Nonetheless its fans proclaim it a success: "exceeding all expectations," "leaves Hollywood scratching its head, because it’s succeeding without them," "Hollywood baffled by success of 'Atlas Shrugged,'" etc.
Orlando Sentinel film writer Roger Moore caught some flak for pointing out that the film isn't doing so hot:
One loon calling himself Art Woolsey bombarded this site with scores of comments of the “Liberal pinko socialist conspiracy” variety. Another banned fact-bending commenter who labels himself “America” suggested, among many other things, that I am taking orders from on high (Does he KNOW my company?) for reporting this...Maybe one of those commenters was King of AttackingtheDemi-Puppets, who liked the movie better than critics did and, instead of taking a chacun à son goût perspective, announced that "the reviews turned out to be lies matching lies about the Rand novel—the most ambitious American novel ever written," and demanded to know "Why the lies about the 'Atlas Shrugged' movie found in review after review?" Ralph E. Vaughn of Right Here on the Left Coast said, "most reviewers savaged the film, but ignored the message - to attack the theme would require some commentary on a government that is far too much like our own, and they were too timid to do so..." -- a redefinition of the duties of the film reviewer that would render criticism as intolerable as rightwing blogging.
Another fibber ID’d himself as working for “Warner Bros,” and “we’ve just picked it up for WIDE” distribution...
In short, their response to the movie's fortunes is the same as their response to everything else --bullshit and outrage.
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