ALWAYS SOMETHING THERE TO REMIND ME. At National Review, Ben Shapiro offers the high-toned aesthetics we've come to expect from that publication:

Ferris Bueller: What Could Have Been

And what does Shapiro wish had been added to the film? Explosions? Godzilla? Slave Princess Leia?

Surprise! What Shapiro thinks it needs is some propaganda.

This weekend marked the 25th anniversary of the release of Ferris Bueller’s Day Off. As Kathryn has written, the original script for Ferris Bueller’s Day Off contained a bunch of conservative lines...

Only one problem: They didn’t make the final cut, for some odd reason (my theory: studio execs didn’t want to offend liberals … like them). Instead, what we got from Ferris Bueller was a proto-Simpsons view of adulthood and being a teenager. All the adults in Ferris Bueller are invasive morons — including a principal who wants desperately for Ferris to stop cutting class — and all of the adolescents are brilliant, witty, and charming. That was the conflict that summed up John Hughes’s world: he was a conservative, but he was also an advocate for taking teenage angst just a bit too seriously for conservative tastes.

Hughes was also a maker of popular films who wanted people to enjoy them more than they might enjoy something like, say, Atlas Shrugged Part 1. I bet it never occurred to Shapiro that this might have factored into Hughes' decision not to load up a fucking teen comedy with political material.

As you know, I have no real interest in politics and mainly write this blog to discharge nervous energy and entertain my friends. But if there's one thing I would like to keep in front of the public, it's the Zhdanovism of the American Right. As all their blather about "taking back our culture" shows, they really think "art" is just a fancy word for indoctrination, and believe that if only they can transfer control of the cameras, stages, presses, etc to the right kind of people -- that is, apparatchiks as pinched, soulless and controlling as they are; rightwing Robespierres -- then art will cease to be a problem and become part of the all-encompassing solution. Mostly they're ridiculous, now, because they haven't figured out a way to make it happen; but never underestimate the determination of a would-be commissar.