TRAVEL UPDATE. I got through the tests, we'll see about results. I also did a little day-tripping while in DC. The Mall is presently overrun by school trip teens and their minders: fleets of tour buses, harried adults holding up colored signs or folders, mobs of gangly yout's in copy-heavy t-shirts and shorts. The National Museum of Natural History, which I visited, seems made for them: the exhibits and signage are simple and bold, designed for durability and easy cleaning. I took in shows about the Sikhs ("Willy Wonka!" cried one yout), early life on Earth, and Lewis & Clark, in which the signage contained many prompts for an audio tour no one seemed to be taking. I'd never thought much about Lewis & Clark before, but it's a hell of a story, right down to Lewis' pathetic and mysterious suicide. It's almost enough to make me read Thomas Pynchon, were life not so brief.

On recommendations from readers, I also took in the Phillips Collection. It was terrific, and there was hardly anyone there. After a few Target Free Nights at MOMA I had forgotten what a pleasure that can be. I sat and looked at Luncheon of the Boating Party for twenty minutes and two people got in my way, briefly. Even the newer paintings -- including a great, untitled Jake Berthot that looks like a bridge in a mist of smudges, and Howard Hodgkin's ebullient Torso, spilling over onto its frame -- pleased grumpy old me. I was compelled to attend artists who had never interested me before, like Dufy and Braque. The artists I already liked, I had all the time in the world for. Even at full fare this felt like an enormous gift.

Also on recommendation, I dined at Dukem in Adams Morgan. The Doro Wot was fine; still, I'd complain about the price (come on, it's stew poured over weird, grey bread, and six bucks is a lot for a bottle of St. George) were it not for the music. It was my first experience of eskista, so I couldn't tell you if it was good eskista or bad eskista, but I loved the sound: guy beating on a drum with sticks, guy sawing on something that looked like a zither, guy plucking at another zither-thing with a cigar-box soundboard attached, and a girl sitting calmly up front and singing in a high, plangent voice. The rhythm was a little unusual to my culturally insensitive ears (I could count the fours, couldn't quite make out the pulse), but the dance team that came out at the end got into it pretty good.

In other world news, I had the TV on while packing for home and watched the reports on Zarqawi. Much talk about a "turning point" in the War, repeated footage of the Iraqi press corps cheering. And, on the other idiot box, the Perfesser accused the press of "spinning war news to make things look worse than they are, and to hurt Bush." I haven't plowed through the blogs to see if anyone was really sad that the guy who sawed the head off Nick Berg (among many others) got what was coming to him, but it's a big wide wonderful world of opinion, so who knows. Maybe after I clicked off, George Stephanopoulos called for a moment of silence.

Well, I got politics in, now I can take a nap.

ANOTHER DAMN SERVICE INTERRUPTION. You really should go with a more reliable vendor. I am in D.C. for three more days of Von Hippel-Lindau-related testing. This time it's an MIBG scan: they shoot me up with radioactive material and watch it glow in my body over two days. Seriously, that's what they do. (Go ahead and make fun of me for it, though -- I promise not to reveal your identities!)

I am typing this at a Kinko's on K Street. (Two guys tried to bribe me as I walked over here.)

I'm staying at the Washington Plaza, a 60s monolith on Thomas Circle. The management is apparently trying to exploit its retro chic rather than its gigantism and isolation in a weird fish-nor-fowl neighborhood. Locals, please tell me if there's anything to do around here beside visit drug stores and fend off bums.

I imagine I'll get in some culture and bore you all with it at some point, but posting should be light till Thursday night.

CYBERSMART : SMART :: ROAD APPLES : APPLES. Semi-popularizer of the South Park Conservative fad, Brian C. Anderson, says video games are good for your brain. Since he's writing at OpinionJournal, he drops the kind of comments that gets right-wingers excited: Dr. Spock is (posthumously) against gaming -- gaming good! Hillary Clinton is against violent gaming -- gaming good, cut off bitch's head! And the Ol' Perfesser likes it, etc.

But even beyond the customary, specious political identification, there is plenty of just plain stupidity in here:

Video games can also exercise the brain in remarkable ways. I recently spent (too) many late-night hours working my way through X-Men: Legends II: The Rise of Apocalypse, a game I ostensibly bought for my kids. Figuring out how to deploy a particular grouping of heroes (each of whom has special powers and weaknesses); using trial and error and hunches to learn the game's rules and solve its puzzles; weighing short-term and long-term goals--the experience was mentally exhausting and, when my team finally beat the Apocalypse, exhilarating.

Anderson seems to have cribbed this notion from Malcolm "Blink" Gladwell, and my response to the knockoff is the same (though less respectful of course) that I had to the original:

It has been my experience as a remedial English tutor that even the brightest students are undertrained in, and often unaware of, the simplest analytic tools -- including grammar, sentence structure, and outlining. These are not nearly so easy to absorb as the [computer gaming] skills Gladwell values, but the fact that he can make himself clear in essay form shows that he has himself mastered them, which makes it rather disturbing to me that he seems not to care much that we make so little effort to wrench our kids away from their entertainment modules long enough to learn how to diagram a sentence or tie three supporting details to a main idea.

...If we don't teach our young citizens to think rather than merely process information, all the video-savvy in the world isn't going to save their sorry asses...

Yeah, so I'm quoting myself. Busy day. Besides, I fought the Battle of Tompkins Square Park for the likes of you! Get off my lawn!

TRY ONE OF THESE JAMAICAN CIGARS, AMBASSADOR. THEY'RE PRETTY GOOD. A "writer living in Washington D.C." explains why drinking California chardonnay is conservative: contrary to "its alleged association with affluent political liberals," California chardonnay is populist (because "influential wine critic Robert Parker" disapproves), and "sexy, muscular and swaggering," and therefore much better than "watery French swill."

Me, I drink Mumblin' Jack Malt Liquor cause it gits ya cozy.

Lest you think the article was written and submitted for publication on a bet, you can also read this authoress (Melinda Ledden Sidak) on the moral relativism of mothers who work and Bob Dole Viagra commercials, and how people who have unmarital sex should lose their jobs, if you are as big a glutton for punishment as me, which I hope none of you is.

FUCK THAT NOISE. HOW 'BOUT THEM METS? I attended the second game of yesterday's twi-night Mets-Giants doubleheader. The evening was cold and damp and as the matinee had suffered a long rain delay, by the second game the crowd was pruned down to about 5,000 die-hards. But the Mets are doing well -- even two months into the season! -- so the faithful were in good spirits.

At least they were in good spirits when they got away from the ticket window. Management decided the make-up game for Friday's rainout should be part of this already-ticketed event; those of us with Friday tickets had to trade-in for whatever slop was left. ("They oughta just open up the gates and let everybody sit wherever they want!" yelled one mook.)

So we started among the upper deck diaspora, watching the white blobs dashing around and the sheets of rain whirling laterally through the floodlight. Folks were scattered across the red seats. A few couples huddled under soaked Mets beach blankets. (There was no liquid warmth available as Shea had turned off the beer taps between games. What is this league coming to?)

Later, as standards relaxed, we went down to the mezzanine, where the population was more consensed, dry, and convivial. Barry Bonds wasn't in the lineup, but the natural wise-assedness of our tribe prompted many rounds of "Barrrr-rrry" (in the sing-song manner of the old "Darrrr-rrryl" chant, and the "Larrrr-rrry" that traditionally greets "Chipper" Jones at Shea). As we went to extra innings the "Let's Go Mets" chant turned to "Let's Go Home."

We responded to events, too. When Lance Niekro came to the plate, some oldtimer yelled, "Throw him a knuckleball!" When Jose Reyes stole second (always a pleasing sight), we serendaded him with the Jose Song (which some Nats fans claim they had first). And when the Home Run King Presumptive stepped up to pinch-hit, the uncrowd went nuts, and went nutser when Barrrr-rrry grounded out. (I didn't hear much steroid stuff. This is just the sort of treatment we give celebrity opponents. Bonds' return under abuse to his dugout was slow and upright, but he's had a lot of practice. I imagine it is less easy for Kaz Matsui, who for poor overall performance was booed reflexively whenever he shifted his weight.)

Oh, and we won! Lastings Milledge executed a lovely hook-slide to evade a tag at home in the 11th. Big cheers, loud music, and a hasty retreat to the 7 platform.

Plus I got money back on my ticket. And they brought back the Howard Beale tape ("I want you to get up right now and go to the window. Open it, and stick your head out, and yell -- LET'S GO METS!"). A good night all in all.

WHAT I SAW AT THE DEVOLUTION. Perhaps attempting to put fire in the bellies of their discouraged constituents, the Corner guys talk about how Disneyland and Scotland have gone communist.

The Scottish thread is particularly rich. "Thatcherism never really penetrated far into Scotland, despite some of her most fervent admirers being Scottish," says Iain Murray. Another guy blames his inability to make money there on Scottish prejudice against the "Yank Capitalist." Cliff May is upset that a "talented and beautiful" Scottish folk musician played a John Lennon song. (No, it wasn't "Lassie is the Nigger of the World.") Derbyshire exhumes Dr. Johnson's famous crack, indicating that patience is exhausted, and invasion is the inevitable next step.

On the other hand, there is this:

As you can imagine, I don't get much help from mainstream media in promoting my music and values...

Boy, can't we all relate! John J. Miller urges you to buy the man's tunes, and those of other "rockcon" artists who speak truth to powerlessness.

I wish them well. I'm a lot more favorably disposed toward this Top Conservative Songs thing now that it's a marketing scam that might get some musicians some play. Swindle, comrades!

WHAT DO YOU CALL JEFF GOLDSTEIN WITH A Ph.D.? (ALERT: inside baseblog)There have been some complaints about disrespectful treatment of Jeff Goldstein. In the aforelinked cases, Goldstein’s use of MLA blather (with jokes, though -- you can tell 'cuz they're in all caps) is alleged to cause his critics jealous outrage that "one of us" has turned to the dark side.

Are Goldstein’s critics really academics? I never got more than a Baccalaureate (in Fine Arts, swish swish, so I didn't have to read much), and I work for a corporation. Tbogg works for a corporation, too. Atrios is a political activist, and we all know they don’t know from semiotics. Majikthise is kinda schoolly, but I’ve had beers with her and she never once spoke of the signifier and the signified. And Jane Hamsher's a movie producer -- they are all self-made types given to ignorant spoonerisms and big cigars, and think college-professor stuff is strictly the bunk.

Maybe we just think the guy's comedy gold.

As alerted, this is all bloggity-blah, so its significance is nil. Still, you have to wonder why Goldstein's seconds are so incensed that people are making fun of some guy known for making fun (semiotic fun, mind you) of some other guys. Even the normally sane John Cole says, "they do not like his politics, so they simply want to destroy him. It is that simple."

Christ Jesu, I never dreamed we had such power! I'ma get me a cool helmet like Ian McKellen's in "X-Men" and destroy all my enemies with the unstoppable force of paste-eater jokes!

P.S. Michael Moore is fat. (Unless that was some sort of Levi-Straussian jest I am simply too unlettered to grasp.)

JESUS IS MY MANAGER, AND HE'S DOING A REALLY SHITTY JOB. Michelle Malkin is excited to hear from USA Today that the Colorado Rockies are a religious cult:

Music filled with obscenities, wildly popular with youth today and in many other clubhouses, is not played. A player will curse occasionally but usually in hushed tones. Quotes from Scripture are posted in the weight room. Chapel service is packed on Sundays. Prayer and fellowship groups each Tuesday are well-attended. It's not unusual for the front office executives to pray together.

Next time they talk to Jesus, they should ask him how to get the fuck out of fourth place in the NL West.

LATEST CONSERVENTIONAL WISDOM: Innocents Slaughtered at Haditha; Rightwing Bloggers Hardest Hit.

For perspective, see here.

The idea of a "morally irrelevant" war atrocity is new, and I hope the Perfesser and his allies get full credit for it.

UPDATE. Anyone remember when Winds of Change was the "liberal" warblog? Get a load of this.

The current post at Winds of Change at this writing is against the Jacobin Terror. Hilarious, under the circumstances.

10.0! In his review (that term being used here in its new, conservative sense -- that is, criticism of a movie he hasn't seen) of An Inconvenient Truth, Holman Jenkins goes about fatuity as if it were an Olympic event, fitting in all the high-degree-of-difficulty routines.

For example, he does a philosophical number, claiming our problem is not so much global warming as Al Gore's existential dread: "In a million years, the time it takes the earth to sneeze, the planet will likely be shorn of any conspicuous sign we were ever here, let alone careless with our CO2, dioxins, etc. Talk about an inconvenient truth."

He also scores high in my favorite conservative event, the equivalence of observable reality with rhetorical whims: "What if science showed conclusively that global warming is produced by natural forces, with all the same theorized ill effects for humanity, but that human action could forestall natural change? Or what if man-made warming were real, but offsetting the arrival of a natural ice age? Would Mr. Gore tell us meekly to submit to whatever nature metes out because it's 'natural'?" More to the point, what if this peanut butter were caviar? I would have gotten this sandwich at a substantial discount!

But Jenkins shows exceptional creativity and daring here:

A remarkable and improbable thing is that, despite presumably devoting decades of study to the subject of global warming, nothing Al Gore has learned leads him to say anything that would strike the least informed, most dogmatic "green" as politically incorrect. He doesn't discover virtues in nuclear power. He doesn't note the cost-benefit advantages of strategies that would remove CO2 from the atmosphere, rather than those that would stop its creation.

Anybody who deeply searches into any subject of popular debate inevitably comes back with views and judgments to shock the casual thinker. Mr. Gore utterly fails to vouchsafe this reliable telltale of seriousness.

You may have missed it, but Jenkins just said that Gore's conclusions cannot be right because they are not the same as Jenkins' presumptions.

I have to applaud. I would also like to take credit for appreciating Jenkins' craft despite our disagreements, but I don't really know that I disagree with him, because he hasn't asserted anything that rises to the level of argument. He just doesn't like Al Gore, and wants to say bad things about him.

Fair enough. A traditional film review wouldn't have been as interesting, probably. Previously I had put down this New Criticism to sloth and arrogrance, but maybe it's really an avant-garde movement. If so, Jenkins is a stylist to watch.

UPDATE. Those of us who are not so cutting-edge might want to settle down with the down-home, old-school fatuity of the Ole Perfesser, who refutes Gore with -- get this -- the new hand-dryer at his gym, which "makes the skin on your hands ripple like it does when you're skydiving, and within a few seconds your hands are dry." This is the end of MST (Main Stream Towels)! I can't wait to see what they have for the bidet.

NEVER GET OUT OF THE BOAT! People sometimes ask me, a semi-name in the world of electronic bile, why I take my sport with the larger, more popular jackasses of the conservative blogosphere (Reynolds, NRO, etc), seldom wandering into the deeper woods a la such intrepids as The Sadlynauts.

Those woods are very scary, my friends. For example, with just a simple click from the (unaccountably) well-regarded Dean Esmay, I became enmeshed in this:

A related subject (DEFINITELY off limits among the PC crowd) is the indication that cultural remnants of communal, tribal African culture persist in American Black culture today. American Blacks managed to survive slavery, Jim Crow and overt racial discrimination by de-emphasizing individual property rights (which were likely to be ephemeral in any case) and by depending on a sort of communal, tribal cooperation that was common to their heritage. Even today, in many black families, less prosperous family members feel entitled to a share of the wealth of those family members who are more successful.

And then there is the "bling" and "signifying" (not to mention the wanton slaughter) at the lower levels of contemporary Black ghetto culture -- hard not to notice how much this resembles the African pattern.

But to speak of such things immediately brands one as a bigot, despite the fact that CULTURE is the focus, not race.

The author's picture adds to the effect.

I can be lighthearted about this (like, if American blacks retain so much of their African heritage, how did the dashiki ever go out of fashion?), but it is astonishing, indeed dispiriting, how much outright crackpottery there is out there.

The big boys are nuts, too, but they disguise it much better, which makes uncovering their unreason something close to an intellectual exercise -- or as close as I like to get.

Also, I convinced a judge that this constitutes public service. Another 300 hours and I can take off this electronic bracelet.

A THOUSAND PARDONS, DORKS! Due to popular demand among the perpetually-aggrieved, here is a belated Memorial Day graphic:


Now let us move on.

(But not before I memorialize my favorite Freeper comment: "I remember they had a dripping bucket logo to celebrate 'water day' right when Terri Schiavo was being dehydrated.")

MOVIE NIGHT. Finally saw Walk The Line. Back when Joaquin Phoenix was announced as the Johnny Cash avatar, I spent a long night explaining to an uninterested bartender why Phoenix was a poor choice. They should have scoured up a backwoods retard to play JC, I drooled. I admired Phoenix from Quills and Gladiator, but I didn't see anything in him that could sound Cash's simplicity.

I was awful wrong. Phoenix is wonderful. He obviously worked like hell on the voice, and did right by it: he not only got the lower register, but also the aching gulf it came out of. When he did "Folsom Prison Blues" for Sam Phillips (and that was a great little performance, there, by Dallas Roberts -- he made Phillips a pedant, a prophet, and a promoter all at once, which Phillips had to have been), Phoenix seemed to be singing in slow motion, digging open with effort a hole in himself to reveal his deepest sorrow. And, drunk as I was when I expressed it in that bar, the filmmakers seem to have shared my feeling about Cash being a retard. The movie Cash can't hardly help himself: he does everything out of blind need. From the start he comes on to June as if he has no social skills whatever, and even after his desire has been purified by abstinence and discipline, when he proposes -- "Muhrry me, June!" -- it's still a raging hard-on that can't brook convention, common sense, or anything else.

There's a lot more to Johnny Cash than a love story, but the love story is great, and who doesn't like a great love story? Much as I admire Reese Witherspoon, though, I don't see this as any kind of pinnacle for her, Oscar or no. Back in her Freeway-Election period, I would have imagined Witherspoon capable of anything. Then came those stupid Legally Blond movies, and I think she's still sort of stuck on that note. Her June Carter is solid but nothing out of the ordinary. I liked her best when she first softened toward Cash -- it may have just been a gap in the writers' characterization, but when she let him into her hotel room (here the framing of the scene helps a lot), it was a welcome glimpse of mystery -- how is it that someone so forcefully pulled together lets herself slip? By and large, though, Witherspoon's June is too formulaically conflicted, according to how bad or good Johnny's coming off at the time. The newspaper headline JUNE CARTER MARRIES STOCK CAR DRIVER is more interesting than most of her performance. Witherspoon needs a quantum casting leap. But who in Hollywood will give it to her?

As for the resolution, I like it fine. It may be a family-Bible resolution, but it's still a resolution. I especially like Cash's Christian handling of his asshole father -- I was annoyed by it, but on the film's terms it made perfect sense, and those, as Charles Foster Kane once observed, are the only terms anyone understands. I understand the charge that Walk the Line is just a form of "effective ventriloquism," and that Cash's life has more riches to yield, but to me the important thing is that it is effective, and its effectiveness is earned from the start to the finish of the film. Movies can do worse, and usually do.

BACK, SORT OF. For the long weekend I absented myself from all responsibilities, including this one. I didn't look at the internet. I went to Coney Island and ate a softshell crab sandwich and drank beer. I should have stayed there. Here is all work and care and arguments with italicized strawwimmyn.

Still, here is where we are, so I will get back to it. But slowly.

LOOK AWAY, LOOK AWAY. Because of my record as a culture war correspondent, some readers have goaded me to take on John Miller's "Top 50 Conservative Songs" nonsense at National Review. But my heart isn't much in it.

Not that Miller's list isn't a comedy goldmine. I would pay good money to see John Lydon onstage at a YAF Rally, leading a rousing chorus of "Bodies" (#7). And previously my readers and I have enjoyed our own alternate con-song suggestions (e.g., "Pray I Don't Kill You Faggot" by Run Westy Run) and alternate lyrics (here're some new ones: "While ol' Neil Young talks down the southland/As he goes in and out of key/Me and my roadies will get fucked up/And drive our plane into a tree -- aaah, fuck me").

Whence then my reticence? Partly from contempt. Miller's logic is so extraordinarily sheer that it is almost beneath my dignity to poke holes in it (and I'm wearing a cardboard belt!), and it is certainly beneath yours to watch me do it. Take his statement to the New York Times --

"Any claim that rock is fundamentally revolutionary is just kind of silly," he said. "It's so mainstream that it puts them" — liberals — "in the position of saying that at no time has there ever been a rock song that expressed a sentiment that conservatives can appreciate..."

I can't be bothered to touch this "argument," anymore than I can be bothered to explain to an annoying child why he can't live on the moon or shoot rockets from his fingers.

Part of it, though, is from pure fellow-feeling. I was a lonely little boy once, and spent many sad hours on my own. The world seemed cruel, savage, and stacked against me. Being small, I had no way to fight it head-on, so in my imagination I created an alternative universe, where all the Hobbesian brutalities I suffered or witnessed obtained an explanation favorable to myself.

I'm obviously not the only person who ever experienced something like that. Neither am I the only person to have outgrown it. It marked me, sure. My naive faith in the power of reason may be part of its legacy. But I did in time come to accept something very important for all adults to accept: that the explanation that was most comforting to my vanity was not necessarily the right one.

Most of our culture-warriors have a Joe Goebbels idea of art. Some don't even know what it is at all. And some special few of them aren't even aware that they are talking about art, because they see everything for which they have any feeling as an extension of themselves. Thus they spend pages explaining why their favorite dance tunes, or comic strips, or choc-o-mut ice creams are evidence of the superiority of their world view.

They excite our pity more than our contempt, because they have obviously missed a crucial step in their development. They are, as Harry Truman once said about Joe McCarthy, not mentally complete. Were it not for the largesse of Bill Buckley, Richard Scaife, and such like, they would probably be living in institutions.

So let's leave Miller be. alicublog is a straight-up joint; we don't beat up cripples here.

I KNOW I AM, BUT WHAT ARE YOU? Lloyd Bentsen died recently, and newspaper writers naturally recalled the old Texan's most famous moment: his "Senator, you're no Jack Kennedy" response to Dan Quayle in the 1988 Vice-Presidential debates. To normal, literate people, this is understandable. Conversely, to Tim Graham, it is an outrage.

Graham, the NRO kulture kop who thinks Hollywood is trying to destroy Christianity, seems also to think that witty putdowns are a liberal plot:

Copeland tried to make this [article] more balanced by noting Ronald Reagan's debate quips against Carter and Mondale, but "there you go again" and joking about not exploiting his opponent's "youth and inexperience" were much mellower in tone than Bentsen's "babyface" slam. Soon, she returned to the "beauty" of Bentsen's quip: "We don't feel bad for victims of verbal violence if we feel in some way they deserve it." Spoken like a true Democrat.

He also thinks that, because there are few Bentsen references in the JFK library, a "liberal media 'truth squad'" should have been dispatched to fact-check Bentsen's joke. (That always works. "Well, you know, rabbis rarely go into bars, and it is even more rare for them to go in accompanied by a priest.")

My very favorite segment of Graham's hissy-fit is this:

Left unexplored: how recent Republican candidates have resisted the urge to slam liberal opponents in presidential debates in front of liberal media. It wouldn't receive the same glorious treatment.

Is that why? Maybe it's because, with or without a transmitting device in his jacket, George W. Bush isn't anyone's idea of George Sanders. "Need some wood?" is more his sort of humor: frat-house in origin, aphasic in delivery.

I can see why Graham makes up the excuse that, if ol' George chose to uncork his zingers, the Em Ess Em would wave their hands in front of the camera and yell "not funny!" It's what he would do -- in fact, it's what he just did.

Still, it's good to know that, like the Muhammed cartoon guys, members of our local chapter of the Villains, Thieves and Scoundrels Union cannot abide mockery.

IF I'M NOT MISSING SOMETHING HERE, if there is not some hidden meaning or level of irony that I have somehow overlooked, then I may just have to quit because, jaded as I am, I would never have imagined such a thing possible.

The next Orwell will have to be an absurdist.

(Thanks Atrios for the tip.)

UPDATE. Upon further review (thanks Felix) it doesn't seem so much crazy as malign. The DefendDelay folks seem to think the maker of Outfoxed and WalMart: The High Price of Low Cost let slip in the Colbert interview that his documentary has a political purpose (stop the presses). They portray this revelation as a result of Colbert's interrogratory skills ("Colbert Cracks the Story"). So it's a misrepresentation, but one that requires only selective reading and wishful thinking to believe -- not a wholesale denial of reality.

Which is not so reassuring when you think about it.

ANOTHER SAD SACK IN THE CULTURE WAR. Ol' Perfesser Reynolds writes about how society done made child-rearin' too tuff. The article clearly takes the POV that we whi -- uh, I mean Americans should get populatin' post haste. But while Dr. and Dr. Mrs. "Maw" Reynolds bravely do their part by raising a single young'un, despite the demands of tenure and podcasts, they insist that not enough clucks are having bushels o' brats "because parenting isn't prestigious in our society," as demonstrated by... the prevalence of SUVs:

People in the suburbs buy SUVs instead of minivans not because they need the four-wheel-drive capabilities, but because the SUVs lack the minivan's close association with low-prestige activities like parenting, and instead provide the aura of high-prestige activities like whitewater kayaking. Why should kayaking be more prestigious than parenting? Because parenting isn't prestigious in our society. If it were, childless people would drive minivans just to partake of the aura.

Alas, childrearing -- undone by an unfortunate aura! Like just about every scoundrel these days, the Perfesser says we must look to "culture" for solutions, then runs out the door before anyone can ask what the hell that means.

It amazes me that a person can attain adulthood in this century and civilization and continue to think that a "culture" more in keeping with his fantasies can be ordered up like National Guard troops or government cheese. Yet the Perfesser is obviously not alone in this. For further evidence -- well, just read my archives.

(The Perf's commenters are even funnier. For example, one W.B. Allen complains that when he and his wife had a third child, his fellow academics [!] treated him with "barely revealed contempt." W.B. takes heart that "the future Republicans and Libertarians out number the future liberal Democrats by a healthy margin." The populationist doom-cry can't be so urgent, I guess, if one can rejoice that in its death-throes American society will be, at least toward the end, liberal-free.)

ARTS AND LETTERS REPORT. Ross Douthat stands up for Ramesh Ponnuru's constitutional right to be reviewed by magazines that don't want to review him. This is in regard to Ponnuru's latest Regnery entry, All You Democrats Are Baby-Killing Monsters.

I challenge Douthat to read and review my buddy Howard Djeleikakik's latest, Ross Douthat Smells Like Fucked Ass. Refusal to do so means Douthat is intellectually dishonest. And no fair skimming it in Barnes & Noble.

UPDATE. Other like-livered conservatives whine like little bitches when their constitutional right to be on Google News is abridged. You don't see me complaining when Pajamas Media snubs alicublog. And they're the news aggregators of the future!

UPDATE II. Dan Riehl has been disaggregated by Google News. Worse, they responded to his repeated letters of complaint ("after my nth email with Glenn's post included") with what Riehl considers a "non-answer." (It looks like a form letter to me.) Standing on a storm-buffeted promontory and shaking his gloved fist, Riehl declares that "Google as a company will ultimately stumble, or at least need adult management one day," as the music swells. If self-delusion is the soul of comedy, this guy should have a series on NBC.

HISTORY'S GREATEST MONSTER!

"Let's play on this big piano -- Mr. Hanks sez it's okay!" Moments later the boy was sucked into a world of polygamy and free-thinking, where his only friend was a free-thinking polygamous volleyball named Wilson.

Mistah Kurtz, he nuts:

The battle is radicalizing. Big Love and The Da Vinci Code are far more direct and brazen attacks on tradition than we might have anticipated just a few years ago. Conservatives are the targets, and Hollywood is aiming and shooting repeatedly. Give credit to Tom Hanks, by the way. As producer of Big Love and star of The Da Vinci Code, he is clearly one of the captains of the not-so-secret conspiracy.

The Da Vinci Code is bullshit, but a not-so-secret conspiracy against conservatives led by Tom Hanks is the God's honest truth.

Somebody explain to Kurtz that movie stars are not appointed by the Illuminati (well, except for Steve Guttenberg), that "control of our critical cultural institutions" is won by talent and ambition, not by whining, and that the pills he keeps spitting up are for his own good.

UPDATE. Kurtz may be mollified to learn that, according to Michael Long, there is such a thing as "conservative rock songs," from which scraps and shards of culture a new civilization may be built.

Long's primary example is "Wouldn't It Be Nice" by the Beach Boys, because

...Brian Wilson and Tony Asher do not say: “Wouldn’t it be nice if we could have sex? These cultural mores have got to go!”... No, these are kids who accept that there is a place and time for everything, and that some urges are best delayed—even if we don’t see any good reason past faith to do so. They are looking forward—something rarely done anymore—to a time when what they want comports with the rules they trust, rules more important than an impulse or a wish, rules that preserve civility and order and life.

Long probably hasn't heard the latest re-issue of Pet Sounds, featuring the alternative lyrics: "Wouldn't it be nice to be on mushrooms/With lots of rum and fresh fruit juice to drink/And sit inside a sandbox, play piano/And talk about the martians with my shrink?/You know I'm scared a giant bug will eat me/I still have bruises where my old man beat me..."

UPDATE II. This is turning into one of The Corner's crazier days. Goldberg tries to conciliate the agitated Kurtz ("And, more simply, the book is by most accounts a lot of fun to read. Surely that explains some of this too"), but Kurtz won't have it: "I also think the popularity of the book says something about where we are as a culture," he insists -- which is something you could say about just any book, including The Gospel According to Peanuts, Interview with a Vampire, and The South Beach Diet. Saner minds would append to the observation the old Latin phrase, so what? Kurtz, though, ruminates darkly on "the number of folks who see themselves as unconnected to any organized religion... especially in blue cities and counties." Time perhaps for Kurtz' Destroy America to Save It plan.

The crown goes to K-Lo, though, with this (warning: if you are not aware of current trends in conservative arts criticism, this may blow your mind):

I haven't seen [Oliver Stone's] World Trade Center... I had at least one problem with the trailer... Nicolas Cage has a moustache, for instance, in the movie, to establish "working-class bona fides." But John McLoughlin, the Port Authority police sergeant who Nicolas Page plays in the movie actually has a moustache. So it doesn't strike me as too odd...

I can't believe I'm defending an Oliver Stone trailer...

And I can't believe these people are walking around loose.