This is good for many paragraphs, mostly quotes, about the alliance and its conspiracy to deceive the masses. (Driscoll et alia also tell us that All the President's Men failed to inform citizens that Deep Throat was conflicted in real life, but this may be disregarded, as the film shows him smoking cigarettes, which in the post-Bogart era became their traditional way of telling us a character is impure.)
But this is not the end of liberal-artist perfidy:
Even beyond All the President’s Men, a pretty fair chunk of the accepted pop culture of the 1970s was, in retrospect, often invented out of whole cloth and then repackaged as Truth — “truthiness,” as faux journalist Stephen Colbert would say — by the film, television industry, and (actual) journalists of the day.For instance, did you know the article on which Saturday Night Fever was based was, by Nik Cohn's admission, actually based on Shepherd's Bush mods? Yet South Brooklyn mooks did not rise up in protest on this slur on their way of life, and indeed started putting Travolta posters on their walls. This was the thin end of the wedge, and liberal intellectuals delivered the coup de grace by promoting the career of Tony Danza.
Also Alex Hailey was a plagiarist, casting doubt on Roots' negative portrayal of slavery, by means of which Democrats control the black vote. Driscoll continues:
Given that much of what’s taken as The Official Narrative of the 1970s was built on useful fiction, how much of the decade we just lived will also be remembered inaccurately as well?Then Driscoll rolls out Jim Lileks to tell us that movies like Spartacus are not true to life. Upper-class Romans didn't really sound like Laurence Olivier. If you're not sure how this deception helps liberals, Driscoll explains via Lileks: "Makes you realize that in 2000 years they’ll make movies about our era, and everyone will be half-naked and sweaty while they commit mortgage fraud." That's long-term planning, comrades! (Well, more half-naked sweatiness certainly would have improved Wall Street: Money Never Sleeps.)
Driscoll recommends for further reading an expert in the field, Kathy Shaidle, who lists eight truths liberals kept from her in her youth, among them that the Japanese were the bad guys in World War II and that "Michael Moore is a liar."
These guys make Andrew Beitbart's Big Hollywood look like Sight & Sound.
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