CONSERVATIVES AND THE DARK ART OF COMEDY.

Politico reports that Jon Stewart visited the White House twice in the Obama era. To you and me and other ordinary citizens, no big; but to the Washington Free Beacon it’s “Jon Stewart Secretly Visited Obama White House Two Times” — that’s two (2!) times, America! — a development “previously unreported in the media.” The story concludes: “Stewart has become infamous for his consistently negative portrayal of Republican lawmakers. He will appear in his final episode as host next Thursday.”

You may be wondering, why the ominous tone? Turns out it’s widespread among the winger brethren. “That’s the clown-nose-on, clown-nose-off issue again with Daily Show and its clones,” seethes Ed Morrissey at Hot Air, replicating a ten-year-old wingnut talking point; “they want to be taken seriously as cultural drivers and news disseminators, but don’t want the responsibility for disclosing their biases or their slants.”

One wonders: What “desire to be taken serious” or “responsibility” is Morrissey talking about? The responsibility to look glum and serious like Ben Shapiro? (If Chuck Todd decided to try and be funny, would he be more likely to increase his effectiveness, or to embarrass himself?)

“Secret visits, unprecedented access,” sputters Amy Miller at Legal Insurrection under the title “It’s Official: Jon Stewart is an Obama Shill.” “Comedy is an effective buffer against criticism,” Miller says, carefully sloshing the volatile essence of comedy between two beakers in the pale moonlight, “and now we know that there was a coordinated effort to control which Administration foibles got ha-has, and which were exposed for actual critique. It’s not a particularly shocking revelation, but it does serve as one more layer of slime covering the travesty that is the relationship between liberals and the media.” (You disgusting jokesters! I knew there was a reason why they made you sit at a table far from the paying customers!)

The Politico reporter “never questions the appropriateness of Obama’s private meetings with the liberal comedian,” gasps Newsbusters. "A DEMOCRATIC OPERATIVE, MASQUERADING AS A COMEDIAN... Potemkin Village? We’ve got a whole freakin’ Potemkin Culture," crypto-fascizes Ole Perfesser Instapundit (h/t @punditdotcom).

“While President Obama was leaving the money on the nightstand for the rest of the press… he was making waffles and fresh squeezed orange juice for Johnny in the morning,” says alleged comedian Steve Crowder. “…If you ever needed any more proof as to the corrupt relationship of not only the press, but the entertainment industry with the Democratic party… you’re welcome.” In a healthy democracy apparatchiks would encourage the people to laugh at Steve Crowder, not some commie oaf!

“Confirmed: Jon Stewart Was Obama’s Official White House Jester,” snarls Philip Wegmann at The Federalist. His lede is precious:

Molière, the 17th century French playwright, once observed that “comedy alone can correct the vices of men.” Too bad he never watched The Daily Show with Jon Stewart. It turns out that the Comedy Central funnyman was just another flak for the Obama administration.

Whereas Molière was always telling people what a treasonous bastard Louis XIV was. Surely you remember “La comédie de l'acte de naissance”? Wegmann closes,

Comedy probably won’t see another Stewart anytime soon. His comedic genius will be hard to match. But one can’t help but wonder, what if Stewart had really gone after everyone? How many laughs did he lose by telling canned-political jokes? How many vices went uncorrected?

Does it strike you as it does me that these people have never told a joke — I mean, never done so just for the pleasure of making their friends laugh? (Though they may have lab-tested some pieces of ordnance marked “humor” for their loathsome work of correcting vices or whatever, and stood sadly in their lab coats watching them fail, wondering why their creatures never came to life.)

This is sort of the essence of conservatives when they talk about culture. They show not the slightest awareness of the fundamental truth that comedy, like drama and film and music and everything else like it, is animated by something much deeper and more elemental that politics — though artists may become political themselves and be motivated to approach those subjects, particularly when the society they’re born into is as fucked up as ours. Art confuses conservatives, so they despise it, and treat it as some unfair advantage that liberals have. They don’t think artists tend to be liberal because liberal society gives human beings the breathing room to develop their talents — such a thing is impossible for them to grasp; they think it’s because ObamaHitler and his fellow Hitlers have found some community called “Artsilvania” or something where people are temperamentally just like conservatives except talented, and paid them a great deal of money to promote liberal lies (which, in the conservative imagination, they would do happily because money is more important than anything).

I’d feel sorry for them if they weren’t working so hard to destroy everything I love.

UPDATE. Angergrams keep coming in. "I’ve always viewed Stewart as Obama’s messenger boy and this pretty much confirms it," says American Spectator's Aaron Goldstein, whose usefulness in any capacity has never been demonstrated. And the New York Post's Kyle Smith calls Stewart a "partisan hack" who "allowed himself to be seduced by power. He sold out. He dined with those he should have been dining upon." Back in 2009, Smith was yelling at Will Ferrell for making fun of newly-evicted POTUS George W. Bush: "Is it too much to ask for Hollywood's leading comic actor not to use the deaths of our troops in combat for a giggle?" his subhed sputtered. Smith was talking about a bit where Ferrell's Bush interrupted a moment of silence for the war dead to take a phone call. This is an ancient gag (there's an especially funny variation involving Ralph Richardson in O Lucky Man! starting at 6:45 here) but Smith seemed never to have heard of it, and to be mortally offended:

The problem is, during what turned out to be merely a pause to set up the punchline, I actually was thinking about our war dead, and so were a lot of others. Left and right, we all believe, or supposedly do, in honoring the sacrifice of our servicemen and women. 

Here, Hollywood is letting its mask slip...

But is it too much to ask for our war dead to not be ridiculed by wealthy comedians? Maybe those who fly on private jets, live in closely policed communities with surveillance cameras covering every inch of their property and send their kids to private school don’t understand that there is such a thing as public security, and that it isn’t a joke...

Also, how about that bastard George Grosz, painting deformed World War I veterans so disrespectfully instead of promoting kinder, küche, and kirche like a good citizen?  That Smith's talking about anyone else's hackery is rich, but I'll say this for him: What he lacks in talent he makes up for in nerve.