WINGNUT ARTS & CRAFTS NIGHT.

Speaking of kulturkampfers gone wild, Rod Dreher has a post called "A Case For Why Conservatives Make Better Art":

["a blogger called Staffan"] goes on to claim that the fact that Hollywood keeps making movies that rely on archetypes that go against contemporary liberal dogma means that despite the individualism and anti-traditionalism of our culture relative to the rest of the world, it is very difficult to tell stories that speak to people as they actually are without relying on archetypes — which is to say, without using the full spectrum of moral intuitions, including so-called retrograde ones that people like Richard Cooper call “fascist.” Staffan says that these filmmakers have to lie to themselves about what they’re doing and why they’re doing it, for the same reason that certain liberals will, for example, profess to favor diverse public schools, but pay a lot of money to send their children to all-white private schools.

Sure all those Hollyweird homos are liberal, but their art is conservative and they're all hypocrites, Oh, did I mention that the "art" Dreher is talking about in this post is superhero movies?

The "blogger called Staffan" guy he quotes, though, is slightly more expansive: though understandably fixated on comic books, he also mentions The Kids Are Alright, "written and directed by archliberal Lisa Cholodenko," and how that lesbo Julianne Moore played really did need a man, "and as soon as Paul is out of the picture Cholodenko hastily wraps things up since the archetypal energy is gone... No wonder these guys need therapy. Or superman."

I imagine these dummies playing Ultimate Artistic Symposium with He-Man and Skeletor dolls.