A DOG FROM HELL. Saw the Bukowski doc, Born Into This. Rather a shambles, but worth an afficionado's while. It puts a little cement into the cracks of his life story.

Since he came into his own in middle age, Bukowski's younger days have been poorly documented, except by himself, and no one tells his own story quite straight. It was then a special pleasure to see one of his old post office colleagues, enjoying what appears to be a middle-class California retirement and sounding like a Brooklyn wiseguy out to pasture, tell how Bukowski's bad clothing, "heavy features" and thuglike bearing made him hard to get to know. He also says that the great author referred to his then-missus "in a derogatory way that men sometimes talk about women." (He notes that, when he finally met her, he had to agree that Bukowski's wife did have a fat ass. "I mean," he adds generously, "if you like 'em big...")

But the colleague agreed that Post Office, which describes events he must have witnessed, is "true to life." And another guy in the film talks about seeing an ordinary Joe, on an L.A. bus in the 60s, laughing his ass off at a Bukowski piece in Open City. (This is the hippie journal Bukowski calls "Open Pussy" in his stories about it, and it is a howl to see his byline on its mangey, off-the-pigs pages.) This made me wonder momentarily: why isn't Bukowski better known, better read? His descriptions of the struggles of men and women, and of men and men, and of the "gut-wringing machine" that endeavors to take hold of nearly everyone in this society, can't be too far out for ordinary Joes to appreciate.

But of course there are impediments: a lot of dirty words and dirty scenes, of course. And the bleakness, or what could be taken for bleakness if you don't or can't believe that happiness is mostly a fleeting, accidental, and poetic thing.

There's more archival footage of Bukowski in Born Into This than I'd ever seen before. In one of the clips he says that love is like the fog that gathers on the fields at dawn before the sun burns it off. Seen one way, this is a bleak, even morose, way to look at it. But to the poetic mind, the fog is no less beautiful for being evanescent. And, of course, it always comes back.