But the truth is that if Arthur Miller were writing The Crucible today he would likely be less interested in effusive senators from Texas and more interested in the more modern pathologies that the Cruzes of the world tend typically to disdain. Presumably, Miller would look at our universities and our media, at our malleable “speech codes,” our self-indulgent “safe spaces,” our preference for “narrative” over truth, and at our pathetic appeasement of what is little more than good old-fashioned illiberalism, and he would despair.It seems never to have occurred to Cooke that if his analogy is sound, then The Crucible is already about speech codes etc. -- because it's not a news report but a work of art, which pertains to the universal, and resonates with anyone who has experienced mass hysteria and its attendant repression in whatever form. Other people know that; that's why the play is always getting revived. Audiences get the connection. Cooke might get a theater company together to alterna-stage The Crucible to look like Oleanna if he likes.
I suspect that Cooke's not interested in universals, though: What he wants is an already-famous property that's about how college students are oppressing conservatism -- or, failing that, to get people to believe that the dead author of the famous property was really a rightwinger and just didn't know it. You know, like they do with George Orwell and many others, to avoid the hard work of making (or even seriously engaging with) any art themselves.
UPDATE. Jonah Goldberg tells his colleague: You say McCarthyism like it's a bad thing.
