MY FAVORITE FOLSOM STREET COMMENTER SO FAR. The Folsom Street thing is still going strong. Among the hundreds of chest-thumping Christers expressing their outrage:

"'Gay' activists disingenuously call Christians 'haters' and 'homophobes' for honoring the Bible, but then lash out in this hateful manner toward the very people they accuse.” My own experience with these people led me to conclude that while Christians profess to “love the sinner and hate the sin” the extremists of the Angry Gay Left “love the sin and hate the sinner.” Responsible gay leaders should speak out against the poster, but they will not, fearing the vicious attacks from the hatemongers of their own community.

Before (and after!) he was Jeff Gannon, the author was gay-escort/wingnut/"reporter" James Guckert -- GOP press pool shill by day, "Bulldog" by night! Now he spends a large amount of his time denouncing "homosexual jihad against Republicans," which apparently includes exposing homosexual Republicans:

Larry Craig did not invent the toilet culture for which he has been accused. Gays did. Not only did gays invent anonymous rendezvous –- the practice is a significant part of the homosexual subculture.

Whereas Gannon/Guckert's encounters were the opposite of anonymous -- he got the names and the credit card numbers!

Much as I love the original, isn't it about time someone remade Advise and Consent?

UPDATE. Fixed the faulty proper name of Gannon/Guckert.

NIHIL OBSTAT. At Beliefnet, Rod Dreher is mad 'cause some leather folk made a poster for a leather event that imitates the famous tableau of the Last Supper.

Dan Savage has the absurdity of this well-covered. In a way, I can't get too outraged about the outrage or the outrage over the outrage. This is fine intramural sport for all of us with time on our hands, and the worst I can say about it is it helps keep Bill Donohue employed.

Slightly more annoying and instructive is Dreher's follow-up, in which he tells us that while a lot of conservatives denounced Ann Coulter when she called Edwards a faggot, liberals never return the high-minded favor. He invites liberal Christians to perform an appropriate auto da fe, and denounce some liberal foibles in the spirit of post-Folsom comity. Dreher seems not to have noticed that there is a whole, credentialed flock of self-proclaimed liberal columnists who spend many of their column inches on such exercises. As Gavin observes:

Among the many variants of this style is that of the nominally liberal columnist (such as Thomas Friedman or Richard Cohen) who finds himself continually forced by events to repeat conservative talking points and express disdain for his fellow liberals -- message: "This hurts me more than it hurts you." When executed well, this routine can be repeated weekly for an indefinite number of years.

It's a marketable schtick. But demands that others emulate it without pay are rather rich, especially coming from someone whose anti-gay animus is obvious whenever he mentions homosexuals.

This is the sort of thing that gives moderation a bad name.

A CLOCKWORK BREITBART. The L.A. Times has engaged David Ehrenstein (film nerd) and Andrew Breitbart (culture warrior) to discuss Hollywood and the War on Whatchamacallit. (First two parts up now.) We have gone round this particular mulberry bush many times before, but Breitbart's ravings are proving classics of the genre.

Most notable are Beitbart's mood swings between professions of conservative cultural impotence and professions of conservative cultural power. On the one hand he accuses "the politically correct architecture of the creative process in Hollywood," where "pro-victory voices are reflexively ridiculed, cold-shouldered and made pariahs of on the party circuit [! -ed.]," of "reverse McCarthyism" (Watershed! They're against McCarthyism now!). On the other, he declares that "my side has talk radio, best-selling books, top-rated cable news shows, blogs, Op-Ed columns and even the presidency to make our points," and that "millions of other American filmgoers" share his politics and find their needs ill-served by Hollyweird, despite record box-office figures.

At one point, perhaps a rare moment of equilibrium in his brain chemistry, Breitbart turns introspective on behalf of the Movement: "Yet the conservatives who defend and, to a great degree, prosecute this war [? -ed.] have only themselves to blame for not putting enough emphasis on popular entertainment, and refusing to get bloody in the trenches of Melrose and Vine," he says, before (alas) reverting to form and calling on Ehrenstein as a "gay expert on gays in cinema" to help him with a Hollywood "diversity" project.

There are many different ways to relieve a creative urge, and those of us who toil both in blogs and in other formats must be careful not to shoot too much of our wads on internet prattle. That's why I continue to hold out sympathy and hope for guys like Jason Apuzzo, whose rages against the Hollywood machine are punctuated by efforts to make the sort of movies he wants to see.

But as Breitbart's case shows, the pure culture warrior finds making actual culture a "bloody" business and beneath him. His talents are instead devoted to concocting syrups of outrage thick enough to suspend bombast-fragments like "heroin-addled reality star," "self-congratulatory award show pronunciations," and "Gulfstream-flying, eco-warrior billionaires" for the delectation of undiscerning goons. The hard work of pursuing a coherent idea from start to finish -- whether in a story, script, or even a blog post -- is for the gloopy ones, while the oomny ones use, like, inspiration and what Bog sends.

It seems clear that our culture warriors are not engaged in a war for culture so much as a war against it.

HOMAGE TO SHERLOCK HOLMES AND PHILEAS FOGG. Megan McArdle on some silly Times story on women who are uncomfortable dating men who make less money than they do:

Speaking as the Emissary From Your Thirties, you know that amazing guy who just got back from Africa and tells hilarious stories and dates, like, everyone you know? The one your best friend quit her job to go to Tuvalu with? The one who's been working on a really titanic novel for four years that he never quite finishes, and can't seem to hold down a long-term job? His dating prospects start heading rapidly downhill by his thirtieth birthday. By his late thirties, his studio apartment is getting very lonely at night. If he does get married to a woman more successful than he is, it's likely that their relationship will be controlling, resentful, and involve enduring quite a lot of contempt from her friends and family.

But it has nothing to do with money. [? -ed.] Men with some measure of success in their chosen fields have no problem finding spouses. And successful women have no cause to complain, either. After all, they have a bevy of unsuccessful but charming men to choose from, who will be more than happy to date them if they can overcome their biases. The unsuccessful men, on the other hand, are pretty much frozen out.

This is why I keep a cat.

McArdle's post is an odd mix of libertarian harshness and romanticism. On the one hand, it features a market explanation which seems to strike her as just. But the talk about loneliness and diminished prospects comes from some different kind of moral tale, perhaps a pamphlet or a children's story. One would hardly guess that our society is filled with people who, by her standards, are moral and economic failures. McArdle does acknowledge the existence of poor folk in a previous post on the same subject, but there the language reverts to econo-nerdspeak:

There is a growing male/female education and income disparity. But it is occurring several rungs down the SES ladder from the precious princesses in the story, clipping off price tags and hiding shopping bags lest He realize that she shops at Prada. This problem is afflicting mostly poor women, particularly black and latino women, who have seen their earnings prospects improve dramatically relative to those of the men in their communities.

In this demimonde, women suffer from the "problem" of improved earning power, while in the surface world we have companionless loser males with their Soup for One dinners and unfinished novels, clinging forlornly to precious memories of Tuvalu. It seems win-win, or lose-lose, depending on your perspective.

For all its confusion, this analysis clearly posits marriage as the ultimate prize. I wonder if the many citizens who fall in and out of marriages, and in and out of economic stability, see it that way. No doubt many of them do -- which is why they keep trying -- but some may have determined that life's a bit messier than that. If the prospect of penury and an unattended deathbed disturbs them, so too might the prospect of a job they despise and a "controlling, resentful" relationship. One of the glories of a free society is that we may pick and choose our regrets. In econometric circles, where marriage, income per capita, and procreation are exalted data-points, this does not signify. But if you have found some happiness in this world despite your lack of resemblance to the ideal, you may know what I'm talking about.

UPDATE. Jules Verne character name corrected; thanks, Anon.

FIRST AMENDMENT UPDATE. Ahmadinejad speaks at Columbia. Much protest. Much coverage, largely negative (The New York Daily News headline: "The Evil Has Landed"). The Republic endures.

Just the other day National Review was telling us that "Ahmadinejad’s visit to Columbia has nothing to do with freedom of speech." Today at NR, Michael Rubin:

Lee Bollinger's introduction didn't make the news [in Iran]. But then again, why should it? Ahmadinejad's state-controlled press does not support such concepts as free speech and free expression.

I've noticed that, whenever they fail to cut off someone's mike, they murmur something like this about free speech as if it were some small consolation.

FTW. Mark Steyn complains about Fred Thompson's characterization of America's goals in World War II:

FDR didn't take America to war in 1941 with the "disinterested intention of liberating others". He took America to war not to end the Holocaust or free Belgium or build a democracy in Japan but for reasons of hard-headed national self-interest. All the rest was the happy consequence of victory. Likewise, America didn't topple the Taliban because it was suddenly overcome by a burning desire to see more women legislators in the Afghan parliament: That, too, was a happy consequence of a war waged for selfish reasons.

This is an interesting admission because many, many conservatives automatically discount the idea that opponents of the Iraq war might also be putting America's welfare first and foremost, and accuse us of other loyalties. In fact Steyn himself does this regularly. In 2003 he discounted antiwar protestors as "enthusiastically subscribed" to the proposition that "whatever the problem, American imperialist cowboy aggression is to blame," and earlier in 2007 he characterized the "Slow-Bleed Democrats" as more interested in embarrassing Bush than in winning "America's war."

Hatred of America, or of Bush, has been always been their default explanation for the astonishing fact that some Americans disagree with them, and as the number of dissenters increases Steyn begins to think that the war party just hasn't explained it properly:

An awful lot of Americans see Iraqis waving purple fingers at the polls and shrug, "Nice. But not worth dead Americans." To sell this struggle to the electorate, you have to frame it in terms of the national interest. It has to be a war consistent with American ideals but fought for selfish reasons.

The Administration actually did present a compelling, self-interested causus belli -- remember "one vial, one canister... to bring a day of horror like one we have never known"? But it turned out to be bullshit. The Happy Iraqi stuff was just the sweetener. The current Iraq explanation boils down to we're here because we're here.

Like the new-edition Steyn, I care much, much less about other countries than I do about this one. That's why I retroactively endorse America's go-slow approach to the Cold War, which left hanging an awful lot of Soviet subjects who might have been more quickly liberated -- or incinerated -- by a more aggressive strategy. I think it's terrific that Israel provides a homeland for the most persecuted race in the history of the world, but I mainly support it because its existence suits America's interests. I think it's neat that Nelson Mandela went from prisoner to President of South Africa, but for me the money shot was the establishment of a viable democracy in a continent riddled with kleptocracies. Our interests demand a world that is increasingly less likely to blow up in our faces, and the hornets-nest we have aggravated in Iraq seems to me a giant step in the wrong direction.

Go ahead and call me selfish. Patriots have endured worse.

UPDATE. Much contention in comments as to whether our support for Israel suits American interests. I think a better policy toward Israel would be helpful, but withdrawing support would be catastrophic, and whatever reasons obtain, we have enough catastrophe as it is. The subject will be worth revisiting.

THE DREAM IS OVER. Hog on Ice starts out yelling about the taser kid Andrew Meyers, and ends up yelling about how conservative bloggers can't get any play:

This is why the right-wing Blogosphere is dead and moldering but Markos Zuniga, who can barely write his name, is a multimillionaire. Compared to Zuniga, Malkin and Reynolds are obscure, marginalized, and pretty much impotent, and Pajamas Media...well, don't get me started.

We owned the Blogosphere a few years back, and we made stupid decisions and pissed it away. We went from omnipotent to irrelevant. And we have a national election coming up, we can't begin to match the left's Internet fundraising and informational horsepower, and we're doing absolutely nothing about it. We're not going to change any time soon, either. The scarier things get, the more every successful conservative obsesses on protecting his little rice ball. No one is forming new alliances or making any serious effort to consolidate conservative media power. And for damn sure, we are not going to have any Andrew Meyers.

Back in 2003, when Megan McArdle was talking about the wingersphere Mr. Ice mourns as a "very advanced, processing brain," it may be that hundreds, even thousands of bloggers took it seriously, and thought they were part of something larger than themselves, which would in turn make them large. It was to be the sort of utopia that conservatives -- whom I'm told are not big on collectivism -- can allow themselves to imagine: one in which individuals can avail a limited barrier to entry and make contributions that will both feed the borg and expose their own talents, thereby lifting them to glory or at least economic self-sufficiency. It was, in other words, punk rock for nerds.

Well, McArdle is now credentialed by The Atlantic. Hers would seem to be a typical careerist path; the odds on her success were never slim, but blogging gave her a nice promotional boost. Mr. Ice himself is an author, a harder row to hoe in any case. His blog no doubt helps him move his product. For a happy capitalist, that should be enough -- well, never enough, but sufficient to the cause.

Yet the great dream lingers -- in Mr. Ice's case, as ashes in the mouth, but for many others, younger or just less easily discouraged, it is tastier and stimulates the appetite. The sheeple who don't even know who Scott Thomas Beauchamp is will be shaken from their false consciousness by an invincible juggernaut of Citizen Journalists holding aloft the banner of Truth, and there'll be kegs enough for everyone at the afterparty.

Fond hope! Alas, reality is more strictly tiered than that. The ubiquity of the internet feeds into the conservative idea of unlimited opportunity, but when it comes to real dollars and influence, there are never more than a few spots open, and these usually go to graduates of "good" schools who have worked a time-honored career path. The addition of a blog credential to the CV helps, no doubt, and there may be a few affirmative-action hires of pure bloggers, but the great upheaval in which some of the brethren believe is not to be. To the extent that they are useful to wielders of real power, the Citizen Journalists will be quoted, stroked, and used as a force-multiplier for disinformation campaigns in need of some extra muscle, but when the hurly-burly's done they'll be put back in their box.

Writing's tough enough, and making a living at it even tougher; trying to topple power structures or build new utopias on top of that seems like a waste of time better spent cleaning up a sentence.

DERANGEMENT SYNDROME. "Why are you writing so much about Hillary Clinton? I don’t want to. I’d rather not, really. But she is everywhere in the news... Funnily enough, she is everywhere IN the news and NOT in the news." -- The Anchoress.

She also says the Hillary/Hsu story is undercovered. In other news, the Ole Perfesser is on his 300th bad Hsu pun.

I'm not a big fan of Clinton, but that's a lot of attention for someone who's supposed to be unelectable.

ARTS ROUNDUP. As long as I'm being arty-farty, I shall continue with the arts and the farts, with random observation from recent intake:

A Midsummer Night's Dream in Central Park. Pepys was right: it's a pretty stupid play. But it's sure-fire outdoors with good actors on a warm night. The lovers are the weak link, and for all their energetic ripping of ladies' garments I would have preferred some equally energetic tearing away of lines. Maybe Martha Plimpton's Helena was my problem. I had only seen Helena played as a mope before, and while Plimpton's tartness brought energy to her interminable lines, it lost the sympathy and sweetness that is the character's secret weapon. The twinned morganatic pairs were much better -- Keith David's Oberon, done up to look like Screamin' Jay Hawkins, was stolid and poetic, which suited because Oberon has great poetry and David has a great voice, and David's heaviness gave Oberon's fourth-act tenderness ("Her dotage now I do begin to pity") great power. And Shakes in the Park never stints on the clowning, so the rustics got to ham it up and keep us groundlings awake. Loved the goth fairy children, too, but next time, can we please have Mendelssohn?

Steal This Movie. I have to say it's fun to see the two leads from "Grounded for Life" as major hippies. But Vincent D'Onofrio's Abbie Hoffman is very like Vincent D'Onofrio's Law 'n' Order guy with long hair, denim, and drugs: I kept expecting him to arrest somebody. This item succeeds mainly as a posthumous curio, inspiring wonder that once upon a time one could sneak into the Stock Exchange and throw around dollar bills. Though I'm sympathetic to well-rendered nostalgia, I would have preferred that this movie follow the discursive method of Steal This Book or Woodstock Nation, which weirdly anticipated the style of blogs. (I would have especially appreciated the cinematic rendering of "God, I'd Like To Fuck Janis Joplin.") Then, for a pleasant change, we could have thousands of posts about how Vincent D'Onofrio is Fat.

Eugene O'Neill: Collected Shorter Plays (Yale University Press). Hadn't read them in a while and had a hankering. The Glencairn plays are like short stories for the stage, little projects with which the student of Professor Baker found his stage-legs. They're slight, stiff, disarmingly easy to get down, and clearly based on personal experience. It's amazing to contemplate that, two years after the last of these pleasantly stagey affairs, O'Neill wrote The Emperor Jones -- and, two years later, The Hairy Ape . It's as if O. Henry had suddenly become -- well, Eugene O'Neill. Where did this poet come from? Whence the grand scale? It's been decades since I read the Gelb biographies, but my forgetful guess is that, once he got a sense of his own stage power with the Provincetown Playhouse productions, O'Neill felt confident enough to start appropriating literary influences. It wasn't theft because it didn't sound like anyone else's stuff; the themes may have been cribbed from German Expressionist playwrights, but the argot of the Glencairn plays grew organically into the great soliloquies of Jones and Yank. This is a nice reminder that the development of any popular artist relies on the slipstream of influences that surround him, but if he is to get very far he must also contrive to bring along something that is wholly his own.

OLD MAN BLUES. It disturbed me, while downloading Loudon Wainwright III's Strange Weirdos, to confront the sidebar information that other purchasers of this merchandise also favored the soundtrack to "Grey's Anatomy." So it's come to this: Plush Pop for Then People. But I love LWIII and hoped he would drop a few barbs in the syrup nonetheless.

The songs shamble along, displaying LWIII's command of his writerly gifts -- crisply observed detail, wordplay, fluent appropriation of various styles, and juxtaposition -- without inspiring anything but vague appreciation for obvious talent. The production gives his songs musical settings that are technically appropriate to the themes, but this has the effect in most cases of double-underlining the point and writing notes in the margins. The one big exception sounds like a fortunate failure of the producer's energy: apparently no one knew what to do with "Lullaby," so they just made it sort of pretty, which beautifully sets off the opening: "Shut up and go to bed/put some pillow under your head/I'm sick and tired of all of your worries/shut up and say goodnight."

Unfortunately, after a while the songwriter runs out of energy too. I am forced to say that this happens throughout Strange Weirdos. For the first time that I've noticed, LWIII's maudlin streak isn't leading to anything interesting. On the title song, "It starts with a sentence that might last a lifetime" is very promising, but the next line, "Or it might all just go down in flames," betrays the promise.

It's always instructive when the best song on a weak album is the cover. Usually it's because the artists are relieved at last to cluster their talents around a dead certain winner. Peter Blegvad's wonderful "Daughter" gets a professional, respectful treatment from the band, and you can hear that respect in LWIII's voice, too -- along with everything else the song demands: awe and amusement, protectiveness and a premonition of loss.

I love LWIII's voice. I even love the arch tone in it, which may be a matter of necessity because LWIII so often sounds arch. It's most obvious when he tries to be bluesy or to "rock," or do anything besides sing the damn song. (This is the occupational hazard of an ironic romantic trapped in a musical idiom that tends to exacerbate romance -- the form being "singer/songwriter, late 20th century," which he still is in 2007.) From the perspective of Strange Weirdos, I begin to think that LWIII's propensity to strike poses with his voice is an admission of discomfort with the formats in which he's found himself -- or maybe even in the forms he's chosen for himself. Now he is an Adult Contemporary for real, his latest vehicle tooling smoothly like a refurbished roadster along highways outside major cities, the stranger side of his talent rattling contentiously under the hood.

Whenever he has dared to be his own weird self, though, he has been brilliant. "The Man Who Couldn't Cry," as weird as Daniel Johnston but with the coherence of great poetry, is the eternal, shining example. He's managed the trick many times, and once is enough to make you a genius in this game. He's capable of it even in his fussy old-man mode. "The Last Man on Earth," from 2001, is a superior version of Strange Weirdos's middle-age lament, "Doin' The Math." The newer song, done as a creepy L.A. lounge blues slide, is kinda funny but stews too much in its own resentment. "The Last Man of Earth" is cleaner, plainer, a throwback to the young strummer LWIII used to be. It has jokes, too, but most of them have a sharp tang that quickly pushes off any hint of self-regard. You don't have to relate to his condition: you can simply hear it. The recorded version is, alas, fussy and marred with underlinings, but I had the good fortune to hear him do it solo-acoustic on TV, and there the climactic passage had the force of a sharp slap:

Kids used to say their prayers at night
Before they went to bed
St. John told us that God is love
Nietzsche said he was dead
This thing we call existence
Who knows what it all means?
Time and Life and People
Are just glossy magazines

That last couplet, like the solitude of the hero in "One Man Guy" and other high achievements of ironic romantics, is a selfish dirty trick. Which is what keeps me listening to him.

MORAL EQUIVALENCE WATCH. Eric from Classical Values (hehndeeded by the Ole Perfesser) doesn't understand "How the hell did sex get put on the f---ing left?" After failing to mention the decades-long Family Values crusade of the GOP, he writes:

I don't think it is rational for Republicans to declare war on sex and to appear to embrace erotophobia, because of their traditional 'leave people alone' philosophy, but there's not a damned thing I can do about it except write posts like this. As to the Democrats, they see sex not as a form of freedom to be embraced, but as something to be manipulated to gain power.

This last assertion seems to come from thin air; the only thing in the article that relates to it at all is Eric's admission that conservative "erotophobia" presents an opportunity for Democrats.

Like much of the gibberish considered here, this offers a clue to conservative thinking. Consider this Classical Values post from the morning after the 2006 elections:

Thus, my concern is that even if this election was not about the war, there will be a major push to make it appear to be.

But in logic, if the election was about the war (which I do not concede that it was), why is it necessarily Bush's war? Why should the Democrats who voted to support it (and who claimed that there were WMDs) get a pass?

For a certain breed of Republican, the only thing that is ever bipartisan is their own mistakes.

SHORTER ROSS DOUTHAT: Conservatives were great until the liberal media started paying attention to them. Then they went crazy.

LOYALTY TEST. The folks at Family Security Matters sure like to think outside the box. Last month they posted (then withdrew) an article suggesting Bush declare himself President for Life. Now, with Iraq inflamed because Blackwater privateers mowed down some of its citizens in Najaf, FSM's Nick Guariglia suggests that firms like Blackwater are "amongst the most efficient humanitarian organizations in business."

Guariglia's method is a marvel and we'll get to it shortly. For now, the money quote:

But are these chastised “war profiteers” any more or less amoral than, say, a cardiologist who addresses, and thus profits from, the treatment of heart disease? Or a clean-up conglomerate which rebuilds towns devastated by natural disaster? Is not the continuity of disease, plight, and disaster in the financial interest of these parties? Why would a war theater be an exception to the rule, the one realm in which this code of conduct does not apply?

Unfortunately Guariglia's correlatives to the cardiologist and the conglomerate are mainly "cleaning up" in the larcenous meaning of the term, as can be seen in Matt Taibbi's "The Great Iraq Swindle." Sample outrage:

The system not only had the advantage of eliminating red tape in a war zone, it also encouraged the "entrepreneurship" of patriots like Custer and Battles, who went from bumming cab fare to doing $100 million in government contracts practically overnight. And what business they did! The bid that Custer claimed to have spent "three sleepless nights" putting together was later described by Col. Richard Ballard, then the inspector general of the Army, as looking "like something that you and I would write over a bottle of vodka, complete with all the spelling and syntax errors and annexes to be filled in later." The two simply "presented it the next day and then got awarded about a $15 million contract."

The deal charged Custer Battles with the responsibility to perform airport security for civilian flights. But there were never any civilian flights into Baghdad's airport during the life of their contract, so the CPA gave them a job managing an airport checkpoint, which they failed miserably. They were also given scads of money to buy expensive X-ray equipment and set up an advanced canine bomb-sniffing system, but they never bought the equipment. As for the dog, Ballard reported, "I eventually saw one dog. The dog did not appear to be a certified, trained dog." When the dog was brought to the checkpoint, he added, it would lie down and "refuse to sniff the vehicles" -- as outstanding a metaphor for U.S. contractor performance in Iraq as has yet been produced.

It gets worse: when, over the objections of the Bush Administration, the Custer Battles security firm was brought to trial and found guilty by a jury of this outrageous fraud, the judge set the verdict aside, agreeing with the Administration that "Custer Battles could not be found guilty of defrauding the U.S. government because the CPA (the now-defunct Coalition Provisional Authority) was not part of the U.S. government."

For good reason, very few people outside their immediate families have a high opinion of these firms -- you can read more contractor horror stories at American Conservative magazine, among other places. Aware that he's got nothin', Guariglia falls back to debaters' tricks:

To weave in and out of applying intentionalist ethics – questioning the motives of employed defense workers –– and consequentialist standards -– questioning their performance -– is inconsistent. (As if one would be inclined to favor something they adamantly oppose in principle if only it were conducted more competently.)

I think it is safe to say most of us are above this mode of argument. It wouldn’t impress even a novice ethicist.

This is why people hate intellectuals: millions are egregiously stolen, and Guariglia grades a strawman's college paper. When this approach fails and deadline beckons, there's always gibberish:

When do-gooders speak surprisingly that corporations, providing a needed service through the selling of that service, actually collect revenue – oh no! – thereby continuing to provide that service, it is an odd criticism of something that best be left not criticized. It recalls the old Marxist fib that suggests history is only the tale of calculated material pursuit, not the narrative of human emotion, pride, fear, and irrationalism.

In his defense I would suggest that Guariglia cannot possibly believe this nonsense. He is making the best -- his best, anyway -- of a bad job. As the works of the Bush Administration plainly collapse into chaos, better-credentialed conservatives get a pass to work the "mistakes were made" hustle. But the noobs and small fry still have to make their bones: none of them will move up in the organization as a small-circulation David Brooks. So they take a contrarian angle, defending even the most egregious failures with rhetoric honed in impromptu debates with hippies on the quad. It doesn't have to convince anyone: the hopeless effort itself shows loyalty sufficient to keep the soldier on the payroll. When things blow over, maybe he can get a job blogging for the Atlantic.

SHORTER DAVID FREDDOSO: I am never, ever going to get laid.

Further evidence may be found in Freddoso's article about New York City:

Ah, New York! My host was just being gracious when he asked me, “What do you miss most about living in The City?”

I replied instantly without even thinking about how rude it was: “I don’t.”

And I really don’t. I’ve been back all of three times since I left in 2001. But The City has a way of seeping into one’s bowels and staying there for years. That’s my excuse, anyway, for telling off that kid yesterday who was panhandling in Union Square, wearing nicer clothes than I own. It’s why I step in front of people at street-corners, keep my eyes straight ahead, and walk as though there’s a tribe of screaming cannibals on the block behind me.

He spreads sunshine wherever he goes. Here he is working on his sneer. My guess is that he really, really likes P.J. O'Rourke and thinks a shitty attitude translates automatically into scintillating, contrarian prose, which is like getting drunk and belligerent five nights a week and thinking that makes you Bukowski.

VERITAS. At The Atlantic Online, Ross Douthat does another post about how no one teaches Dead White Males in skool anymore, and receives a fair amount of What The Fuck Are You Talking About in comments, among which my favorite is this:

Multiculturalism as presently constituted is not a threat to the cultural heritage of the liberal arts. The fact that the university is being reformed as a set of pre-professional schools and the students are all majoring in Communications rather than English Lit is. This cannot realistically be blamed on mean old French post-structuralists or tenured radicals.

These days restraining orders keep me off campus, but even among us townies it is an observable fact that our society values knowledge solely as a way of making money, and with the cost of a college education (and of the service of loans for it) through the roof, it's a wonder anyone in the United States reads Shakespeare anymore except to mine quotes for his Chamber of Commerce speech. I went to college in the 1970s, and was mainly required to take drugs and produce a few legible papers. Perhaps I shouldn't have gone to school at all, and toiled at manual labor instead. Wait a minute -- in the decade after my graduation I worked mainly as a messenger, busboy, waiter, or day laborer. Maybe if I'd read more Milton I'd be writing for The Atlantic Online today. Damn Toni Morrison! Who's Toni Morrison, by the way?

If the cultural thirst of undergrads is but poorly slaked by the brackish water of popular culture, I am surprised to hear Douthat complain of it. He has written extensively on Knocked Up. If any of his pieces on it describe the line of succession from Feste or Toby Lumpkin to Seth Rogen, I have missed them. He seems mainly interested in how the film might get kids to oppose Planned Parenthood, which shows some sort of education, but one only distantly related to the Humanities.

And in his very next post he celebrates the ascendancy of football over baseball! The man is clearly a philistine who can't even understand that Dane Cook is a particular, not a universal. What are they teaching in schools these days?

SHOWTIME. Michael Ledeen takes in a Toby Keith concert;

It's great to get out of the Washington culture of narcissism and spend some time with the rednecks, a.k.a. real Americans. And it's simply great, as the encores end, and a downpour of red, white and blue confetti covers the crowd, to see Toby say "don't ever apologize for your patriotism," and then lift the middle finger of his right hand to the skies and say, "F*** 'Em!"

Which, after a week of disgusting anti-Americanism in Washington, nicely summed up our feelings.

You ought to try it. Does wonders for the spirit.

Oh, if only his colleagues would take him up on it.

JONAH GOLDBERG: (through a mouth full of hot dog) CURRSSY VUV VUH RID WUHN BLUH!

VICTOR DAVIS HANSON: He is a modern Simonides singing of Thermopylae! With the biceps of a Greek god!

JONAH GOLDBERG: And the hair of a young David Hasselhoff!

PETER SUDERMAN: I find his vulgarity so liberating that I don't even mind the large number of children in attendance!

STANLEY KURTZ: Not to worry, Peter! This shows a healthy uptick in white procreation!

CLEM: Which one a' you funny boys got Cheeto dust in mah beer?

Then they can blame the ensuing beatdown on antiwar protestors.

COUNTER INTELLIGENCE. The recent protest in Washington and its Gathering of Eagles counterprotest inspires mobius-strip commentary at RedState, where a Citizen Journalist reports that the anti-war movement has "lost" the Associated Press:

This wasn't a favorable article towards the antiwar folks. Some more snippets:

Army veteran Justin Cliburn, 25, of Lawton, Okla., was among a contingent of Iraq veterans in attendance.

"We're occupying a people who do not want us there," Cliburn said of Iraq. "We're here to show that it isn't just a bunch of old hippies from the 60s who are against this war." [Bolding mine.]

...which nicely insinuates that meme into the narrative, doesn't it? Well, not "meme": they are mostly a bunch of old hippies (not to mention Stalinists, Maoists, and whatnot) from the 60s. But it was nice of the AP to remind us of this by having the quote vigorously denying it.

Too bad AP couldn't boldface the quote as the CJ did, or implant chips into the brains of its readers to ensure they would interpret the remarks of a 25-year-old veteran as counterintuitively he did.

The presumption of treachery by the liberal media is so ingrained in this fellow that when he finds nothing to "fisk" in an AP story, he assumes that some sort of dramatic reversal has taken place:

What makes all of this of more than slight interest (and moderate amusement) is the intriguing possibility that we're going to see more of it from the AP and other Old Media sources. If media vendors can be no longer counted upon to uncritically accept the rather grandiose claims of MoveOn.org, International ANSWER, Code Pink, and others of that stripe... well, those groups (and others) are not going to enjoy the experience at all, at all.

His footnote is rather touching:

*I know, I know - but you have to remember that many of these people need the mythology of a Romantic Struggle to help them continue to do very tedious and unrewarding tasks. Take that away, and they're just a bunch of aging, lonely people standing in the rain, with little small talk and no dinner waiting for them at home.

The lonely Soup for One dinners of protestors seem as real to the Citizen Journalist as any of the reported facts, which may explain why he fails to see the irony in his own mention of "the mythology of a Romantic Struggle."

WE SUCK. Mithras dispenses wisdom to Philly's collegiate newcomers:

Since you're so clearly bright, you'll probably figure out that people are people about the time you get set to graduate. In the meantime, follow some simple rules. Make eye contact. Speak when spoken to. Get the fuck out of people's way. When you're north of Market or south of Baltimore, or anywhere after dark, take off the fucking iPod and put it the fuck away. Remember, they hate you just as much as you hate them, except they're right. Following these simple rules will extend the duration of your worthless life and make you seem like less of an asshole.

It occurs to me that all Northeastern cities are kicking New York's ass these days. Philadelphia, D.C., Boston, hell even Baltimore makes us look weak. They have the hard crimes and the good times: we have Fashion Week and a bunch of jerks talking about restaurants on their cell phones. All weekend long the L train stations in Williamsburg are like hipster sluices, vomiting out punks who have spent thousands of their parents' dollars so they can look like Vincent Gallo, play kickball in McCarren Park, and aspire to become monsters like these. I pray nightly for financial collapse and riots, but God has grown tired of my prayers, the rat fuck.

WE ARE THE ROBOTS, PART 7,602. Weary of merely giving his regular steer to Lileks' tedious jabber at buzz.mn, Ole Perfesser spices it up with a laff at Al Bore:

AL GORE VISITS MINNEAPOLIS:

Brrr. Not complaining; just noting. Flower-slaying frost expected, which really is too soon. All that work, and they perish in a night.

I mean, I don't actually know if Al was in Minneapolis today, I just kind of assumed.

Heh heh! Because of the Gore Effect, see! Heh hehindeed!

Meanwhile in the Arctic Sea:

Large areas of Arctic sea ice are only one meter thick this year, about 50 percent thinner than they were in the year 2001, according to measurements taken by 50 scientists on board the research ship Polarstern. The international team is conducting research on sea ice in the central Arctic Basin.

"The ice cover in the North Polar Sea is dwindling, the ocean and the atmosphere are becoming steadily warmer, the ocean currents are changing," said chief scientist Dr. Ursula Schauer from the Alfred Wegener Institute for Polar and Marine Research, who has been aboard the Polarstern for two and a half months...

The thickness of the Arctic sea ice has been shrinking since 1979, and on this trip oceanographers have found a particularly high concentration of melt-water in the ocean and a large number of melt-ponds.

According to the latest computer models, says Schauer, the Arctic could be ice free in less than 50 years, in case of further warming...

If you believe you will be saved, as Perfesser Reynolds does, by a robot Rapture, I guess you can afford to laugh this stuff off. Traditional humans may feel differently.

DON'T PUT ANOTHER DIME IN THE JUKEBOX. National Review publishes a lecture Stanley Kurtz gave on Allan Bloom at Princeton. One can only imagine what Bloom, who despaired at the desuetude of American higher education, would make of the fact that an Ivy League university countenanced Kurtz' lengthy exegesis on rock and roll and hiphop -- especially since Kurtz' foreordained conclusion is that the 1986 publication of The Closing of the American Mind was a "major culture-shaping phenomenon," which would imply that parlor songs had replaced rock and rap in the soundtrack of American life. Yet the best Kurtz can do is point to a Rolling Stone interview in which Mick Jagger and Keith Richards express weariness with hard music, which is understandable, since their last dozen records seem to have been designed to spread such weariness generally.

This leaves Bloom nothing but blame, and black people provide him with a modish target:

Unfortunately, I think hip-hop is going to be just fine. To see why, let’s consult Bloom’s treatment of race...

To spare you some pain, let me condense it: blacks forced colleges at gunpoint to admit them, which of course just ruined colleges and blacks alike. As a result, gangsta rap has become popular with "many of Europe’s discontented Muslim youth," which "drives some of these young men toward Islamist radicalism." Kurtz' mechanism of action is ingeniously muddled:

For many of these young Muslim boys, the notion that their Western girlfriends are actually “ho’s” flows from a still robust ethic of family honor, in which the sisters of these rappers are often held to radically different standards than their gangsta brothers. The contradiction between this traditional family ethos and the baseness of street life drives some of these young men toward Islamist radicalism. Rap emerged as a kind of antithesis of an already weakened family system. Juxtapose rap with its communal family opposite, and the results are nothing short of explosive.

Miscegnation plus Jay-Z equals jihad! Yet we still haven't put Stephon Marbury in preventive detention. It's a wonder the Republic still stands.

If, 20 years on, rockers and rappers are destroying Western Civilization more effectively than ever, what's so "culture-shaping" about Closing?

So in my view, far from vitiating either the book’s impact or its positive effects, Closing’s fearless philosophical doubt actually generated its success — not merely in terms of sales, but also as a conservative cultural force. Traced down and studied in isolation, Bloom’s skeptical philosophical core may appear to be as oddly forbidding as the invisible black hole at the center of a galaxy. Yet the seemingly destructive power of that core actually sets the surrounding stars into motion.

Pundit poetry is always tough to parse, but I think Kurtz means the book is great because it gave lunatics such as himself steady gigs at rightwing blabfests.