TIME-LAG OSCARS PART SIX. Stewart is funny still, but he has also sort of faded into the background – in other words, he’s an emcee, not a star galvanizing the event. Makes sense in an Oscar year of small Hollywood movies. Montage films, elaborate gags, nice moments in the acceptance speeches, and a brisk clip – why, you’d almost think they planned it this way.
BEST CINEMATOGRAPHY. I’m losing the pool, but I’m a traditionalist so I like that one movie is sweeping the craft awards.
BEST ACTRESS. First time I saw her was in Freeway. Then I saw Election. Then she made a lot of movies that I had no interest in seeing, though I peeked at them because she was in them. I thought she was wasting her talent, but I’m sure she was just taking such opportunities as arose to build her audience and her power. Her speech looks and sounds like pleasant treacle, but her comments about her family and her emphasis on T-Bone Burnett show some spine, taste, and wisdom. I haven’t seen this one yet, but I will now.
BEST ADAPTED SCRIPT: Larry McMurtry has a good gig. His dual academic/redneck cred makes it possible for him to resist all kinds of pressure in Hollywood. And he uses it well here. "All are contributors to the survival of the culture of the book." Hear, hear, cowboy.
BEST ORIGINAL SCREENPLAY. Quoting Brecht? ‘Sokay, America went to bed already.
BEST DIRECTOR: I liked Crouching Tiger etc. Lee's tribute to "all the gay men and womens" is very sweet, partly for being rote. Not having seen The Hulk I don’t have a full read on his artistic personality, but I’ll go to the theatre next week and get more information. Hey, Oscar is doing his job!
BEST PICTURE. Whoa. Big coup! Newspapers full of Oscar ink! Was Oscar scared? Who is Paul Haggis? Is this picture The Greatest Show on Earth, Chariots of Fire, Driving Miss Daisy, or An American in Paris, In the Heat of the Night, All the King’s Men -- that is, a cop-out or a split decision? Again, you’d almost think they planned it.
Now time to clean up my own vomit! Thank you, get home safe!
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