A HOLLYWOOD BOMB. Andrew Breitbart tells The Hill he's starting up a right-wing Hollywood site.

His strategy is to prod conservative Washington to start caring about Hollywood. Breitbart has already signed several big names, including House Minority Leader Rep. John Boehner (R-Ohio), incoming Minority Whip Rep. Eric Cantor (R-Va.) and Reps. Thaddeus McCotter (R-Mich.), Mary Bono Mack (R-Calif.) and Connie Mack (R-Fla.), to post entries on the site. He has also landed former senator and GOP presidential candidate Fred Thompson, MSNBC correspondent Tucker Carlson and a slew of other conservative thinkers from the National Review, The Weekly Standard and Commentary magazine to contribute.

Breitbart is also eager to include commentary from Ann Coulter, Rush Limbaugh and other conservatives who have stirred up controversy in the past. “I don’t consider them controversial,” he says.

This Zhdanovite spectacle will offer endless amusement when it opens in January. We have been supplied with a press release, and here are some highlights of the first issue:

Amity Shlaes, author of The Forgotten Man, on how Frank Capra prolonged the Great Depression: "I was at first intrigued to learn Capra had made a film called You Can't Take It With You and hoped it would have conveyed a positive financial message that would get audiences spending to unleash the power of free markets. Alas, it turned out to be a celebration of non-conformists, clearly meant to make viewers comfortable with the alien philosophy of the New Deal. Capra also missed a valuable opportunity to have Mr. Smith, when he went to Washington. denounce Franklin Roosevelt from the floor of the Senate."

Rush Limbaugh on the treasonous legacy of Citizen Kane: "Folks, I am going to go out on a limb here. Every critic, marching in lockstep on orders from the cultural Kremlin, will tell you that Citizen Kane is a great movie. But how many of them have ever run a business? They just don't know what they're talking about. And Orson Welles, who was mincing around in spats and leotards since he was a baby, practically, didn't know either. So he libeled a great fictional businessman -- though everyone knows his model was one of my personal heroes, William Randolph Hearst -- by making him out to be corrupt and lecherous to stir up class envy. My friends, I've spent hours with business leaders like Rupert Murdoch and Donald Trump, and I can tell you, no successful leader has a fireplace that big."

A podcast by Fred Thompson on Frost/Nixon: "Now, the Dick Nixon I knew was a mahty man, the sort of feller who'd brush off a David Frost lahk a houn' scratchin' off a flea. I tell you it galled Nixon to have to sit there oan thet TV set an' tolerate those questions from a lib'ral Englishman with big ol' sideburns. But he did it so people would know the truth an' to this day I hain't seen a lick o' evidence that he didn't donate that big ol' check to the St. Jude Hauspital. But that's the kinda man Richard Nixon was."

Jonah Goldberg on The X Files: I Want To Believe: "Now there's still the politically correct angle of the pedophile priest. I don't want to get into the weeds debating the role of the Catholic Church. I can understand why people are angry about priests diddling little boys, though I wonder why no one examines the role of gay rights groups in this abuse, which I hope to address in a future column. But I Want To Believe is really about faith, no matter how much the filmmakers try to get away from it, and I think it's ironic that Hollywood is so adamantly against religion and yet they keep making these movies about people who want to believe. There's a tradition of this in science fiction that I hope to get to in my new book. The head transplant thing also addresses conservative doubts about science and where it goes when it's left unregulated -- though liberals are all for regulation when it comes to banks, you never hear them speaking out against this sort of thing."