; let us hope we aren't called upon to melt down the ploughshares anytime soon.
Tuesday, December 01, 2009
THE BAD LIEUTENANT, SECOND TAKE. Some people were confused by my review of The Bad Lieutenant: Port of Call New Orleans, and I don't blame them, as it was posted late, unedited and over-effusive. I feel compelled to revisit the topic. I warn you, I may not have this thing figured, but I enjoyed the movie and it stayed with me, and thinking out loud is how I stretch out the pleasure. (Thank God there are other sites on the internet for you to visit! One man shouldn't have so much power.)
Most of the lead characters in Herzog's movies -- Aguirre, Stroszek, Kaspar Hauser, Timothy Treadwell -- don't undergo old-fashioned dramatic transformations in which they confront the opportunity to change; their surroundings change, and the characters struggle against them as if change were out of the question. (Stroszek tells his girlfriend that America takes your soul, then goes on a rampage, but as played by Bruno S., he's practically catatonic and can no more be said to undergo recognition and transformation than could a cornered animal.)
Similarly, McDonagh doesn't appear to be making decisions; he acts on impulse, frequently fueled by drugs. That's what makes the movie so weird, all singing iguanas aside. He's set up as a mixed character in the Hollywood tradition -- a Cop Who Doesn't Play By The Rules -- and we are encouraged by custom to seek his badly-hidden good side and root for it. But Herzog makes that impossible by making him a Herzog character.
There's an interesting moment, for example, when the football player McDonagh is trying to shake down for points tells him he doesn't seem concerned anymore with the family murder he'd been investigating. McDonagh replies (paraphrasing from memory): "Look at me. Now look at you. I never was." What's shocking is that, given the way he's been acting, we really don't know if he's lying.
What's good about him? He seems devoted to his job, but he's busted, not for Not Playing By The Rules, but for an egregious screw-up that wrecks the case. His decision to plant the crack pipe (and really, how "good" a move is that?) might be the result of long-term planning under the pretense of criminality, but given his instability it looks more like junkie cunning with the power of the law behind it. He's a really Bad Lieutenant. His devotion to Frankie looks good, but when pregnancy and rehabilitation seem to have rendered her prostitution career inoperable, and their relationship more traditional, he's back to shaking down minor drug offenders and presumably getting sex out of it.
I really think if some other director had gotten this script, he would have planted "tells" to comfort us that McDonagh is a good man struggling to act like one, saved by his own actions, and played by Michael Douglas. In the Herzog version, every opportunity to see it that way is painstakingly removed. The settled and sober McDonagh -- drinker of sparkling water, bearer of the recovered childhood spoon! -- is a result of events playing out, not his will. Then he backslides, and has to be rescued.
That rescue (and who knows how long it will last?) has played on my mind. Part of me thinks it's just a concession to Hollywood tradition. Another way to see it is as a clue to the philosophy. Last time out, I was talking about grace; maybe the "good" is just something that comes to us, and we take it when and where we can. And if that's the last thing we see before the credits, those of us who were just thrilled to see Nicolas Cage flip out for two hours can go home happy. The rest can wonder if, after the credits, it all keeps happening over and over again. Is that his life? Is it ours?
Some smart people who are fans of Herzog really hate the movie, and I can't say I blame them, either. McDonagh closely resembles the glorious monsters played by Klaus Kinski in Herzog movies but, though McDonagh is almost as much fun to gawk at as Aguirre or Fitzcarraldo, he isn't on their scale. Those characters were forces of nature and had the fascination of landslides or hurricanes. Try to imagine Kinski as a Cop Who Doesn't Play By The Rules!
The question for me is, does putting this trademark Herzog brand of monstrosity into a cop movie destroy it? Are these creatures only fit for extremities, or do they mean something even in grimy little procedurals? I think the latter, because I think those monsters are not just great men, but characters to which even little people like me can relate. We are sometimes outsize, if only in our imaginations. We are sometimes awful, and think we may be awful all the way down. We are often damned by our actions and sometimes rescued by chance. And we may be forced to consider, when it is pointed out to us by an insane German, that chance might be the thing we thought was God.
Most of the lead characters in Herzog's movies -- Aguirre, Stroszek, Kaspar Hauser, Timothy Treadwell -- don't undergo old-fashioned dramatic transformations in which they confront the opportunity to change; their surroundings change, and the characters struggle against them as if change were out of the question. (Stroszek tells his girlfriend that America takes your soul, then goes on a rampage, but as played by Bruno S., he's practically catatonic and can no more be said to undergo recognition and transformation than could a cornered animal.)
Similarly, McDonagh doesn't appear to be making decisions; he acts on impulse, frequently fueled by drugs. That's what makes the movie so weird, all singing iguanas aside. He's set up as a mixed character in the Hollywood tradition -- a Cop Who Doesn't Play By The Rules -- and we are encouraged by custom to seek his badly-hidden good side and root for it. But Herzog makes that impossible by making him a Herzog character.
There's an interesting moment, for example, when the football player McDonagh is trying to shake down for points tells him he doesn't seem concerned anymore with the family murder he'd been investigating. McDonagh replies (paraphrasing from memory): "Look at me. Now look at you. I never was." What's shocking is that, given the way he's been acting, we really don't know if he's lying.
What's good about him? He seems devoted to his job, but he's busted, not for Not Playing By The Rules, but for an egregious screw-up that wrecks the case. His decision to plant the crack pipe (and really, how "good" a move is that?) might be the result of long-term planning under the pretense of criminality, but given his instability it looks more like junkie cunning with the power of the law behind it. He's a really Bad Lieutenant. His devotion to Frankie looks good, but when pregnancy and rehabilitation seem to have rendered her prostitution career inoperable, and their relationship more traditional, he's back to shaking down minor drug offenders and presumably getting sex out of it.
I really think if some other director had gotten this script, he would have planted "tells" to comfort us that McDonagh is a good man struggling to act like one, saved by his own actions, and played by Michael Douglas. In the Herzog version, every opportunity to see it that way is painstakingly removed. The settled and sober McDonagh -- drinker of sparkling water, bearer of the recovered childhood spoon! -- is a result of events playing out, not his will. Then he backslides, and has to be rescued.
That rescue (and who knows how long it will last?) has played on my mind. Part of me thinks it's just a concession to Hollywood tradition. Another way to see it is as a clue to the philosophy. Last time out, I was talking about grace; maybe the "good" is just something that comes to us, and we take it when and where we can. And if that's the last thing we see before the credits, those of us who were just thrilled to see Nicolas Cage flip out for two hours can go home happy. The rest can wonder if, after the credits, it all keeps happening over and over again. Is that his life? Is it ours?
Some smart people who are fans of Herzog really hate the movie, and I can't say I blame them, either. McDonagh closely resembles the glorious monsters played by Klaus Kinski in Herzog movies but, though McDonagh is almost as much fun to gawk at as Aguirre or Fitzcarraldo, he isn't on their scale. Those characters were forces of nature and had the fascination of landslides or hurricanes. Try to imagine Kinski as a Cop Who Doesn't Play By The Rules!
The question for me is, does putting this trademark Herzog brand of monstrosity into a cop movie destroy it? Are these creatures only fit for extremities, or do they mean something even in grimy little procedurals? I think the latter, because I think those monsters are not just great men, but characters to which even little people like me can relate. We are sometimes outsize, if only in our imaginations. We are sometimes awful, and think we may be awful all the way down. We are often damned by our actions and sometimes rescued by chance. And we may be forced to consider, when it is pointed out to us by an insane German, that chance might be the thing we thought was God.
Monday, November 30, 2009
NEW VOICE COLUMN UP. The White House gatecrashers thing was stupid enough on its own, but the addition of a Palestinian conspiracy angle may have catapulted it into the Hall of Fame. Now Accuracy in Media demands an investigation as to whether "the Secret Service was pressured to let the couple in, based on statements made by someone in the White House... Where does this trail lead? And when will the mainstream media go beyond the official line?" In this case, the "official line" is probably known only to abnormal psychologists. (Extra points for references to Obama's arugula of indifference.)
Friday, November 27, 2009
BACK ON THE CHAIN GANG. Peggy Noonan, newly filled with a sense of purpose, tells us that people don't like Obama anymore. That is, the polls indicate a lot of them do, but the people who matter don't. Among these: columnists, and people Peggy Noonan meets in unspecified "bipartisan crowds":
But Obama does have such people, despite the fact that Noonan is no longer among them. Even the Rasmussen polls favored by wingers show far more than 20 percent, in his alleged hour of darkness, strongly approve of Obama's performance. Maybe she figured someone might look this up, because she makes this move:
When numbers fail her, Noonan retreats to memes. "The Obama bowing pictures," she asserts, "are becoming iconic, and they would not be if they weren't playing off a growing perception." She compares Obama's bows with Gerald Ford's lack of physical grace, which was also parodied on Saturday Night Live. We'll see if SNL is still working them in 2012, but Noonan is convinced they are deathless, probably because they were seized upon by conservatives who obsess on them to this day.
Noonan, not having been offered a bipartisan sinecure by the Administration despite her service, is back to reading the rightwing tea leaves and portraying them as the wisdom of the people. So, though her long years in the journalistic trenches must have shown her that some political schtick is evanescent, now that she is stuck playing the conservative on Sunday morning shows she is milking every anti-Obama talking point as if the udders were full of benedictine. You will recall she also counseled that the only thing that could save Obama from the Nobel Peace Prize was to reject it as rudely as possible; this he was disinclined to do, and now nobody gives a shit.
So Noonan grabs the Next Blog Thing. Off the pages of history and back to ordinary political cycles, she is condemned to worry each outrage du jour as if it were Watergate to infinity.
She's still offering advice to her late espoused saint, though: Lose the health care bill. "He can't afford to win with such a poor piece of legislation." That must go over big with the boys in the green room, especially among those who take morbid pleasure in the thought that she may have once imagined herself, like Bob Gates and Dana Perino, standing behind a lectern that bore the Presidential Seal.
As I read Ms. Drew's piece, I was reminded of something I began noticing a few months ago in bipartisan crowds. I would ask Democrats how they thought the president was doing. In the past they would extol, with varying degrees of enthusiasm, his virtues. Increasingly, they would preface their answer with, "Well, I was for Hillary."It's amazing Clinton didn't win the Democratic nomination, with so much vital bipartisan support.
This in turn reminded me of a surprising thing I observe among loyal Democrats in informal settings and conversations: No one loves Barack Obama. Half the American people say they support him, and Democrats are still with him. But there were Bill Clinton supporters who really loved him. George W. Bush had people who loved him. A lot of people loved Jack Kennedy and Ronald Reagan. But no one seems to love Mr. Obama now; they're not dazzled and head over heels. That's gone away. He himself seems a fairly chilly customer; perhaps in turn he inspires chilly support. But presidents need that rock --bottom 20% who, no matter what's happening -- war, unemployment -- adore their guy, have complete faith in him, and insist that you love him, too.Her model for such people might be Peggy Noonan, who once said things like "Mr. McCain is the Old America, of course; Mr. Obama the New." Remember those days? In any case it would explain her certainty in this analysis.
But Obama does have such people, despite the fact that Noonan is no longer among them. Even the Rasmussen polls favored by wingers show far more than 20 percent, in his alleged hour of darkness, strongly approve of Obama's performance. Maybe she figured someone might look this up, because she makes this move:
Obama probably has a hard 20 too, but whatever is keeping them close, it doesn't seem to be love.What might it be, then? Personal threats if they don't answer polls the right way? It may not be "love" as Noonan experiences it for politicians, but given how loopy she can be her ardor, that only speaks well of the Obama diehards' psychological health.
When numbers fail her, Noonan retreats to memes. "The Obama bowing pictures," she asserts, "are becoming iconic, and they would not be if they weren't playing off a growing perception." She compares Obama's bows with Gerald Ford's lack of physical grace, which was also parodied on Saturday Night Live. We'll see if SNL is still working them in 2012, but Noonan is convinced they are deathless, probably because they were seized upon by conservatives who obsess on them to this day.
Noonan, not having been offered a bipartisan sinecure by the Administration despite her service, is back to reading the rightwing tea leaves and portraying them as the wisdom of the people. So, though her long years in the journalistic trenches must have shown her that some political schtick is evanescent, now that she is stuck playing the conservative on Sunday morning shows she is milking every anti-Obama talking point as if the udders were full of benedictine. You will recall she also counseled that the only thing that could save Obama from the Nobel Peace Prize was to reject it as rudely as possible; this he was disinclined to do, and now nobody gives a shit.
So Noonan grabs the Next Blog Thing. Off the pages of history and back to ordinary political cycles, she is condemned to worry each outrage du jour as if it were Watergate to infinity.
She's still offering advice to her late espoused saint, though: Lose the health care bill. "He can't afford to win with such a poor piece of legislation." That must go over big with the boys in the green room, especially among those who take morbid pleasure in the thought that she may have once imagined herself, like Bob Gates and Dana Perino, standing behind a lectern that bore the Presidential Seal.
Thursday, November 26, 2009
HAPPY WAR ON THANKSGIVING! Yes, I was just having a bit of fun, but apparently it's a real menace, says Christian Newswire:
This cowboy* is taking the war to heart:
*UPDATE: Seems the sushi guy is actually doing satire. Good for him and thank God; I thought it had gone out of style.
America once was content in allowing civil authorities to select and define its holidays. With the increasing influence of groups which use the courts to challenge any comingling of religion and the function of government, the definition of the some of the nation's holidays have become a war zone.Their evidence of this is that Obama said "we observe traditions from every culture" in his Thanksgiving address. George Washington, conversely, referred frequently to God. The word has spread and muskets are loaded.
And while most Americans think of Thanksgiving, Easter and Christmas as Christian holidays -- history is clear that Easter and Christmas were originally pagan celebrations, stolen and redefined.
This leaves Thanksgiving as the one American holiday originating within Christian culture. It is a holiday created to remind a nation to thank God. So while talk-show hosts expound upon a war on Christmas -- let's not ignore the war on the one true Christian holiday, Thanksgiving.
This cowboy* is taking the war to heart:
However, the last few years I have seen a constant assault on Thanksgiving. First we have people having pasta or sushi and not turkey. Now we have people calling Thanksgiving, Turkey Day, Gobble Day or Gobble Gobble Day. Then there is the advertising, "Gobble up Savings", "Don't be a Turkey and Pay Too Much". And of course there is the Black Friday sales and if that were not enough we now have Pre-Thanksgiving or Pre-Turkey Day sales.You'll find him marching up and down a Templeton, California sidewalk in a Pilgrim outfit today, picketing a Japanese restaurant.
When will it end?!
*UPDATE: Seems the sushi guy is actually doing satire. Good for him and thank God; I thought it had gone out of style.
DO YOU SEE THIS? LOOK ON HER, LOOK, HER LIPS/LOOK THERE, LOOK THERE! Jesus, Victor Davis Hanson is still talking about Obama's bowing:
Oh well, at least he's not always thinking about tits, like some people do.
Hanson's interpretations of those details to which he is directed by the Morning Memos, though, I believe are all skewed more or less the same way they would have been if Obama had spent all 10 months of his Presidency doing the robot, if Breitbart were stalking the Southern Poverty Law Center instead of ACORN, and if the unfortunate emails had come from the Brookings Institution instead of the University of East Anglia. He is not working from intuition or inspiration, but from a template.
We are all prone to interpretation, but Hanson has of late made a habit of pushing it very hard -- to wit: "'Punishing KSM' means giving the liberal community a world platform for legal gymnastics designed to repudiate the past administration and demonstrate that community's 'tolerance'" -- without bothering to explain to us why we should share his conclusion. At the same time he insists that "the public has finally caught on that the president's tough rhetoric and soaring oratory don't match reality," "there is a certain roughness and crassness that infuriates the public," etc, justified only by the news that most, rather than an enormous number, of voters approve of his performance during a contentious struggle over health care and a bad economy at the holiday season. And, of course, the indignation of other rightwing bloggers.
The most charitable view is that Hanson is just rehearsing for an actual election season. It would just be sad to imagine he really believes he's seen the tide turn in the first quarter when the opposition is still holding a lead. They all do this, of course, but Hanson's a classicist, and presumably knows about hubris.
If multilateralism was the objective, it came out instead as obsequious deference. Whereas Bush's backrubs and Carter's frontal kisses were reflective of American casualness and too much informality, the bowing seems for some reason a far more bothersome gaffe. And as with Obama's apologies, what we thought was a one-time slip turns out to be a systematic pattern that reflects an apparent worldview.And that's not all. You see how he's lifting his left leg as he walks here? He appears to be mincing, which is a gesture toward the homosexual lobby. Note too that he rubs the White House dog with his left hand, not his right, a coded insult to dog-loving Americans. Consider also the slight lift of his thumbs here, as he points. Try the gesture yourself. Does it not feel more insecure to you than the sturdy, thumbs-clenched pointing done by Republican presidents? Clearly he is worried about the polls. Notice also he is not quick to take a hand offered in friendship, as casual, informal Americans are.
Oh well, at least he's not always thinking about tits, like some people do.
Hanson's interpretations of those details to which he is directed by the Morning Memos, though, I believe are all skewed more or less the same way they would have been if Obama had spent all 10 months of his Presidency doing the robot, if Breitbart were stalking the Southern Poverty Law Center instead of ACORN, and if the unfortunate emails had come from the Brookings Institution instead of the University of East Anglia. He is not working from intuition or inspiration, but from a template.
We are all prone to interpretation, but Hanson has of late made a habit of pushing it very hard -- to wit: "'Punishing KSM' means giving the liberal community a world platform for legal gymnastics designed to repudiate the past administration and demonstrate that community's 'tolerance'" -- without bothering to explain to us why we should share his conclusion. At the same time he insists that "the public has finally caught on that the president's tough rhetoric and soaring oratory don't match reality," "there is a certain roughness and crassness that infuriates the public," etc, justified only by the news that most, rather than an enormous number, of voters approve of his performance during a contentious struggle over health care and a bad economy at the holiday season. And, of course, the indignation of other rightwing bloggers.
The most charitable view is that Hanson is just rehearsing for an actual election season. It would just be sad to imagine he really believes he's seen the tide turn in the first quarter when the opposition is still holding a lead. They all do this, of course, but Hanson's a classicist, and presumably knows about hubris.
Tuesday, November 24, 2009
DRIFT PUNCTUATED BY EXPLOSIONS. I'm begining to think of it as like Renoir's or Ophuls' American movies. Of course The Bad Lieutenant: Port of Call New Orleans is no Letter from an Unknown Woman. Hollywood is no longer the inviolable template with which foreign directors once had to contend; foreign directors have at this point changed the way even the way our blockbusters look, and style standards are more fluid. But as did the old masters, Herzog sure makes his hand felt.
How weird is it to see a police drama, even one with its malformed heart scooped out of Abel Ferrara's original, played like McDonagh, The Wrath of God? Instead of blandly mysterious flute-playing natives, we have a connected perv who repeats "whoa" and "hey" as if it were a magic incantation. Instead of Klaus Kinski maddened on the Amazon, we have Nicolas Cage gazing in horror out of a sea of slot machines. We have hysterical acting emerging from dead calm. We have conversations played within one room that seem to be conducted across vast fields of time and space. And we have iguanas, who don't sing exactly, but puff their ruffs and flick their tongues while a lounge version of "Please Release Me" blares, shot by Herzog lying on the floor.
This is candy for initiates, and so are the more transparently Hollywood scenes, like the one in which Cage tells Eva Mendes about his buried silver spoon: the distance between the insanity of the movie and this hokey dream-with-me moment out of The Rainmaker is so vast that it, too, makes you giddy.
But that scene has a payoff which is also Hollywood, and well-earned. As wild as the style is, there's something of the old template there. McDonagh's trip has a recognizable arc -- but it's backwards, and for all its deliberateness even more radical than Ferrara's. Unlike the Harvey Keitel Bad Lieutenant, Cage's is redeemed at the beginning rather than at the end. Bad Lieutenant 1 underwent a Catholic purgatory; Bad Lieutenant 2 is sanctified in a manner that I suspect Herzog associated with the slapdash Protestantism of Americans from the South (like God's Angry Man), which he may have associated, in the exceedingly casual manner with which European aesthetes usually regard us, with New Orleans -- a kind of jungle, or as J. Hoberman had it, a "smashed terrarium."
As he always does with natives, Herzog keeps his distance. The voodoo alluded in a funeral scene isn't an attempt to drop a theological marker, but a reference to a spiritual life that grows like kudzu around the lives of the characters. Herzog is not of a temperament to explain it or line it up with his plot. Like the rituals of the mystics in Bells From the Deep, the rituals in this movie (pipe-sharing, liquor spitting, gambling, AA meetings) are not expected to make sense, but to make their sense to us, the way dreams dreamed to Kaspar Hauser.
McDonagh's act -- of what? kindness? fellow-feeling? reflex response? -- charts his course in the first scene. What happens afterward is the playing out of a drama in which the climax has already occurred. Maybe that helps explain all Herzog's odd stories, and even his documentaries. From Even Dwarves Started Small to Grizzly Man, his style has been drift punctuated by explosions, and this may be what he sees as life. Put that way it seems hellish and almost inhuman in its disorder. But as is the redemption of McDonagh's rusty spoon, it can also, still, be beautiful.
UPDATE. Thanks Mnemosyne for spellcheck.
How weird is it to see a police drama, even one with its malformed heart scooped out of Abel Ferrara's original, played like McDonagh, The Wrath of God? Instead of blandly mysterious flute-playing natives, we have a connected perv who repeats "whoa" and "hey" as if it were a magic incantation. Instead of Klaus Kinski maddened on the Amazon, we have Nicolas Cage gazing in horror out of a sea of slot machines. We have hysterical acting emerging from dead calm. We have conversations played within one room that seem to be conducted across vast fields of time and space. And we have iguanas, who don't sing exactly, but puff their ruffs and flick their tongues while a lounge version of "Please Release Me" blares, shot by Herzog lying on the floor.
This is candy for initiates, and so are the more transparently Hollywood scenes, like the one in which Cage tells Eva Mendes about his buried silver spoon: the distance between the insanity of the movie and this hokey dream-with-me moment out of The Rainmaker is so vast that it, too, makes you giddy.
But that scene has a payoff which is also Hollywood, and well-earned. As wild as the style is, there's something of the old template there. McDonagh's trip has a recognizable arc -- but it's backwards, and for all its deliberateness even more radical than Ferrara's. Unlike the Harvey Keitel Bad Lieutenant, Cage's is redeemed at the beginning rather than at the end. Bad Lieutenant 1 underwent a Catholic purgatory; Bad Lieutenant 2 is sanctified in a manner that I suspect Herzog associated with the slapdash Protestantism of Americans from the South (like God's Angry Man), which he may have associated, in the exceedingly casual manner with which European aesthetes usually regard us, with New Orleans -- a kind of jungle, or as J. Hoberman had it, a "smashed terrarium."
As he always does with natives, Herzog keeps his distance. The voodoo alluded in a funeral scene isn't an attempt to drop a theological marker, but a reference to a spiritual life that grows like kudzu around the lives of the characters. Herzog is not of a temperament to explain it or line it up with his plot. Like the rituals of the mystics in Bells From the Deep, the rituals in this movie (pipe-sharing, liquor spitting, gambling, AA meetings) are not expected to make sense, but to make their sense to us, the way dreams dreamed to Kaspar Hauser.
McDonagh's act -- of what? kindness? fellow-feeling? reflex response? -- charts his course in the first scene. What happens afterward is the playing out of a drama in which the climax has already occurred. Maybe that helps explain all Herzog's odd stories, and even his documentaries. From Even Dwarves Started Small to Grizzly Man, his style has been drift punctuated by explosions, and this may be what he sees as life. Put that way it seems hellish and almost inhuman in its disorder. But as is the redemption of McDonagh's rusty spoon, it can also, still, be beautiful.
UPDATE. Thanks Mnemosyne for spellcheck.
Monday, November 23, 2009
NEW VOICE COLUMN UP, about the Going Rogue publicity. The song remains the same -- Palin portrayed as most martyr-like when she is most successful -- but there are some interesting variations, especially from our old friend The Anchoress.
I see that Ross Douthat is on her case, and seems to wish she and the voters would instead pay attention to the "innovative proposals" of his more serious fellow ideologues, including a payroll tax cut in lieu of stimulus. Tax cuts instead of spending! There's a new one. I regret he didn't include a cutting-edge way to overturn Roe v. Wade. Call me a squish, but I think even Palin could comprehend such proposals well enough to run on them, were there no danger of her getting elected and having to take responsibility for their results. I don't think it occurs to Douthat that maybe Palin was getting out of politics, not because it was too hard, but because the getting was good.
I see that Ross Douthat is on her case, and seems to wish she and the voters would instead pay attention to the "innovative proposals" of his more serious fellow ideologues, including a payroll tax cut in lieu of stimulus. Tax cuts instead of spending! There's a new one. I regret he didn't include a cutting-edge way to overturn Roe v. Wade. Call me a squish, but I think even Palin could comprehend such proposals well enough to run on them, were there no danger of her getting elected and having to take responsibility for their results. I don't think it occurs to Douthat that maybe Palin was getting out of politics, not because it was too hard, but because the getting was good.
Friday, November 20, 2009
THE CHILDREN OF ZHDANOV. Oh shit: From John J. Miller, mastermind of "The 50 Greatest Conservative Rock Songs":
Some of the brethren are more forgiving as to what makes the conservative cut. "I don’t imagine that Faulkner was self-consciously a conservative," says one. "But many of his novels delve deeply into the issue of race in America that we have not begun to see the end of. And he looks at the questions from many perspectives and never falls into the useless left wing class consciousness formulas." This would seem to give Miller an enormous out -- if it's not explicitly Marxist, it's right-wing. And given Miller's previous method ("[Who'll Stop The Rain,] written as an anti–Vietnam War song, this tune nevertheless is pessimistic about activism..."), rest assured he'll make use of it, as most of the other suggestions are sci-fi and Mark Helprin.
Do any of these people ever read books, watch movies, listen to music, or do anything simply for pleasure and edification, rather than in search of political self-justification? And do they have any idea that their Zhdanovist schtick directly contradicts what they profess to believe?
I plan to assemble a list of great conservative novels for NRODT, probably for an issue in early 2010.He directs the brethren to this place, where they may leave suggestions. It begins promisingly...
I’ve always had a feeling that Dean Koontz books lean right and I thoroughly enjoy them....and devolves from there:
I had always hoped to have the time to write a book on how the Harry Potter series is a conservative masterpiece.Oh please, nobody tell him.
The sheer all out conflict of good and evil. The terror inflicted on the world by Voldemort and crew...Who were Muslims.
I do not know whether Ms. Rowling would ascribe to it in this way, as she takes a shot at GWB in the opening of one of the books...But what would she know? Fortunately, another commenter steps up in defense:
In Harry Potter and the Half-Blood Prince, when JK Rowling is referring to the “horrid man” who is U.S. president, the actual timeline of the novels suggests she is referring to Bill Clinton.Shirt-retucking trumps Satanism! Next up:
Say, I hope it’s okay to do a little BSP (blatant self promotion) here. I’m a novelist. I’m center-right... I’ve had four young adult mysteries published (the first was an Edgar nominee) and two humorous women’s fiction (as Libby Malin). I wish more conservative publications would pay attention to young adult literature, by the way...With these promotional instincts, how can she fail? Next!
“American Pastoral,” by Philip Roth, so much so that he wrote an entire novel with the ideological purpose of taking it all back.One wishes the commenter had provided a list of Roth novels demarcated by ideology. No doubt The Breast would be leftist, because of its identification with The Other.
A perhaps surprising suggestion is Twain’s “A Connecticut Yankee in King Arthur’s Court.”Hank's plan to overthrow the Catholic Church must have escaped his notice, as must the general sympathies of its author. Other choice bits:
I re-read this in the early nineties when I was still a liberal, and I think it began the process that lead me to change [by '94 a full fledged Contract With America voter!]. It’s very subtle [else my liberal anti-bodies would have detected the subversion occuring] but it was a great read in its own right. The debate in the town with minimum wage laws is by turns frustrating and hilarious, due to the familiarty with which we see it play out again and again before our eyes.
Lolita, if you can get past the allegorical child molestation, is a book about controlling your own circumstances even when it feels like something much larger is looming over you. Is it applicable today? Only if you think Humbert Humbert is the government...As with any Kulturkampf, there are accusations of wrongthink: "I disagree firmly with those who have suggested Steven Hunter’s Bob Lee Swagger novels. Hunter is, as you would expect from a film reviewer for major dailies, a reflexive liberal, and those ideas permeate his writing and frequently issue from the mouths of his characters." Back to your spider-holes, anti-Party gangsters!
Bram Stoker’s “Dracula.” Van Helsing’s reverent use of the consecrated Host to stop evil seems very conservative these days. [They'll also love the sequel!]
The Great Gatsby: A study of the importance of personal character, and the lack of it from many supporting characters.
Some of the brethren are more forgiving as to what makes the conservative cut. "I don’t imagine that Faulkner was self-consciously a conservative," says one. "But many of his novels delve deeply into the issue of race in America that we have not begun to see the end of. And he looks at the questions from many perspectives and never falls into the useless left wing class consciousness formulas." This would seem to give Miller an enormous out -- if it's not explicitly Marxist, it's right-wing. And given Miller's previous method ("[Who'll Stop The Rain,] written as an anti–Vietnam War song, this tune nevertheless is pessimistic about activism..."), rest assured he'll make use of it, as most of the other suggestions are sci-fi and Mark Helprin.
Do any of these people ever read books, watch movies, listen to music, or do anything simply for pleasure and edification, rather than in search of political self-justification? And do they have any idea that their Zhdanovist schtick directly contradicts what they profess to believe?
Thursday, November 19, 2009
RIGHTWING SPARKLE WILL TELL YOU WHAT'S FUNNY! "I used to think Jon Stewart was funny," says RightWingSparkle -- which already has me dubious, as dailyobamajokes seems more up her alley, but let's roll with it. What makes Stewart unfunny now, she says, is that only "once in a blue moon he might take a light jab at Pres. Obama. Which is absurd considering the wealth of comedy to be had at President Obama's enormous ego, his addiction to his teleprompter, and his constant need to bow to other world leaders."
Busting a gut yet? Wait, the real payoff's on the way. Stewart was mean to a picture of Bernard Goldberg becase Goldberg said liberals hate Sarah Palin because "she has five children, liberals don't have a lot of children. She has a down syndrome child, liberals don't allow that in their lives." Stewart then noted that Eunice Shriver had nine kids and founded the Special Olympics.
"Does anyone else find it amusing that he had to pick a Democrat who was 88 yrs old (she died earlier this year, so he couldn't even find a live Democrat) who had a lot of kids?" asks RWS, and adds, " I guess he couldn't find a Democrat who had a Down Syndrome child at all, so he just used the example of her starting Special Olympics." Presumably what Stewart should have done was gotten Ordinary American Democrats with multiple Down Syndrome kids, put then in the audience, and introduced them from the stage to thunderous applause like Presidents do at the State of the Union. But then, what do people like him know about comedy?
For the capper, RWS tells us that Shriver was anti-abortion, "just like Sarah Palin. So Jon Stewart ended the segment with a joke he didn't intend to make." And if you're properly informed, you can detect the humor in it. If only RWS could have handed out fact sheets to the audience before the show; then we'd see who's laughing.
I see a new conservative best-seller in this: a book of spoilt liberal punchlines. Take the 2006 Oscar show montage Stewart introduced showing the gayest moments from classic Westerns. A well-researched list of all the featured actors' heterosexual unions will prove its unfunniness. Add a section of jokes such people should have been making instead, and you'll have a gold mine. Because there's nothing people like better than someone telling them when to laugh.
Busting a gut yet? Wait, the real payoff's on the way. Stewart was mean to a picture of Bernard Goldberg becase Goldberg said liberals hate Sarah Palin because "she has five children, liberals don't have a lot of children. She has a down syndrome child, liberals don't allow that in their lives." Stewart then noted that Eunice Shriver had nine kids and founded the Special Olympics.
"Does anyone else find it amusing that he had to pick a Democrat who was 88 yrs old (she died earlier this year, so he couldn't even find a live Democrat) who had a lot of kids?" asks RWS, and adds, " I guess he couldn't find a Democrat who had a Down Syndrome child at all, so he just used the example of her starting Special Olympics." Presumably what Stewart should have done was gotten Ordinary American Democrats with multiple Down Syndrome kids, put then in the audience, and introduced them from the stage to thunderous applause like Presidents do at the State of the Union. But then, what do people like him know about comedy?
For the capper, RWS tells us that Shriver was anti-abortion, "just like Sarah Palin. So Jon Stewart ended the segment with a joke he didn't intend to make." And if you're properly informed, you can detect the humor in it. If only RWS could have handed out fact sheets to the audience before the show; then we'd see who's laughing.
I see a new conservative best-seller in this: a book of spoilt liberal punchlines. Take the 2006 Oscar show montage Stewart introduced showing the gayest moments from classic Westerns. A well-researched list of all the featured actors' heterosexual unions will prove its unfunniness. Add a section of jokes such people should have been making instead, and you'll have a gold mine. Because there's nothing people like better than someone telling them when to laugh.
Tuesday, November 17, 2009
SHORTER S. ROBERT LICHTER. My old employees at Fox News are both the most anti-Obama network and the most fair and balanced network. How can this be? Simple. As a study by my own right wing front group explains, all the other networks are liberal media liars who love the fraud Obama. For purposes of this argument, the figures also show that the liberal media liars are now attacking the fraud Obama (whom they love) just as much as Fox is. Now, having said that, how can we go on insisting that the liberal media liars love the fraud Obama, whom they are attacking? Simple. (throws sand, runs out of room)
BOW MAO. I have to admit, even accustomed as I am to this foolishness, I found the hubbub over Obama's bow to the Japanese royals rather de trop. But I didn't expect we'd still be talking about it on Tuesday. Now footage of Nixon bowing to Mao has surfaced. They say fools rush in, and me and neo-neocon prove it:
I admit that I don’t like it. But it’s a little head bob compared to Obama’s extraordinarily deep obeisance. What’s more, in Obama’s case the bow is symbolic of his policies to humble America. In Nixon’s, the intent and the policies were -- different.I'm really sorry she didn't explain that difference. 37 years after Nixon's visit, China's slave laborers make our clothes and its banks hold $798.9 billion in U.S. treasury bonds, more than any other foreign power. And look -- Japan is number two! I'm surprised Obama didn't kiss their asses.
Thursday, November 12, 2009
I GET A SCOOP! Six sizzling excerpts from Going Rogue are available now at Runnin' Scared. (Some people seem to think it's just a joke, but you folks know I have no sense of humor.)
Wednesday, November 11, 2009
I'LL STICK WITH HIS BROTHER BOB. I see Lou Dobbs is leaving CNN. The Times playfully notes that "Mr. Dobbs’s show drew an average of 631,000 viewers in October, putting him in third place behind Fox News and MSNBC," and suggests he will go to Fox to do opinion journalism. The Ole Perfesser thinks he may have bigger fish to fry:
No, that's just nostalgia for more propitious times. They can always stick another nemesis to the prejudice when the sledding gets heavy. Dobbs is probably going to peddle his papers on another street and leave it at that.
SO I’VE WATCHED LOU DOBBS’ RESIGNATION SPEECH and I wonder — is he planning to go Perot? Or, maybe, run in the Democratic primary?I clicked the latter link to see what he meant:
MICKEY KAUS notes that the Democrats are abandoning the working class... If Lou Dobbs were running for President, this wouldn’t be happening.It's dated June 18, 2007, bringing us back to the days when dirty Mescans were a bigger deal than Islamist Army majors. Does this signal a change in rightblogger tactics? I doubt it, with two Spanish-surnamed great right hopes in Florida now: Armando Gutierrez, supported by former "little brown one" George P. Bush, contending for a House seat, and Marco Rubio running for the GOP Senate nod against Charlie Crist -- Rubio's supporters are already accusing the Crist camp of racism. Rubio and Gutierrez are Cuban-Americans, but good luck explaining the difference to yahoos.
No, that's just nostalgia for more propitious times. They can always stick another nemesis to the prejudice when the sledding gets heavy. Dobbs is probably going to peddle his papers on another street and leave it at that.
Tuesday, November 10, 2009
MORE CHILLING OF FREE SPEECH IN OBAMA'S AMERICA. I figured there'd be a lot of crazy stuff about Fort Hood, and there has been, but now it's starting to get out of hand. I have a story up at Runnin' Scared about the rightwing guys who called the FBI on commenters at the Joe My God site who appeared to promote violence, citing the Hasan massacre as a reason to be vigilant.
Over-the-top commenters are worrisome and weird, but it has never occurred to me to call the FBI on commenters who say things like "'Save the earth and our great nation...kill a liberal.' That's what I want my T-Shirt to read." Maybe I've been on the internet too long and have acquired a diminished capacity for panic.
It also strikes me that calling in the feds runs counter to the general message that Obama is the one trying to use the force of law to shut down the internet.
Over-the-top commenters are worrisome and weird, but it has never occurred to me to call the FBI on commenters who say things like "'Save the earth and our great nation...kill a liberal.' That's what I want my T-Shirt to read." Maybe I've been on the internet too long and have acquired a diminished capacity for panic.
It also strikes me that calling in the feds runs counter to the general message that Obama is the one trying to use the force of law to shut down the internet.
THE OLD DARK HOUSE. Hadn't been over to see the Ann Althouse site for a long, long while, but I retain a soft spot for her, so when tipped today by the Perfesser (with the irresistible tease, "Teenager? Is TMZ threatening to post child pornography?") I took a chance. Professor Althouse was talking about the Carrie Prejean sex tape:
This argument that hypocrisy doesn't exist for the Elect is by now an old rightwing favorite, and the quality of Althouse's reasoning hasn't changed much from the old days. But the Jesus stuff was a shock. I went down into her comments; a quick scan suggests that the old let's-pretend liberals (what were their names, again? Rainbow? Sunshine?) seem to have fled or outed themselves, and the remnant are leaving stuff like this:
Den Beste isn't still blogging, is he?
UPDATE. Althouse has a 1,200-word response, in which she claims I quote her out of context. The link to her post remains active, so you can judge that for yourself. She also thinks I misunderstand her, and deliberately, lest I be forced to declare I agree with her, which would get me fired. On the contrary -- if our disagreements are as important as she portrays them, such a revelation would be headline news, and boost my traffic. I might get promoted to janitor. Think of the prestige, and the raise in salary!
She's right about one thing, though -- there's no evidence that she removes comments. That was "a lazy mistake," if she'll forgive my quoting her again without attaching the rest of the post to make sure the context is clear.
An Althouse defender comes to comments to notify my readers:
I should add that I am grateful to learn that the hell-fire commenter had specific targets in mind for her hell-fire, "Polanski and the Hollywood-type liberals who've defended him," though I had no idea those people ran TMZ, nor that they constituted all of Prejean's detractors. Shows you how dangerous it is to go to Althouse's site without a concordance.
But TMZ — I don't read it much, but, again, I'll guess — does not itself parade as Christian. Prejean does, and so she will be held to the high standards of Christianity, while TMZ can say and do whatever it wants. ("When we are cursed, we bless; when we are persecuted, we endure it; when we are slandered, we answer kindly. ")Scripture and Saul Alinsky? This explains so much: Althouse is The Anchoress!
TMZ is following Rule 4 of Saul Alinsky's "Rules for Radicals":
This argument that hypocrisy doesn't exist for the Elect is by now an old rightwing favorite, and the quality of Althouse's reasoning hasn't changed much from the old days. But the Jesus stuff was a shock. I went down into her comments; a quick scan suggests that the old let's-pretend liberals (what were their names, again? Rainbow? Sunshine?) seem to have fled or outed themselves, and the remnant are leaving stuff like this:
What's difficult as hell to do is to live up to the standards that would be set up for Christians by the butt-buggering sodomites. The rapists of 13-year-old children.Amazingly, Althouse is still removing comments, perhaps because they don't come up to the standards of this gem, or because they're actually messages from her employers trying to reach her because her phone has gone dead and her windows are boarded up.
Christians could never live up to the sodomites' expectations.
Thankfully, though, Jesus doesn't require that. And we know they'll spend eternity burning in hell.
So at least there's that comfort.
Den Beste isn't still blogging, is he?
UPDATE. Althouse has a 1,200-word response, in which she claims I quote her out of context. The link to her post remains active, so you can judge that for yourself. She also thinks I misunderstand her, and deliberately, lest I be forced to declare I agree with her, which would get me fired. On the contrary -- if our disagreements are as important as she portrays them, such a revelation would be headline news, and boost my traffic. I might get promoted to janitor. Think of the prestige, and the raise in salary!
She's right about one thing, though -- there's no evidence that she removes comments. That was "a lazy mistake," if she'll forgive my quoting her again without attaching the rest of the post to make sure the context is clear.
An Althouse defender comes to comments to notify my readers:
If you can ever tear yourself away from the one website you visit every day you would understand how big of a joke Edroso is in the blogging community, and it's because he does stuff like this.I had deceived myself that they were laughing with me. But that's okay. If I weren't content with negative attention, why would I write about these people in the first place? The rest of you I leave free to dump me for some more reputable site, lest you suffer in the Althouseans' eyes guilt by free-association.
I should add that I am grateful to learn that the hell-fire commenter had specific targets in mind for her hell-fire, "Polanski and the Hollywood-type liberals who've defended him," though I had no idea those people ran TMZ, nor that they constituted all of Prejean's detractors. Shows you how dangerous it is to go to Althouse's site without a concordance.
Monday, November 09, 2009
NEW VOICE COLUMN UP, about the rightblogger coverage of the Fort Hood shooting. I'm so used to accusations of liberal media bias that it didn't hit me at first how much of this coverage presumes that newspapers and TV news organizations are trying to protect Major Hasan and Islam -- whose aims are also presumed identical.
The newsies are thus tarred for not calling for counter-jihad in their stories. Mark Steyn, for example, makes the same sort of obligatory reference to peaceful Muslim citizens that automatically gets the papers accused of dhimmitude, but rescues himself by lamenting that "America has the best troops and fiercest firepower, but no strategy for throttling the ideology that drives the enemy -- in Afghanistan and in Texas," suggesting that his prescribed means of dealing with the enemy would be the same in both locations, though he is clever enough not to say so out loud.
Generally the smarter rightbloggers show a similar measure of restraint, and portray common sense as their exclusive province. Legal Insurrection declares that the massacre was "an act of domestic terrorism committed for political and religious purposes," and that "the left targets anyone who dares speak honestly about terrorism." After this gun-waving, he calls for... an investigation, "not only as to the extent of Hasan's connections, but also as to why the military hesitated to respond." Cripes, I was expecting a call for the assassination of Keith Ellison, at the very least. Legal Insurrection finds it necessary to add, "And if the left cries foul, that's too bad." Fancy liberals standing in the way of an investigation of the military!
The newsies are thus tarred for not calling for counter-jihad in their stories. Mark Steyn, for example, makes the same sort of obligatory reference to peaceful Muslim citizens that automatically gets the papers accused of dhimmitude, but rescues himself by lamenting that "America has the best troops and fiercest firepower, but no strategy for throttling the ideology that drives the enemy -- in Afghanistan and in Texas," suggesting that his prescribed means of dealing with the enemy would be the same in both locations, though he is clever enough not to say so out loud.
Generally the smarter rightbloggers show a similar measure of restraint, and portray common sense as their exclusive province. Legal Insurrection declares that the massacre was "an act of domestic terrorism committed for political and religious purposes," and that "the left targets anyone who dares speak honestly about terrorism." After this gun-waving, he calls for... an investigation, "not only as to the extent of Hasan's connections, but also as to why the military hesitated to respond." Cripes, I was expecting a call for the assassination of Keith Ellison, at the very least. Legal Insurrection finds it necessary to add, "And if the left cries foul, that's too bad." Fancy liberals standing in the way of an investigation of the military!
Saturday, November 07, 2009
ONE CHERRY, FRESHLY PICKED. Moe Lane of RedState notices he is being taunted by Eugene Robinson about RedState's many threatened purges of the GOP. "Will loyal members inform on others for harboring suspiciously moderate views?" asks Robinson. "Will there be re-education camps?" Etc.
The only thing more pleasing than this rare instance of a mainstream reporter noticing that wingnuts are wingnuts is Lane's reaction, which consists of:
1.) They don't even really make arguments anymore, do they? They just play Mad Libs with memes and talking points. It's like that "My Pet Goat" thing they tried to stick to Obama this week, which I predict will have the longevity of "stuck on stupid," "fisking," and other such catchphrases cooked up in their labs.
2.) Lane's shirt-tucking outrage at Robinson's joke about re-education camps further demonstrates that right-wingers are the new political-correctness champions. Jesus Christ. No one tell him about The Producers -- he'll start convening a hate crimes tribunal.
The only thing more pleasing than this rare instance of a mainstream reporter noticing that wingnuts are wingnuts is Lane's reaction, which consists of:
- Going "Err, no," after each of Robinson's jokes.
- Adding after the re-education camp joke: "Also: cheapening to the memory of victims in the tens of millions."
- Ending with a paragraph-long equivalent of "Is not," supported by changing the subject from NY-23 to Virginia.
1.) They don't even really make arguments anymore, do they? They just play Mad Libs with memes and talking points. It's like that "My Pet Goat" thing they tried to stick to Obama this week, which I predict will have the longevity of "stuck on stupid," "fisking," and other such catchphrases cooked up in their labs.
2.) Lane's shirt-tucking outrage at Robinson's joke about re-education camps further demonstrates that right-wingers are the new political-correctness champions. Jesus Christ. No one tell him about The Producers -- he'll start convening a hate crimes tribunal.
THIS IS WHY I DON'T GO OUT AND COVER STUFF MORE. When I took the trouble to go to the Clinton Global Initiative last year and broke Al Gore calling for civil disobedience to fight pollution, no one gave a shit. But now that it's in the Guardian suddenly it's a big deal. All you need in journalism is connections! That and a chick bass player! Phooey!
Friday, November 06, 2009
THE KILLER INSIDE ME TRAILER. This looks all wrong:
Looks like a good Elmer, and Casey Affleck has the stuff for Ford. And it's a trailer, so I would expect the sex to be emphasized -- as might Jim Thompson, who was after all a pulp writer. But The Killer Inside Me is much less about sexual obsession than about self-hatred -- the way it drives you to the periphery of the world and makes you a monster, and makes other people monstrous to you -- like Elmer, running and screaming from the house, looks to Ford. Kubrick territory, certainly, and too bad he never got to it.
Actually Kubrick did work with Thompson. In his excellent book on the director, Michael Herr relates:
There's a pretty bad film of the book with Stacy Keach, but Keach has Ford's clammy sorrow down cold. And it has Susan Tyrell. They make a good team.
The music in the trailer sounds awful. I always thought the score of a film of Killer should be entirely based on Genocide by Link Wray.
Looks like a good Elmer, and Casey Affleck has the stuff for Ford. And it's a trailer, so I would expect the sex to be emphasized -- as might Jim Thompson, who was after all a pulp writer. But The Killer Inside Me is much less about sexual obsession than about self-hatred -- the way it drives you to the periphery of the world and makes you a monster, and makes other people monstrous to you -- like Elmer, running and screaming from the house, looks to Ford. Kubrick territory, certainly, and too bad he never got to it.
Actually Kubrick did work with Thompson. In his excellent book on the director, Michael Herr relates:
Jim Thompson had made him nervous when they working together on The Killing, a big guy in a dirty old raincoat, a terrific writer but a little too hard-boiled for Stanley's taste. He'd turn up for work carrying a bottle in a brown paper bag, but saying nothing about it -- it was just there on the desk with no apology or comment -- not at all interested in putting Stanley at ease except to offer him the bag, which Stanley declined, making no gestures whatever to any part of the Hollywood process, except maybe toward the money.Thompson worked on Paths of Glory too, and Kubrick commissioned from him a script that never got filmed, though I see someone wants to try it.
There's a pretty bad film of the book with Stacy Keach, but Keach has Ford's clammy sorrow down cold. And it has Susan Tyrell. They make a good team.
The music in the trailer sounds awful. I always thought the score of a film of Killer should be entirely based on Genocide by Link Wray.
CONSERVATIVE GAY OUTREACH CONTINUES. Dan Riehl:
I'm being mischievous, of course. The point isn't to bring homosexual Americans over to conservatism, but to give fellow wingnuts another reason to despise them.
Obama Doesn't Like Gay People...This is getting monotonous, but here, from the Riehl World View archives:
Heck, gays are all but at the back of the bus. But at least Obama hasn't yet thrown them off it, as he's done with so many others. The real question is, don't they sort of look like rubes for remaining on it themselves?
So, I'm thinking, what better way to take advantage of the current Liberal Blogosphere bonanza of attention we've been hearing about ... mostly from them, than to launch a series of Gay Blogger Boy Toy dolls, so every Liberal commenter can take a likeness of their favorite Liberal Boy Toy blogger home...I could go on all day, but why bother? Riehl's pulled this stunt before (concerning Kathy Griffin and Anderson Cooper, believe it or not). But be nice to him, because he had a gay brother who died, "probably of aids for all I know." So he's just the fellow to convince gay folk that they really ought to be batting for his team, just so long as they don't use the showers.
What is Limbaugh trying to say here, exactly? lol [reference: "Rahm Emanuel is the power behind the throne -- and don't let his effeminate nature and his ballerina past mislead you on this..."]
Did the lesbians lie? Or do they just not care about body image, thus leading to their perception and that disastrous armpit issue we see when they elect to march for equality in tank tops?
Oh, and give us the masses that huddle with individuals of the same sex ... because being Gay is now a basis for political asylum, you see. I suppose transvestites get to go to the front of the line. God Bless the Queen ... er, I mean America, sorry. ; )
I'm being mischievous, of course. The point isn't to bring homosexual Americans over to conservatism, but to give fellow wingnuts another reason to despise them.
Thursday, November 05, 2009
FIGHTIN' KEYBOARDERS CALLED BACK INTO ACTION. We'll probably be reading a lot of idiotic stuff about Fort Hood, but it'll be hard to top this from Robert Stacy McCain:
There are other contenders. For example, there's Linda Chavez at Commentary, who attempts to portray President Obama's delivery of planned remarks to a Native American affairs conference before announcing the Fort Hood situation as the equivalent of "President Bush’s 'Pet Goat' moment on 9/11." First of all, Obama was, in the face of crisis, taking care of business rather than, as our last President did, shitting his pants; second, how refreshing to hear a conservative acknowledge there was something weird about "President Bush’s 'Pet Goat' moment on 9/11."
There will be plenty of small-time nutcakes making fools of themselves (like Mad Americans Club, which raves "Obama wants to honor these type of actions with a United States Stamp! USPS New 44-Cent Stamp!!! Celebrates Muslim holiday," appearently referring to this), but the more well-known and respectable rightbloggers are soiling themselves as badly as any of those.
The reason's simple, and the same as it was during 9/11: they think soiling oneself is a sign of patriotism, and consider those who pants are not full of shit to be traitors.
The people who want to kill you are not Tea Party protesters or accountants from Saranac Lake, N.Y. They're not Kentucky populists or Belgian radicals.The only through-line I can detect in this incoherent gush is this: Liberals are trying to distract you so their friend the Arab terrorist can kill you. So don't shit your pants like they want you to -- shit your pants like Robert Stacy McCain wants you to!
Anyone who wants to distract you from real dangers by telling you to fear this week's pet bogeyman -- global warming! creationists! Ron Paul! -- is not your friend. They are fools and liars who cannot be trusted. They are objectively evil.
There are other contenders. For example, there's Linda Chavez at Commentary, who attempts to portray President Obama's delivery of planned remarks to a Native American affairs conference before announcing the Fort Hood situation as the equivalent of "President Bush’s 'Pet Goat' moment on 9/11." First of all, Obama was, in the face of crisis, taking care of business rather than, as our last President did, shitting his pants; second, how refreshing to hear a conservative acknowledge there was something weird about "President Bush’s 'Pet Goat' moment on 9/11."
There will be plenty of small-time nutcakes making fools of themselves (like Mad Americans Club, which raves "Obama wants to honor these type of actions with a United States Stamp! USPS New 44-Cent Stamp!!! Celebrates Muslim holiday," appearently referring to this), but the more well-known and respectable rightbloggers are soiling themselves as badly as any of those.
The reason's simple, and the same as it was during 9/11: they think soiling oneself is a sign of patriotism, and consider those who pants are not full of shit to be traitors.
Wednesday, November 04, 2009
SHORTER ROD DREHER. The Mad Men in my head, where they all get AIDS and die, is so much better than the real one, don't you think? Too bad liberals don't get it -- they see it smugly, whereas conservatives see the [deep, quavering voice] traaagedy. [brightly] Did I ever tell you I met a color -- er, black gentlemen who said segregation wasn't so bad?
"THE PERSONAL IS THE POLITICAL" © THE CONSERVATIVE MOVEMENT. The following, removed from context, reads like excerpts of what a normal reporter might bring back from Election Night victory/defeat parties. So forget for a moment this is by Stephanie Guttman, one of the new skree-bots at The Corner:
It's what we call in the biz "working blue state." You see all those liberal funnymen doing it: making cruel fun of fat people, dumb people, and people who suffer from that terrible condition where they're constantly slipping on banana peels.
You won't catch Ann Coulter using material like that! That's why she goes over so well with the church groups.
Also, Republican laughter is "joyous," whereas liberal laughter is "sneering." I don't know what sneering laughter sounds like -- maybe I should get a tape recorder and leave it running while I'm reading Confederate Yankee, and find out. Maybe we all sound like Muttley, and those audience reactions on The Daily Show are pre-recorded by joyous conservatives and piped in to make Stewart's liberal fans sound human.
I am very overworked, and it is both a blessing and a curse to have subjects that never get less crazy. When I started this blog they were saying a lot of insane things, but mostly about the war and patriotism. Then -- maybe it's just that I started noticing it -- they started to do this thing where everything, including painting, food, TV shows , sports teams, neighborhoods, etc. was judged either "conservative" or "not conservative."
Now they're making up ideologically specific ways of joking and laughing. It can't be healthy for either of us.
In making his concession speech, Democratic governor Jon Corzine was consoling his followers when he said, “My mother is probably the only one that’s happy tonight. She’s a Republican. She’s 93 years old so, we’re not going to worry too much about that.”And now Guttman twists the lens filter to give you that scary polarized effect:
The line got a big laugh.
When victorious Republican Chris Christie made his victory speech, he told the story of an elderly constituent he met on the campaign trail. “He said to me, ‘I’m 90 years old, and I’m going to vote for you. But you better do what you promise. Because if you don’t, I’m going to vote against you in another four years.’”
The line also got a big laugh, but it sounded more joyous, less sneering, and less subtly derisive.Whu-huh...
Just a straw in the wind, but the Corzine remark mirrors a callousness, a coarse attitude about the “dispensability” of the aged, that one sees in the debate over health-care reform.Not only do Democrats (even rich ones like Corzine who can afford to keep them in nice homes far away) want to kill their mothers -- they also tell mean, health-care-debate-like jokes about it.
It's what we call in the biz "working blue state." You see all those liberal funnymen doing it: making cruel fun of fat people, dumb people, and people who suffer from that terrible condition where they're constantly slipping on banana peels.
You won't catch Ann Coulter using material like that! That's why she goes over so well with the church groups.
Also, Republican laughter is "joyous," whereas liberal laughter is "sneering." I don't know what sneering laughter sounds like -- maybe I should get a tape recorder and leave it running while I'm reading Confederate Yankee, and find out. Maybe we all sound like Muttley, and those audience reactions on The Daily Show are pre-recorded by joyous conservatives and piped in to make Stewart's liberal fans sound human.
I am very overworked, and it is both a blessing and a curse to have subjects that never get less crazy. When I started this blog they were saying a lot of insane things, but mostly about the war and patriotism. Then -- maybe it's just that I started noticing it -- they started to do this thing where everything, including painting, food, TV shows , sports teams, neighborhoods, etc. was judged either "conservative" or "not conservative."
Now they're making up ideologically specific ways of joking and laughing. It can't be healthy for either of us.
ELECTORO-SHOCK. I'm very tired after Election Night -- drunkblogging these things is fun, in a dudgeon-stroking way, but hard on my liver and my lights -- but if I need boosting during the day, I will take little nips off the rightblogger responses to the Hoffman debacle. Here's my early-a.m. scan. BradlyNo seems to be enjoying particularly the Black Knight routine of Erick Erickson. That guy was absolutely bughouse through the home stretch (though unlike R.S. McCain, he kept his overt screaming fits to himself), and his declaration of victory in NY-23 is a fitting climax to the whole crazy business.
Though I'm sure someone will come along to top him.
In a way it's too bad we don't have Citizen Hoffman going the Washington to carve out a bold path as the Bernie Sanders of the GOP, and staring with incomprehension at farm bills and such like. I had a clock all set up for counting the minutes until his RedState buddies put a fatwa on him for voting yes to an appropriations bill. Congratulations meanwhile to the Republicans in Virginia and Jersey, who I'm sure will provide much amusement in the days to come.
Though I'm sure someone will come along to top him.
In a way it's too bad we don't have Citizen Hoffman going the Washington to carve out a bold path as the Bernie Sanders of the GOP, and staring with incomprehension at farm bills and such like. I had a clock all set up for counting the minutes until his RedState buddies put a fatwa on him for voting yes to an appropriations bill. Congratulations meanwhile to the Republicans in Virginia and Jersey, who I'm sure will provide much amusement in the days to come.
Tuesday, November 03, 2009
NOTES ON THE CULTURE WAR. Big Hollywood:
The post is over 900 words long, by the way. But that's nothing -- Jonah Goldberg cracks 2,500 words with "How Politics Destroyed a Great TV Show" at Commentary (!). Warming up with a mixing bowl of warm cake-batter and a lament that one line in the last Star Wars movie "unraveled the entire moral superstructure of the Star Wars franchise," Goldberg goes on to bitch about a bunch of TV shows that offended him ideologically before deciding that "denouncing the ideological intrusion into the dialogue of Grey’s Anatomy as a corruption of artistic integrity offers such televised junk more respect than it deserves." So he jumps on his trampoline and heads for the loftier reaches of Battlestar Galactica.
Goldberg, who thinks Norman Mailer was overrated, explains that the show was boss when he was able to read its plot threads as against abortion and communism but sucked when he could no longer find a way to make it conform to his views on the Iraq War. In a final insult to all that's Goldberg, "for having the 'bravery' to tackle the occupation of Iraq, the producers and lead actors were invited to a panel at the United Nations to dilate on the war on terror." It's worse than when Joanie married Chachi.
Money quote:
Add one more soldier to the Left’s war on Fox News: Oscar the Grouch.Oh, wait, it gets better:
Last week, in a re-broadcast of an episode that originally aired two years ago...Aw, c'mon guy -- it only took Fox eight months to catch up with the Obama children's song.
Oscar starts his own news network, GNN (Grouchy News Network). An irate viewer calls in to berate him that the news is not grouchy enough:Now they're complaining that the liberal conspiracy won't make up funny names for their heroes. Next week: Media fails to give Hannity a high-five.“I am changing the channel. From now on I am watching ‘Pox’ News. Now there is a trashy news show.”Later in the episode, Anderson Cooper from 4th place CNN, guest stars as a reporter for GNN. He interacts with “Walter Cranky” and “Dan Rather-Not” — Muppets representing real-life liberal news personalities — and they talk about “Meredith Beware-a” and “Diane Spoiler.” But no affectionate nicknames for Fox News personalities; no Spill O’Reilly or Brittle Hume...
The post is over 900 words long, by the way. But that's nothing -- Jonah Goldberg cracks 2,500 words with "How Politics Destroyed a Great TV Show" at Commentary (!). Warming up with a mixing bowl of warm cake-batter and a lament that one line in the last Star Wars movie "unraveled the entire moral superstructure of the Star Wars franchise," Goldberg goes on to bitch about a bunch of TV shows that offended him ideologically before deciding that "denouncing the ideological intrusion into the dialogue of Grey’s Anatomy as a corruption of artistic integrity offers such televised junk more respect than it deserves." So he jumps on his trampoline and heads for the loftier reaches of Battlestar Galactica.
Goldberg, who thinks Norman Mailer was overrated, explains that the show was boss when he was able to read its plot threads as against abortion and communism but sucked when he could no longer find a way to make it conform to his views on the Iraq War. In a final insult to all that's Goldberg, "for having the 'bravery' to tackle the occupation of Iraq, the producers and lead actors were invited to a panel at the United Nations to dilate on the war on terror." It's worse than when Joanie married Chachi.
Money quote:
It’s been said that the difference between the truth and fiction is that fiction has to make sense. After its third season, Battlestar Galactica steadily failed on both counts.Well, I say the difference between a Magic 8-Ball and Jonah Goldberg is that a Magic 8-Ball has to be right sometimes, and Goldberg fails on both counts.
Monday, November 02, 2009
THE KING'S SHILLING. Yeah, I know a Bloomberg ad keeps popping up on the sidebar. (They must have heard we get a lot of Democrats, among which group Bloomberg may be trying to shore up his 43 percent take.) We've had Sarah Palin and others up there, too. I expect you guys are impervious, though if any of you are motivated to flip by a website ad, I can honestly say I won't feel personally responsible. The tiny amount they pay me suggests Google Ads doesn't expect much either.
NEW VOICE COLUMN UP. This is an especially long one, tracing the rightwing purge in New York' 23rd Congressional District race from early days to its operatic final act. Full as it is, I was obliged to cut some sections, one of which I'll share with you as bonus material:
The roots of the insurgency reach back to Scozzafava's nomination on the third ballot by local Republican chiefs in July, on which occasion an NRCC spokesman praised her as "proven vote-getter who shares John McHugh’s willingness to work across the aisle on issues that matter most to central and northern New Yorkers."Those were the days, huh? Now it's all Cavaliers vs. Roundheads. Things look good for Hoffman in NY-23, but nationally I expect we are going to get, to paraphrase Ninotchka, fewer but better Republicans.
At that time Lemon Lyman of Monroe Rising ("Political Information — Without The Liberal Bias") added, "Scozzafava has been called a RINO (Republican In Name Only) but she’s really a Republican with cross party appeal that can connect with constituents of all political belief. This is a terrific asset for a representative of the people." Nonetheless Lyman suggested she "should speak of her belief in keeping taxes lowered."
The Democratic Congressional Campaign Committee sensed this vulnerability, and sought to exploit it with a September anti-Scozzafava ad claiming that while in the Assembly Scozzafava "voted for more taxes and fees for you 190 times." In upstate New York, Democrats can get away with that sort of thing...
Saturday, October 31, 2009
NOTES FROM THE COMPASSIONATE CONSERVATIVE FRONT. Yesterday President Obama signed the Ryan White Act, allowing HIV-positive people to travel to the United States. By and large rightbloggers have kept away from it -- oh, wait, here are a few who've weighed in:
Obama loves homos with HIVEtc. On the bright side, Gay Patriot hasn't denounced it yet. So that Tea Party-"Gay Left" rapprochement is still totally on.
IMPORTING THE INFERIOR CULTURE
It seems that everything Obama does is to destroy America. And it's just so blatant an open.
Is it inhuman of me to say that America shouldn’t welcome immigrants who have costly health issues unless they have the means to personally pay for their treatment?
Harsh as this may sound, would you wish to be seated on a plane for 12 hours next to someone with contagious leprosy?
... overturning a 22 year ban ignorantly suggesting that he is smarter than the Department of Health and Human Services.
Thank you, President Obama. Are you out of your mind?
The feminist praise of President Obama's decision to overturn Bush's ban on HIV infected people coming to America proves how dangerous feminism is.
SOMEBODY HERE KNOWS HOW TO PLAY THIS GAME. As you may have heard, the presentation of White House visitor logs for January-July led to some humorous gun-jumping by the usual gang of idiots.
The White House release is incomplete at this time, which I can't approve. (More names are expected later this year.) But I'm heartened that its content suggests the Administration knows how to drive its opposition nuts on purpose.
The White House went out of its way to alert readers that some names recorded in the logs were not those of the people you might think they are -- the visitors Jeremiah Wright and William Ayers, for example, were not the famous preacher and radical, respectively.
Some nonetheless scream the news about Ayers and Wright without the explanation, Atlas Shrugs and Don Surber ("A vote for Obama was a vote for Ayers") prominent among them.
"Michael Moore should be waterboarded," roars Right Wing Fanatic. "Bill Ayers should hang from some basketball net." He is also exercised that "General Petreus" was not included on the incomplete list. (One wants to suggest he try a different spelling, just to make him madder. Oh, wait, he got it from TownHall. Never a good idea, RWF!) "Even Good ole Rev. Jeremiah 'God DAMN America' Wright got a visit," says Flopping Aces. "If you ever wondered why Obama appointed so many raving radicals to important positions in the White House, this list makes it clear..."
"What else is there to do when you aren't selling access that comes with influence," says Riehl World View, "entertaining Bill Ayers or doing the SEIU's business but shoot basketball with Mikey [Jordan, another imaginary celebrity visitor]!" RWV later discovers his mistake, and knows where to place the blame: "White House Plays Games, Sets Trap With Web Site." He says the disclaimer "was nowhere to be seen when I clicked in before I did my post," which left him the choice of checking his information or immediately posting an outraged screed; surely he cannot be blamed for taking the more patriotic course.
Meredith Jessup of Town Hall gets the Bad Bill Award for assuming -- despite the White House caveat, to which she does not refer and may or may not have bothered to read -- that the Malik Shabazz listed is the famous Black Panther, and details his crimes over 1,100+ words. "Stay tuned for the next installment of 'Barack Obama's Guest List,'" she concludes, "where I'll delve into the history of another one of Obama's questionable connections." Maybe it'll be Hitler!
A few at this writing have updated, to similarly hilarious effect. Melissa Clouthier adds, more in anger than sorrow, "David Petraus is notably absent." Petraeus ought to change his name to Smith or something else more American and easy to spell. "I previously posted pictures of Chicago Boss Bill Daley with the president on the White House lawn (but not a word about it in the press at the time)," complains American Power. Holy shit -- the Mayor of Chicago (under a previously unknown nickname*) visited Obama? Draw up the articles of impeachment! "The press is totally in the tank, so the truth is relative to power and access," he adds. "Never believe what these people say." Well, that's one way of getting out of it.
Others actually suggest that the White House accurately reported the names but lied about them not being the betes noires they wanted to think they were. "So, there’s more than one Malik Shabazz?" queries Global Observatory. A look at some of GO's other work may explain their confusion. The confusion of Macsmind ("how many William A. Ayers are there anyway?") is harder to figure.
By now the big boys have given them the new talking points: ACORN! Also, the list is incomplete, which is Nixonian. With the latter they are on surer ground, and the Administration's attempt to insulate itself from some of the non-fantasy names may remind even sympathetic readers of the spin practices of previous Presidents.
I'm not saying Axelrod is lying, nor that any of the names so far revealed are really a big deal -- only that the Obama people, who are constantly portrayed as inept handlers of the press, seem to know more than their opponents have been willing to recognize.
* UPDATE. Donald Douglas has corrected Daley's name at American Power, notifies me of such via comments. The rest of the post he apparently stands by.
The White House release is incomplete at this time, which I can't approve. (More names are expected later this year.) But I'm heartened that its content suggests the Administration knows how to drive its opposition nuts on purpose.
The White House went out of its way to alert readers that some names recorded in the logs were not those of the people you might think they are -- the visitors Jeremiah Wright and William Ayers, for example, were not the famous preacher and radical, respectively.
Some nonetheless scream the news about Ayers and Wright without the explanation, Atlas Shrugs and Don Surber ("A vote for Obama was a vote for Ayers") prominent among them.
"Michael Moore should be waterboarded," roars Right Wing Fanatic. "Bill Ayers should hang from some basketball net." He is also exercised that "General Petreus" was not included on the incomplete list. (One wants to suggest he try a different spelling, just to make him madder. Oh, wait, he got it from TownHall. Never a good idea, RWF!) "Even Good ole Rev. Jeremiah 'God DAMN America' Wright got a visit," says Flopping Aces. "If you ever wondered why Obama appointed so many raving radicals to important positions in the White House, this list makes it clear..."
"What else is there to do when you aren't selling access that comes with influence," says Riehl World View, "entertaining Bill Ayers or doing the SEIU's business but shoot basketball with Mikey [Jordan, another imaginary celebrity visitor]!" RWV later discovers his mistake, and knows where to place the blame: "White House Plays Games, Sets Trap With Web Site." He says the disclaimer "was nowhere to be seen when I clicked in before I did my post," which left him the choice of checking his information or immediately posting an outraged screed; surely he cannot be blamed for taking the more patriotic course.
Meredith Jessup of Town Hall gets the Bad Bill Award for assuming -- despite the White House caveat, to which she does not refer and may or may not have bothered to read -- that the Malik Shabazz listed is the famous Black Panther, and details his crimes over 1,100+ words. "Stay tuned for the next installment of 'Barack Obama's Guest List,'" she concludes, "where I'll delve into the history of another one of Obama's questionable connections." Maybe it'll be Hitler!
A few at this writing have updated, to similarly hilarious effect. Melissa Clouthier adds, more in anger than sorrow, "David Petraus is notably absent." Petraeus ought to change his name to Smith or something else more American and easy to spell. "I previously posted pictures of Chicago Boss Bill Daley with the president on the White House lawn (but not a word about it in the press at the time)," complains American Power. Holy shit -- the Mayor of Chicago (under a previously unknown nickname*) visited Obama? Draw up the articles of impeachment! "The press is totally in the tank, so the truth is relative to power and access," he adds. "Never believe what these people say." Well, that's one way of getting out of it.
Others actually suggest that the White House accurately reported the names but lied about them not being the betes noires they wanted to think they were. "So, there’s more than one Malik Shabazz?" queries Global Observatory. A look at some of GO's other work may explain their confusion. The confusion of Macsmind ("how many William A. Ayers are there anyway?") is harder to figure.
By now the big boys have given them the new talking points: ACORN! Also, the list is incomplete, which is Nixonian. With the latter they are on surer ground, and the Administration's attempt to insulate itself from some of the non-fantasy names may remind even sympathetic readers of the spin practices of previous Presidents.
I'm not saying Axelrod is lying, nor that any of the names so far revealed are really a big deal -- only that the Obama people, who are constantly portrayed as inept handlers of the press, seem to know more than their opponents have been willing to recognize.
* UPDATE. Donald Douglas has corrected Daley's name at American Power, notifies me of such via comments. The rest of the post he apparently stands by.
Friday, October 30, 2009
CRAZY JESUS LADY NOW JUST CRAZY. Peggy Noonan says our leaders are too stupid to know that nothing they try will work, while her nameless friends in the pharmaceutical and insurance industries realize that the reanimation of her former boss Ronald Reagan will.
As she is a nut, they're all nut graphs, but I'll represent this one here:
Her loss of faith is remarkable. Once upon a time, when she was the Crazy Jesus Lady, Noonan directed our attention heavenward, confident that this would get our minds right. Now that the Republicans are no longer in power, she is less inclined toward spiritual remedies. I guess she has sensed -- as even dullards like George Pataki have -- that the tide in rightwing fashion has turned toward Tea Party rage, and decided to grab a pitchfork.
I saw the Crazy Jesus Lady losing Jesus about a year ago, when she was trying to maneuver the GOP faithful out of the hands of gooberish preachers and toward the healing embrace of Mitt Romney. Now it appears she has found a new animating force. There will be no murmured prayers or other pretenses of divine grace to soften her spiels now. She has become the Crazy Lady of the God of Wrath.
As she is a nut, they're all nut graphs, but I'll represent this one here:
When I see those in government, both locally and in Washington, spend and tax and come up each day with new ways to spend and tax -- health care, cap and trade, etc. -- I think: Why aren't they worried about the impact of what they're doing? Why do they think America is so strong it can take endless abuseShe professes to believe that a national health care system is a form of abuse; also, that her anonymous buddies will stop working if their tax rate approaches something 25-30 percent less than what they had under Eisenhower. And she thinks the government is filled with "Callous Children."
Her loss of faith is remarkable. Once upon a time, when she was the Crazy Jesus Lady, Noonan directed our attention heavenward, confident that this would get our minds right. Now that the Republicans are no longer in power, she is less inclined toward spiritual remedies. I guess she has sensed -- as even dullards like George Pataki have -- that the tide in rightwing fashion has turned toward Tea Party rage, and decided to grab a pitchfork.
I saw the Crazy Jesus Lady losing Jesus about a year ago, when she was trying to maneuver the GOP faithful out of the hands of gooberish preachers and toward the healing embrace of Mitt Romney. Now it appears she has found a new animating force. There will be no murmured prayers or other pretenses of divine grace to soften her spiels now. She has become the Crazy Lady of the God of Wrath.
Wednesday, October 28, 2009
CALL FOR ENTRIES. Technorati no longer does anything for me (I mean that literally) and JS-Kit has dropped the hobnails on my last nerve. Suggestions for replacements please?
CUTTING OUT THE MIDDLEMAN. Megan McArdle:
UPDATE. You may also enjoy Rod Dreher's contribution, which contains another fatuous misuse of the Robert Putnam diversity study, and suggests that having to work with black people puts white people at unfair risk of persecution by the Human Resources Department ("stakes for white people in making a single slip -- or what is interpreted as a racially hostile slip"). Someone should tell him that terrified and terrorized are not synonyms.
I really don't want this post to come out as "See--black people don't understand how hard white people have it!"I am overworked, and thus grateful to her for writing her own Shorter Megan McArdle.
UPDATE. You may also enjoy Rod Dreher's contribution, which contains another fatuous misuse of the Robert Putnam diversity study, and suggests that having to work with black people puts white people at unfair risk of persecution by the Human Resources Department ("stakes for white people in making a single slip -- or what is interpreted as a racially hostile slip"). Someone should tell him that terrified and terrorized are not synonyms.
REALLY BURYING THE LEDE. Rod Dreher talks about the drop in newspaper circulation. Here are the examples he chooses to cite:
Advertisers are bailing, but the Morning News' circ revenue is growing -- because they're charging more for the paper. "We've listened to what our readers and advertisers tell us they value most," says publisher Jim Maroney, "and we are responding to it by maintaining a robust newsroom focused on original, local reporting."
What this "original, local reporting" approach means for the hot gas Dreher blows there -- yelling about Hollywood and his inability to hear U2 properly at the local stadium, for example -- is anyone's guess. "I've tried to do something with the Dallas Morning News online op-ed page, to run it like a blog/aggregator site," says Dreher, "but that hasn't really caught on like I'd hoped it would." Seems to me if Dreher paid less attention to the influx of sooties over t'England, and more on the gol'-durned Mescans in Dallas, he'd have hisself a winner for shore! Yee-haw!
But look: the newspaper with the worst circulation falloff in the country, the San Francisco Chronicle (which lost 25 percent of its readers since the last reporting period), is a liberal newspaper in a liberal city. The ailing Boston Globe, ditto. This doesn't mean newspapers aren't biased to the left, but it does mean that there's something else going on here.Yuh don't say. Among the other losers in the latest ABC tally, which Dreher declines to mention: his own paper, the Dallas Morning News, has seen its circulation drop 22 percent in a year -- slightly less than the Chronicle, but more than the Globe (18.5 percent) and much more than the New York Times (7 percent).
Advertisers are bailing, but the Morning News' circ revenue is growing -- because they're charging more for the paper. "We've listened to what our readers and advertisers tell us they value most," says publisher Jim Maroney, "and we are responding to it by maintaining a robust newsroom focused on original, local reporting."
What this "original, local reporting" approach means for the hot gas Dreher blows there -- yelling about Hollywood and his inability to hear U2 properly at the local stadium, for example -- is anyone's guess. "I've tried to do something with the Dallas Morning News online op-ed page, to run it like a blog/aggregator site," says Dreher, "but that hasn't really caught on like I'd hoped it would." Seems to me if Dreher paid less attention to the influx of sooties over t'England, and more on the gol'-durned Mescans in Dallas, he'd have hisself a winner for shore! Yee-haw!
BEAUTIFUL EXILES. The New York Post does a Goin' Galt story (with reliably rightwing sourcing and a thumbs-up from the Ole Perfesser) about "tax refugees" who seek to "escape from New York."
God go with them. But I doubt they'll bring much entrepreneural energy to their adopted homelands. New York's tax burden has been onerous for decades, and outflow has kept pace with it, as the study finds -- the exodus was no worse in 2004. Yet those refugees don't seem to have done much for Jersey and Florida so far, though I'm sure they've done pretty well for themselves.
The Go Galt idea is that disaffected "producers" take their magical power to create wealth with them. But more often than not, what they take is their money, and then they sit on it (and, of course, demand more breaks) -- else their long-favored destinations would now be paradises rather than recession-wracked sinkholes.
New York's not doing so hot itself, but at least we've got people coming here who are willing to do some goddamned work.
Overall, the ex-New Yorkers earn about 13 percent more than those who moved into the state, the study found...Rich chunkheads have been moving to Joisey since time immemorial, and well-fixed New Yorkers moving to Florida is equally a stereotype. But let's see how things are doing in those tax Valhallas to which they're moving (in both of which conservatives have of late been calling for new management):
While New York City and the state were the losers, the Sunshine and Garden States were winners. more than 250,000 New Yorkers who lived in and around the city fled to Florida. Another 172,000 city taxpayers ended up in New Jersey.
"Florida's unemployment rate jumps to 11 percent; Tampa Bay area hits 11.7." -- St. Petersburg Times.These well-off citizens aren't heading to these places because they're economic powerhouses, but to take advantage of suburban sprawl, southern sunshine, and perhaps lower personal and business tax rates, and the prospect of paying lower wages, as may be common in the depressed economies of their new homes (though I note with interest that the National Right to Work Committee considers Jersey a "forced-unionism" state). In other words they're looking for pleasanter environs after a stint in the Big City, and to keep more of what they've got.
"The most recent banks to fail were Partners Bank, Hillcrest Bank Florida, and Flagship National Bank, all of Florida..." -- AllGov.
"Overall, the [University of Florida] survey found [state] consumer confidence flat at 72 in October... With decreasing revenues and increasing costs, the state could see a $2.6 billion budget deficit, [survey director Chris] McCarty projected..." -- St. Petersburg Times.
"Property taxes will increase about $300 for the typical homeowner in northeastern New Jersey over the coming year, despite a recession that has crimped the ability of taxpayers to foot the bill... tax increases are down from prior years, when levies were rising 5 percent to 8 percent per year. But they come amid a recession that has stalled economic growth, cost New Jersey 173,000 jobs and produced regional inflation in the first half of 2009 of less than 1 percent." -- NorthJersey.com.
God go with them. But I doubt they'll bring much entrepreneural energy to their adopted homelands. New York's tax burden has been onerous for decades, and outflow has kept pace with it, as the study finds -- the exodus was no worse in 2004. Yet those refugees don't seem to have done much for Jersey and Florida so far, though I'm sure they've done pretty well for themselves.
The Go Galt idea is that disaffected "producers" take their magical power to create wealth with them. But more often than not, what they take is their money, and then they sit on it (and, of course, demand more breaks) -- else their long-favored destinations would now be paradises rather than recession-wracked sinkholes.
New York's not doing so hot itself, but at least we've got people coming here who are willing to do some goddamned work.
Monday, October 26, 2009
NEW VOICE COLUMN UP, about the fake Obama "thesis." You'd think days after its revelation as a fake, the follow-ups would stop rolling in, but in the minutes since I posted, Israpundit has come up with one: "Read it all and grab your smelling salts." Thence comes the more-or-less obligatory follow-up: " I am looking for the link for the ten pages ……….can’t find it. But listen to this interview with Obama where he embellsihes upon this anti-capitalist thinking..." Thence to the go-to 2001 Obama quotes, which have nothing to do with anything.
We also have On The Right's consideration, entitled "The dishonest left-wing media." He says the thesis story "I knew to be a satire when I posted it," by which he apparently means he posted it uncritically, and updated, "While the documents are false, I stand by what has been posted. Obama is a radical and I believe that the evidence supports that." In the follow-up he details the crimes of Rachel Maddow, Dan Rather, etc. 20/20 Radio, admitting "We Just Got Punked!!!" adds, "it does not surprise me that an Obama thesis that Rush and some others on the right got a hold of was a fake! You see the first problem is that no one will be able to get a hold of Obama ANYTHING! All that stuff is SEAL!"
Fair-minded people who wish to give their opponents the benefit of the doubt should remember that these people are never so insistent on their own credibility than when they've been proven incredible.
We also have On The Right's consideration, entitled "The dishonest left-wing media." He says the thesis story "I knew to be a satire when I posted it," by which he apparently means he posted it uncritically, and updated, "While the documents are false, I stand by what has been posted. Obama is a radical and I believe that the evidence supports that." In the follow-up he details the crimes of Rachel Maddow, Dan Rather, etc. 20/20 Radio, admitting "We Just Got Punked!!!" adds, "it does not surprise me that an Obama thesis that Rush and some others on the right got a hold of was a fake! You see the first problem is that no one will be able to get a hold of Obama ANYTHING! All that stuff is SEAL!"
Fair-minded people who wish to give their opponents the benefit of the doubt should remember that these people are never so insistent on their own credibility than when they've been proven incredible.
Saturday, October 24, 2009
NOTES FROM AROUND HERE. New Geography tells us all those "progressive cities" you liberals love so much are very white. Of course you have to grade on the curve to get this result:
Meanwhile it seems the NYC tea party movement has scaled back with a modest display at news org buildings. Jamie Wearing Fool complains that the MSM didn't cover them and their comrades elsewhere. I'm sorry I didn't get the memo, or I would have happily covered; but it seems to me the mainstream outlets were doing the patriots a favor. "We want our country back," says one of minions, "and we're gonna take it if you don't give it to us." Seldom has such a revolutionary threat seemed less credible.
If you take away the dominant Tier One cities like New York, Chicago and Los Angeles...Also, apparently, Philadelphia and D.C. That's like saying that if you got George Will and Laura Ingraham off This Week with George Stephanopoulos, the roundtables would be pretty reasonable.
Meanwhile it seems the NYC tea party movement has scaled back with a modest display at news org buildings. Jamie Wearing Fool complains that the MSM didn't cover them and their comrades elsewhere. I'm sorry I didn't get the memo, or I would have happily covered; but it seems to me the mainstream outlets were doing the patriots a favor. "We want our country back," says one of minions, "and we're gonna take it if you don't give it to us." Seldom has such a revolutionary threat seemed less credible.
Thursday, October 22, 2009
A SERIOUS MAN. I see that my Voice colleagueElla Taylor* finds in this movie "an avalanche of Ugly Jew iconography." As a goy semitophile raised on Mad magazine, I see it as an overdeveloped Dave Berg cartoon.
I assume the Coens, whom I have always suspected of being heavy stoners and ultracosmopolitan Jews, made a conscious decision to people their latest morality play with 60s-vintage intraJewish stereotypes -- like the hero of Frank Gallop's "Irving" parody of "Ringo", like characters in late Molly Picon vehicles such as Paris Is Out, and on the trailing edge of early Woody Allen routines, like Russo ("they wanted all his cash, and Russo like a jerk tried to sign for it for tax purposes").
In other words, the Coens picked 60s suburban American Jews because they are easy and harmless figures of fun that automatically provide some comic distance to the general audience -- like the Minnesotans of Fargo (Joel Coen called Minnesota, recall, "Siberia with family restaurants"), the white trash of Raising Arizona, the sorta-50s, sorta-40s city slickers of The Hudsucker Proxy, etc.
We may have been un-reminded by the serious cred afforded to No Country for Old Men that this has always been their schtick: to pick a stereotype and, while staying conscious of the reality behind it, fuck around with it. No one bitches about The Big Lebowski (still my favorite Coen joint) because no one feels the need to defend Cali stoner culture, but in A Serious Man the Coens have done no more to, or with, American Jews than they did with Lebowksi to a different, Anti-Defamation League-deprived constituency.
Setting the self-hating Jew nonsense aside, what do we have? In a way, a twist on Barton Fink. The humorously Semitic caricature-hero Michael Stuhlbarg in this case -- bespectacled, hair only slightly less unruly than Fink's, academic, and passive -- is more schlimazel than schlemiel; that is, the one on whom the hapless schlemiel spills his soup.
Where Fink in his Hollywood quest ran a gauntlet mostly of equally-alienated strangers, Stuhlbarg is persecuted by local fellow Semites -- the nightmarishly insensitive family, the paranoiac and physically challenged brother, his wife's vaguely bohemian and thoroughly ruthless lover, and a variety of Jewish professionals (lawyers, rabbis) who defend their own position against his interest. While Fink found himself in a foreign, sun-drenched goyische paradise/hell, Stuhlbarg is comfortable and happy in his 60s-suburban development until everything and everyone he's been accustomed to trust turns against him.
Big difference there: Fink went looking for the promised land, whereas Stuhlbarg merely wants to stay on the tenure track. Fink finds his new environment disastrously unaccommodating; stay-at-home Stuhlbarg is genuinely betrayed. In short, Fink went looking for trouble, and trouble went looking for Stuhlbarg.
This might promote the notion that the Coens' lead Jew here is a total victim, but for the complementary story arc of his son, a weed-smoking rock-loving Yeshiva boy who not only enlists the support of the top rabbi -- with whom his hapless father can't even get an appointment -- but manages, despite seemingly incapacitating stonage, to read the Torah aloud at his Bar Mitzvah.
Stuhlbarg fils is the counterweight to Stuhlbarg pere's agony. Confronted by his own, junior-grade authority figures (teachers, dealer, sister), he is perfectly and by brute instinct able to handle them. His self-preserving instinct -- untroubled by the moral querulousness that has his dad running among authority figures, seeking existential answers -- lifts him above all the conventions that make his dad a schlimazel. He's nowhere near as smart or conscientious as his father, but is clearly destined to work through the maze of life more successfully. And for his father he shows nothing but contempt.
This -- as does much of A Serious Man -- seems a first merely a cruel Oedipal joke. Dad's search for truth leads only to suffering; Son's search for good dope and better reception of F Troop leads to comfort and a promising future.
The punchline, though, is a little more interesting. Without spoiling too much, I'll say that the father finally agonizes out of the weeds only to find an unexpected new obstacle; the son, meanwhile, appears to have his ducks very comfortably in a row when a natural disaster -- looming over the shoulder of one of his former antagonists -- seems to threaten his future.
I'm not sure that this isn't just a Dave Berg punchline: the smartass kid getting his comeuppance in the final frame. It might be my own lack of depth is assessing it, but I think the Coens rolled too much on instinct here. They clearly wanted the morally-concerned nebbish-patriarch to fail -- and heaped externalities on him to make sure of it -- while they wanted the morally-neutral son to succeed. That reflects a sour home-truth that fits with most of their movies. (Fargo is a big, and popular, exception.) But it seems they wanted a cop-out, too, in the form of a climactic tornado, and in the post-9/11 era that's about as cheap a dodge as you can get. What if the boy simply outstripped his dad?
Maybe the Coens felt the stereotypes they were playing with hit too close to home, and summoned a disaster to rescue them. It wouldn't be the first time that's happened in the movies. But it's a shame to see a few of our best filmmakers fudging like that.
(* Fixed attribution)
I assume the Coens, whom I have always suspected of being heavy stoners and ultracosmopolitan Jews, made a conscious decision to people their latest morality play with 60s-vintage intraJewish stereotypes -- like the hero of Frank Gallop's "Irving" parody of "Ringo", like characters in late Molly Picon vehicles such as Paris Is Out, and on the trailing edge of early Woody Allen routines, like Russo ("they wanted all his cash, and Russo like a jerk tried to sign for it for tax purposes").
In other words, the Coens picked 60s suburban American Jews because they are easy and harmless figures of fun that automatically provide some comic distance to the general audience -- like the Minnesotans of Fargo (Joel Coen called Minnesota, recall, "Siberia with family restaurants"), the white trash of Raising Arizona, the sorta-50s, sorta-40s city slickers of The Hudsucker Proxy, etc.
We may have been un-reminded by the serious cred afforded to No Country for Old Men that this has always been their schtick: to pick a stereotype and, while staying conscious of the reality behind it, fuck around with it. No one bitches about The Big Lebowski (still my favorite Coen joint) because no one feels the need to defend Cali stoner culture, but in A Serious Man the Coens have done no more to, or with, American Jews than they did with Lebowksi to a different, Anti-Defamation League-deprived constituency.
Setting the self-hating Jew nonsense aside, what do we have? In a way, a twist on Barton Fink. The humorously Semitic caricature-hero Michael Stuhlbarg in this case -- bespectacled, hair only slightly less unruly than Fink's, academic, and passive -- is more schlimazel than schlemiel; that is, the one on whom the hapless schlemiel spills his soup.
Where Fink in his Hollywood quest ran a gauntlet mostly of equally-alienated strangers, Stuhlbarg is persecuted by local fellow Semites -- the nightmarishly insensitive family, the paranoiac and physically challenged brother, his wife's vaguely bohemian and thoroughly ruthless lover, and a variety of Jewish professionals (lawyers, rabbis) who defend their own position against his interest. While Fink found himself in a foreign, sun-drenched goyische paradise/hell, Stuhlbarg is comfortable and happy in his 60s-suburban development until everything and everyone he's been accustomed to trust turns against him.
Big difference there: Fink went looking for the promised land, whereas Stuhlbarg merely wants to stay on the tenure track. Fink finds his new environment disastrously unaccommodating; stay-at-home Stuhlbarg is genuinely betrayed. In short, Fink went looking for trouble, and trouble went looking for Stuhlbarg.
This might promote the notion that the Coens' lead Jew here is a total victim, but for the complementary story arc of his son, a weed-smoking rock-loving Yeshiva boy who not only enlists the support of the top rabbi -- with whom his hapless father can't even get an appointment -- but manages, despite seemingly incapacitating stonage, to read the Torah aloud at his Bar Mitzvah.
Stuhlbarg fils is the counterweight to Stuhlbarg pere's agony. Confronted by his own, junior-grade authority figures (teachers, dealer, sister), he is perfectly and by brute instinct able to handle them. His self-preserving instinct -- untroubled by the moral querulousness that has his dad running among authority figures, seeking existential answers -- lifts him above all the conventions that make his dad a schlimazel. He's nowhere near as smart or conscientious as his father, but is clearly destined to work through the maze of life more successfully. And for his father he shows nothing but contempt.
This -- as does much of A Serious Man -- seems a first merely a cruel Oedipal joke. Dad's search for truth leads only to suffering; Son's search for good dope and better reception of F Troop leads to comfort and a promising future.
The punchline, though, is a little more interesting. Without spoiling too much, I'll say that the father finally agonizes out of the weeds only to find an unexpected new obstacle; the son, meanwhile, appears to have his ducks very comfortably in a row when a natural disaster -- looming over the shoulder of one of his former antagonists -- seems to threaten his future.
I'm not sure that this isn't just a Dave Berg punchline: the smartass kid getting his comeuppance in the final frame. It might be my own lack of depth is assessing it, but I think the Coens rolled too much on instinct here. They clearly wanted the morally-concerned nebbish-patriarch to fail -- and heaped externalities on him to make sure of it -- while they wanted the morally-neutral son to succeed. That reflects a sour home-truth that fits with most of their movies. (Fargo is a big, and popular, exception.) But it seems they wanted a cop-out, too, in the form of a climactic tornado, and in the post-9/11 era that's about as cheap a dodge as you can get. What if the boy simply outstripped his dad?
Maybe the Coens felt the stereotypes they were playing with hit too close to home, and summoned a disaster to rescue them. It wouldn't be the first time that's happened in the movies. But it's a shame to see a few of our best filmmakers fudging like that.
(* Fixed attribution)
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