I'm more eager to finish the book now, and get to his others. He seems to have been very serious about his craft, and describes some of his writing education, including attentive reading-aloud at home:
The cadences of style became apparent enough to help improve my prose, a revelation which could no doubt have come sooner with a nineteenth-century education in the Latin and Greek classics.I am reminded, writing that out, that work is a constant refrain in the book; when Sillitoe was young, he said, he took care not to get a girl pregnant because "those who did not take such precautions asked for all they got, and a bit more. As Arthur Shelton's father said, 'When you get married, a penny bun costs tuppence!'"
Reading my work aloud was a good way of ensuring that it had the fluidity and clarity of good English...
Clear English could be enriched by idiomatic or personal quirks as long as they fitted in with the narrative and echoed my inner voice, the way things sounded to me even before I had a pen in my hand...
During this long winter it became obvious that I had not been working hard enough on style: every word, every phrase, every sentence -- in every story and on every page of a novel -- had to be broken up and had to be knitted together again so that no loopholes in the prose remained.
Sillitoe picked his Desert Island Discs last year. Some nice considerations here and here.
UPDATE: If the writerly stuff interests you, you may like the Writers Guild East tweet updates on today's New York City Mayor's Office of Film, Theater and Broadcasting seminar -- though it has more to do with careerism than craft.
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