If you did see the premiere, you must recall the drama over the Lucky Strike acount, in which the client, a George Washington Hill type played by John Cullum, bitterly lamented all the foolishness about cigarettes being bad for you ("I've never been sick a day in my life"); the nervous ad guys tried to ease him into the new reality, till hero Don Draper tap-danced a new slogan based on one of the few points of difference left to discuss ad-wise: "It's Toasted." What do you think that scene was about? Draper's poise under fire? The situational ethics of mid-century advertising? The shift in the business between prose poetry and a crisper kind of nonsense? The difference between research and inspiration?
Whatever you saw, I can assure you the view of National Review's S.T. Karnick will surprise you:
In responding to 1950s revelations about the connection between cigarette smoking and lung cancer, the cigarette companies had been making claims that each one’s product was healthier than its competitors’. The federal government moved to put a stop to it.Something else you have to give the old Madison Avenue guys: they were much smoother than the bullshit artists of today.
That might seem a reasonable response at first glance, but it certainly runs afoul of the First Amendment, and it exemplifies the twentieth-century trend of government increasingly overriding people’s personal choices. This ham-fisted action by the feds resonates, of course, with the current crusade by all levels of government to eradicate cigarette smoking from the United States altogether.
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