Friday, January 08, 2016

FRIDAY 'ROUND-THE-HORN.


Funeral today tomorrow. Words of wisdom from the deceased. 

•   When Obama said he was going to do all those gun orders, Charles C.W. Cooke did a long, weirdly wound-up post called "President Obama Has Let His Emotion Get the Better of His Judgment":
Has Obama lost his mind? This is a man, remember, who is supposed to be admirably dispassionate; a man who is supposed to understand how the game is played; a man who is supposed to reflexively refuse to be taken in by the emotion of the moment. And yet he’s going to use a good deal of his last year’s political capital in order to tweak a few minor rules around the edges? Why?
Also, "Which is to say that Obama’s behavior is not at all rational," "Even if he wins this round, he will have done precisely nothing of merit," "Were I a gun control advocate I’d be livid with him. Livid," "Obama has let his emotion get the better of him here. He and his fellow travelers will likely pay a price," etc. Lots of italics, there, Chuck. Today we see what he was so hysterical about: A CNN poll finds that, while they disapprove of Obama using executive orders to do it, the American people approve of his gun control measures 67%-32%. Even 51% of Republicans and most gun owners support the measures. The respondents are also skeptical that the measures will work, which makes sense -- but what a pity CNN didn't also ask why they were skeptical, and list "because the Republicans will do everything they can to fuck it up" among the possible choices. (Extra credit, BTW, to Breitbart.com, which headlines its poll coverage "CNN POLL: MAJORITY OPPOSE USE OF EXECUTIVE ACTIONS FOR GUN CONTROL" and adds this kicker: "The majority of respondents to the CNN/ORC poll were not gun owners. Only 40 percent said there is even a gun in their house." So how can true patriots even take them serious! Show us a poll taken by gun owners instead, preferably not while they're on the way to the emergency room.)

•   So many examples, but I might as well take one of the more egregious, from The Federalist:
Hillary Clinton Should Stop Excusing Juanita Broaddrick’s Sexual Assault
Juanita Broaddrick recently opened up on Twitter over her sexual assault by Bill Clinton and Hillary's dismissal of her suffering.
Look on the bright side: At least there's one woman in America conservatives believe was raped. Favorite kicker and author bio on the subject, from Newsday:
I’ve often wondered how she and Juanita Broaddrick and Eileen Wellstone and Sandra Allen James and Christy Zercher, among others, have felt watching Bill Clinton go on to become a revered national and international statesman. 
If Trump can give them a second hearing in the court of public opinion, maybe his candidacy is worth something after all. 
William F. B. O’Reilly is a Republican consultant.
I guess it could be true -- the guy pushed through NAFTA, after all, so in my book he's capable of anything.

•   How about a quick run through the gibberish pits of the culture war? Ross Douthat did something for National Review that defies analysis....
And then there’s pop culture itself. In the original Back to the Future, Marty McFly invaded his father’s sleep dressed as “Darth Vader from the planet Vulcan.” Thirty years later, the biggest blockbuster of 2015 was about . . . Darth Vader’s grandchildren. It is directed by a filmmaker who’s coming off rebooting . . . Star Trek. And the wider cinematic landscape is defined by . . . the recycling of comic-book properties developed between the 1940s and the 1970s. Even fashion shows a similar repetition, as Kurt Anderson pointed out in Vanity Fair several years ago...
Yeah whatever beardo, fast forward:
...we’re dealing with issues (from an aggressive Russia to, yes, Libyan-linked terrorist groups) that Marty and “Doc” Brown would recognize immediately. (Though in fairness, we do make movies about colonizing Mars, and the special effects are excellent.) 
The word for this kind of civilizational situation is “decadence.”
Well, at least it's highfalutin' and incoherent. Most of the current cultwar crop is quotidian propagandist yak: Operatives like John C. Goodman and Steven Hayward, for example, instructing their minions to see The Big Short as an indictment not of unregulated greedheads wrecking the economy, but of poor people getting mortgages. Connoisseurs of longform cultwar can take in Kyle Smith, who at Commentary tells us that Hollyweird often changes the details of supposedly "true stories" -- not to make them more dramatic, as you may have thought, but to please their Stalinist masters! Keep fucking that culture war chicken, comrades.

•   Speaking of culture warriors, Virginia Postrel says David O. Russell's Joy is better than The Social Network (a movie from five years ago) because it's nicer to capitalism:
The respect extends to products and customers. “Joy” acknowledges the wealth-creating value of incremental improvements even in the most mundane items.
Book my seats now!
...Most of all, however, “Joy” makes its protagonist an untragic hero. She gets tough and she gets rich, but she winds up neither lonely nor mean. 
Mildred Pierce was originally like that, but FDR made them change it to promote socialism.
Audiences embraced Sorkin’s compelling but dark fable of the friendless tycoon as if it were a much sunnier story. The real-world triumph of Facebook overpowered the fictional desolation of "The Social Network." 
“Watching this movie makes you want to run from the theatre, grab your laptop and build your own empire,” wrote one moviegoer. If Hollywood won’t give people an inspiring movie about big-time entrepreneurship, audiences will imagine their own version.
Hollywood's always trying to tell us that ambition may isolate us from other people, but that's just because they're communists; what regular people really see in The Social Network is wealth production -- because why else would anyone see a movie except to celebrate an economic theory? The whole thing's full of howlers, but here's my favorite part:
Hollywood regularly produces positive movies about small businesses, often in the hospitality industry. “Chef,” “The 100-Foot Walk,” and “The Best Exotic Marigold Hotel” come to mind.
But really, what's the point of these recommendations when audiences will imagine their own versions? Helps her meet her word count, I guess.

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