FRIDAY 'ROUND-THE-HORN.

Sure, I like pop-punk. Even when it's new! Thanks to Alan Scherstuhl for this.

•   OK, for you deadbeats who are not regular subscribers to Roy Edroso Breaks It Down -- and why aren't you? It's cheap, it's superb, and it offers a great opportunity to contribute to the (already in progress!) death of journalism without having to expose yourself to the cancelculture sob-stories of Substack's marquee dweebs  -- here are a couple of freebies: First, my tribute to ham-faced Erick Erickson and his much-remarked-upon plan to solve America's armed mass murder problem by literally giving everyone a gun. And let's not sleep on his prose style! Here's the lede from Erickson's latest atrocity:

Every year, I spend time on Good Friday on radio focusing on that weekend. Regardless of whether one is a believer or not, most academic and secular historians list the death of Jesus of Nazareth as one of the top five most important events in human history. Quite frequently, it is number one on those lists.

Again, regardless of the theology, when we are dealing with a day considered the most important event in human history by people who do not even believe in Christ’s resurrection, we should probably pause and not just explore it, but explore the world around us as it exists right now in relation to that event.

He makes Jonah Goldberg look like Nabokov. Also, enjoy this bagatelle about two old Republican hands confronted by the New Breed. 

•   Speaking of old alicublog recurring characters -- well, first, check out this recent scene from Sesame Street where Elmo asks Russell why his skin is brown and Russell says it's melanin and Russell's dad says, "The color of our skin is an important part of who we are, but we should all know that we all look different... many people call this race, but even though we look different, we're all part of the human race."

Sounds simple enough, even corny -- something you'd think would be non-controversial, right? Well, here's what Rod Dreher thinks, in a post called (I'm not even kidding) "Segregating Sesame Street": 

I hadn’t realized how deeply the new progressive racial obsession bothered me until I saw that clip above, and realized that woke Sesame Street is now setting out to undo all the work that had been accomplished in the generations the show catechized. You know who taught my generation of children to see color? White people who longed for segregation’s return, and black people who lived in fear of white people who longed for segregation’s return.

Now kids can get that from Sesame Street. Good job, progressives; you are the most regressive force in American society today. I guess somebody has to teach the kids why it’s good to have segregated college graduations... 

 If you're thinking, how the fuck did Dreher get that from this video? the obvious answer is he only absorbs outside stimuli after it's bounced off the fascist funhouse mirror in his skull a few times, and he thinks everything would be hunky-dory if only black people would stop making a stink. But I should note also Dreher's alleged love of earlier Sesame Street, back before all the woke-SJW "we're all part of the human race" stuff:

I was born in 1967. Sesame Street was born two years later. I don’t remember a time before Sesame Street. It was my window into a world beyond the rural South. In 1999, when my wife and I moved to brownstone Brooklyn, I remember thinking, “I live on Sesame Street” — this, because the streets there reminded me of what I had grown up with. 

Aww, that's nice. Wanna know why Dreher left Brooklyn? As early as 2001 he was lamenting that his young son "won't have taken in the smell of tobacco, bourbon and dried gumbo mud flaking off hunting boots that is my father's aroma," and would instead grow up in "an urban culture dominated--indeed, in my social and professional milieu, overrun--by men without chests" and "a permissive culture that corrodes the moral structure his mother and I will try to build." Guess he found out Sesame Street was populated by he-shes, Black Panthers and moral relativists! Then he wrote at National Review in 2003, after he had split:

...all it takes is riding the NYC subway daily, and having to live with fear and loathing of the violent, profane and altogether anti-social teenagers who make public spaces here their playpens, to understand why middle-class people get fed up and move the hell out of town to raise their kids.

Now Dreher's blubbering that the TV show version of New York he claims he thought he was living in when he briefly career-moved there has been spoiled by a couple of African-American puppets. Yeesh, what a freak.