GREETINGS FROM OUR NATION'S CAPITAL. Just a short note from a hotel computer to apologize for my AWOL status. My testing has been rigorous this time out, and I am short of free time as well as funds, so I spend my downtime drinking cheap grocery beer, obsessively flipping through the free cable*, and reading the local papers. The WashTimes is still a Republican president's best friend, and has picked up its blogbrethren's trick of defending Bush by finding a wacko webpost from the Left and waving it like Exhibit A. My few cursory scans of the newish DC Examiner have been inconclusive; other people have had trouble with them, and I was kind of puzzled by this softball article on Scientology in the Faith section of today's paper (do they maintain this same politely-nodding tone when they describe voodoo rituals and Black Masses?), but the makeup's good and it's free, so what the hell.

I'm staying in Georgetown, which is getting on my nerves more than usual. Maybe the more gentrified my own hometown gets, the greater is my tendency to look at überYups like the G-town crew as the responsible plague carriers. Or maybe I'm just sick of pastels. The last time I saw this much pink, violet, and pearls was at a Douglas Sirk film festival. Of course, I'm walking around this Arcadia in a filthy t-shirt and jeans with visible needle marks on my arms, and that tends to raise my alienation levels somewhat.

* I finally saw an episode of Rome. Are the main characters always this unpleasant? Were I blessed with cable at home, I don't know how often I would be compelled to return to watch scumbags duke it out for the title of chief scumbag. Maybe it'll wind up as a saga, and we can watch Christianity fatally weaken the empire. Of course, if I wanted to see that, I could just watch the news.

OH YEAH: I finally got a good review. I knew they'd come around if I just sulked long enough. That's how Monty Clift did it.

DOUBLE OH YEAH: Do you think Volokh or somebody bet him that he couldn't work "poor people are fat" into a Katrina post?

AND ANOTHER THING: I did get to a few museums -- the ones that are free, anyway. Where has William Beckman's Diana IV been all my life? (At the Hirschorn, it seems.) It's one of the best nudes I've ever seen, as strong and supple as a tree. The Hirschorn also has some DeKooning women, and I was surprised to notice that the more I see of these, the more I like them. The little gates of teeth he throws in used to creep me out, but now I think of them as a recurring joke: here, I'll get you started -- this is where the mouth is; now put whatever other distinguishing characteristics you like on this great splash of pink. And that'll be your "woman." Also: first time at the Renwick -- very lovely, but if that's really how they used to hang salon shows, no wonder painters drank.

SWAMP FEVER. New Orleans means this to a guy calling himself Proteus: he and his buddies are great – though he says he’s embarrassed to admit it (at nearly 7,000 words’ length) -- and people he doesn’t like are pink. Like bunnies. Or sheep. It’s a little confusing. He also talks about shooting people and kicking ass.

After we drain New Orleans, can we please drain the blogosphere?

SERVICE ADVISORY. Posting will be infrequent (yes, again) while I take my yearly "medical vacation" at the National Institutes of Health. In between CAT scans and MRIs I will wander the streets in a daze. Anyone who knows DC bars where a tab is allowed should leave a note in comments.

I’M RELEASING YOU ALL TO A GARBAGE BARGE WHERE YOU WILL BARE-KNUCKLE-BOX TILL ONE OF YOU EMERGES AS KING OF YOUR FLOATING HELL. I have spent hours reading about the Gulf disaster online. I am applying to FEMA for compensation. It was a waste of time.

Some sites have been great about pointing readers to informed sources. And many of the informed sources are actually informative.

But in general the weblog coverage of the Gulf disaster has been a festival of imbecilism unchained -- as if a levee broke in the id of every idiot with access to an internet connection. I have seen the flood's horrific aftermath blamed on unwed mothers, a scarcity of guns in New Orleans (great, then we could have had Thunderdome even without the hurricane!), and, of course, on New Orleans itself, and black people in general.

I have seen the blogbrethren exploit the event as yet another Advantage: Blogosphere! moment. So what did I get from this blogosphere that I couldn't have gotten from newspapers and television? A bunch of extra horror stories (including bogus reports of cannibalism), and more names of people to blame, most of them pulled, it would appear, from the tipsheets of political operatives.

I have my own ideas about who to blame – mainly, myself and all my fellow citizens for going along, passively or actively, with the cruel gag that the government that governs best governs least for the past 20-odd years – but for now I can’t stand to be part of the noise. Instead I direct you to this miserable defense of bullshit libertarianism against its obvious consequences. If that doesn’t make you sick without my enlightened commentary, I can’t guess what would.

WHEN THE LEVEE BREAKS. There's a good reason I haven't written about the floods: I have nothing meaningful to say about them. Neither does just about anyone else who is not on the scene -- and neither do even many who are.

Maudlin crap has been the order of the day. Even Peggy Noonan disappoints. You'd think Full-Blown Lunatic + Apocalyptic Event would = Stem-Winding Strangeness. But her flood column sounds like a condolence memo from a public relations executive.

I only recently visited New Orleans, fell hard for it, know people from there, feel sick at the loss. But with such grief now available by the truckload, I expect breastbeating and pontification means a lot less than, say, a donation to the Red Cross.

It all reminds me of a story Bennett Cerf used to tell of a cub reporter who happened to be in Johnstown, PA in 1889 for some minor assignment when the celebrated flood hit. His editor breathlessly waited for this young tyro -- his only reporter in the city! -- to file his first wire copy. The kid began, "God looks down upon a desolate Johnstown tonight..." The editor immediately wired back, "Forget flood. Interview God. Rush photos."

Things are horrible enough. Bad writing just makes it worse.

UPDATE. On the other hand, some observations are worth noting.

HE SAYS IT LIKE IT'S A BAD THING: "Other 1990s films that apparently couldn’t get made today include The Siege, The Peacemaker, and True Lies." -- Jonah Goldberg.

Don't bother with the rest of the column, which is one of those rightwing evergreens about how Hollywood Hates America. I used to think this was the one topic on which Goldberg was nearly sane. I guess when he said "I get squeamish when people talk about 'conservative movies,'" he meant that he was afraid the schtick would get so overused that he couldn't milk it himself whenever he had nothing else to talk about. But as we have seen, for conservatives some jokes never get old.

SHORTER JAMES LILEKS: The suburbs are America, and the cities are -- well, you know.

(Postscript: in his tireless and irrationally aggrieved support of majority tastes, I suggest that Lileks is the new Chum Frink.)

PSSST, MEESTER! WANT GIRL? I have had a team of experts inspect this thing, and I don't think it's meant as a joke. OpinionJournal was apparently so tickled to find a Russky playwright who would say harsh, yet poetical, things about Communism that they affected not to notice the strong odor of hashish and spooge emanating from his manuscript:

All across the country, a plethora of beautiful girls has sprung up.

With bared midriffs and piercings, they are outwardly very like one another. In fact, there is an immense gulf dividing this throng of beauties. One group is astoundingly uneducated; their lives consist of nightclubs, concerts and narcotics. The other (and these are many) is just the opposite. They are highly educated, and have plunged rapturously into the ocean of literature now being published in Russia--those famous books by which the world lived in the 20th century and which have only now come to us. These women study with merciless obstinacy, hours and hours every day. Each knows several languages. In spite of their youth, they have already visited the great capitals of Europe, as if realizing the dream (so recently unattainable) of their grandmothers and grandfathers.

Bared midriffs! Piercings! Merciless obstinacy! Comrades, perestroika has brought a newer, more exciting class of The Wooman -- and, when they won't fuck us, others who are all doped up. But wait, the author informs us, there's more!

There is yet another amazing group among our new youth. Their fate, as a rule, was chosen by their parents, themselves generally former athletes. Therefore, they correctly recognized the value of a very small ball which very quickly helped their Cinderella daughters turn into real princesses.

You like Sharapova? You like Kournikova? In Russia we have many girls like this!

This fever dream meanders (or was perhaps guided by a cautious editor, as a drunk may be diverted by a friend from a plunge into the river) toward an appreciation of women's rights. During decades of Commie lip-service to feminism, "Party leaders lived meekly with their ugly old wives who never appeared in public" (nor played tennis, nor pierced their navels). With perestroika came true equality, rich businesswomen, and the new race of superchicks. As for the "thousands of prostitutes currently filling the cities of Russia," that regrettable exchange of sex for money cannot be attributed to capitalism, but to "the 70-year exile of God from the country, a land where only airplanes remained in the heavens." Market forces, you see, only create glamorous sex.

The author, as mentioned, is a playwright, and so even in his delirium retains a feel for stucture and literary payoff: the piece closes with an important character revelation -- the whole fantasy has been aroused by his Proustian observation of feminine beauty at his own reading:

Recently, I witnessed something now possible only in Russia. I completed a book on the great and enigmatic Russian emperor Alexander II and decided to speak about the book at one of Moscow's largest auditoriums, the Tchaikovsky Concert Hall, seating 1,500 people. Orchestra tickets cost $50 apiece. This is a large sum of money in Russia, yet the hall was filled to bursting. Eighty percent of the public was young, for the most part young girls. The evening was recorded and replayed on TV over three days. The ecstatic cameraman repeatedly cut to the faces of the lovely young women in the audience who, for over three hours, listened in rapt silence to a tale of the history of their Fatherland. This new generation of women promises to become the most successful in Russia's history.

The money shot and mystery solved! Young girls, with funds enough to get into a concert hall, and beauty enough to incite cameramen to ecstasy, and brains enough to be held in rapture by the author for three hours!

Light of my life, fire of my loins, who wouldn't go nuts? I don't whether to laugh or go beat off to Birthday Girl.

DEATH OF IRONY, PART 769,199. Oh brother:

Atrios’s blogsite is full of this kind of stuff. In general, he has a hard time completing a sentence without name calling.

One sentence later:

Duncan Black is an angry, walking intolerance machine.

They don't make intellectuals like they used to.

ONLY NOON ON MONDAY, BUT WE JUST MIGHT BE ABLE TO CLOSE THE "ASSHOLE OF THE WEEK" COMPETITION EARLY. National Review's "The Buzz" has infilitrated Camp Casey and posts exclusive photos of Cindy Sheehan smiling and relaxing, proving that the traitor MSM is covering up for the traitor Sheehan:

Most of the photos I have seen in the media today reflect the moment where Sheehan was crying. I do think this is somewhat misleading. While she is certainly entitled to her grief, most of the scene was quite jovial, which is not reflected in the mainstream media’s coverage. I’m not denying Ms. Sheehan her right to a cathartic moment, merely bringing you the full story and facts from the ground.

And I'll bet the traitor Pulitzer Prize committee won't even give this guy a nod, that's how treasonous they are.

Jesus Christ. Someone's taking the short bus to J-school.

IT'S A LIVING. Well, here's another Hollywood Republican who says he can't get a break. He admits he has "made a good living in Hollywood," but he is forced to hear all kinds of nonsense from his liberal studio overlords, and that steals the savor from his salt. Commissioned to write "a bio-pic about a very famous Republican talk-show host" (!), he gets flak for his fair-minded portrayal. Other assignments go similarly. He begins to develop a reputation for being "difficult"...

If you are known as difficult in Hollywood, You... Do...Not...Work. Exit parnassah.

My agent, a wonderful woman, told me, “Just do what they want and walk. It’s only a movie.”

Every day, I step into my office and write the words to the script. Every night, I go to bed and repeat to myself the mantra “It’s only a movie. It’s only a movie.” So why is that I cannot sleep — have not, in fact, been able to sleep for weeks and weeks?

I know how it is, bro. In my corporate writing practice, I have encountered many such indignities. Check out my first-person testimonial:

"Edroso, your copy describes our product as 'better than a poke in the eye with a sharp stick.'"

"Well, it is, isn't it?"

"That's not how you sell hand cream."

"But your hand cream feels like salad oil and smells like moose pee. Don't you people care about the truth?"

In the end I capitulated. After all, as my creditors always tell me, it's only collateral marketing material. Yet each night my bed burns, and the faces of Tolstoy and Orwell loom out of the blackness, and gaze upon me with contempt. I think Arthur Koestler actually spit at me the other night.

I don't know why these people think that, just because they pay you, they get to decide what you write. What do they expect me to do, go work for somebody else?

BASE MOTIVES. KJ Lopez hears about alleged (i.e., Drudge-reported) anti-war protests at Walter Reed and seethes: "Have you ever been so disgusted?"

Then she hears that the famous military hospital is actually being closed down by a federal commission -- the same one that did Joe Lieberman a solid by exempting New London from the bloodletting -- and sighs that it's a "bad p.r. move." Protesting outside a place is apparently worse than shutting it down, in Bizarro World at least.

Meanwhile the Crazy Jesus Lady, her mind now a melange of old MGM movies and Reagan feet, pretends to be a Shirley Temple talking to Old Mr. Government -- not a bad man, just cranky, played by Lionel Barrymore -- and says, with her finger in her mouth, goodness gwacious, what if those bad dusky men take pictures of St. Patrick's again, and I'm too busy tap-dancing to make faces at them? Amewica will be in bad, bad twouble!

I'll actually be out at the NIH in a few weeks, on one of my medical vacations. I imagine the folks there feel about the Walter Reed closing pretty much what they feel about all the cost-cutting that's been going on in our federal health services lately. But hey, I'll tell 'em, at least you don't have any damn hippies!

IT DEPENDS ON WHAT YOUR DEFINITION OF THE WORD 'BULLSHIT' IS. And I thought it was hard to be a law perfesser:

After ranting near incoherence all day, one of the commenters finally expressed himself in a way that gave me a clue what was pissing him off so bad. He read the phrase "a further good has been created" to mean that I thought that it's worth it that the man died, because a higher good had been created, offsetting the death, as a sort of crude utilitarian observation. The phrase "a further good" just means there is a second good thing that has resulted, not that the good made it worth killing an innocent man, as if I would have, if I knew in advance what was happening, authorized shooting the man in order to produce the good! That's quite a bizarre misreading, but I'm spelling it out in case you happen to be reading it that way. Why would I say such a thing? Before posting and ranting based on such a misreading, you ought to stop and consider whether I would say something so absurd. Or do you think making a hasty judgment and acting with hostility is good way to act? Because that would be a tad hypocritical.

IOW: I couldn't have possibly meant what I said because why would I say such a thing?

Like Perfesser Volokh's recent treatise on homosexual recruitment, this reminds us that while any thug can just beat up common sense, it takes a law perfesser to parse it into carpaccio.

Of course, the head of the guild, the Ole Perfesser hisself, should immediately start spending eternity in a T-group for suburban gearheads, preferably in some plutonium-lined tank where their "So, how does oppressive liberal regulation affect your rig, Zeke?" bullshit cannot contaminate the general discourse.

IRAQ, THE MUSICAL! While they work on the constitution in Iraq, local operatives work on the spin: sources high and low compare the Baghdad fracas to the actions of our own Founding Fathers. This sounds like a good basis for a musical: 2005!

(The Iraqi President appears center stage.)

JALAL: Good Allah, I have had this Congress! If Mohammed could move a mountain, why can't we write a bloody Constitution?

CHORUS OF REPRESENTATIVES: Sit down, Jal! Sit down, Jal!
For Allah's sake sit down!
Jal, you look like hell!
Duck, here comes a shell!
The Green Zone will soon be blown
to bits.

JALAL: I say vote yes, vote yes,
Vote for this democracy!

CHORUS: The Kurd says "Can Do!"
But Sunni gets blue.
Will al-Sadr be coming here?
Let's flee!

(They leave the stage as JALAL converses with his wife.)

JALAL: Ah, Nisreen, what am I to do? I may have to put a burka on you and all Iraqi women for the good of our country.

NISREEN: Fuck that noise! Today I met with three French engineers who were ready to buy us a house on the Riviera for one lousy contract. You think I dodged assassins' bullets just to go back to playing the hick?

(sings)

I'm living like a princess now here in Public Works
I will not hide under a cowl for any Sunni jerks
I'm dining off fine china and my trainer's got me fit
Our home has indoor plumbing and it doesn't smell like shit
I'm gone so very modern --

(lifts skirt)

JALAL: (sings) Oh no! You've pierced your clit! (speaks) Get a grip, Nisreen! Our American advisors were very clear: if you want to run a modern democracy, you've got to act like a rube! Tomorrow I go back to Kirkuk to clear some sagebrush -- whatever that is -- and meet with some priests to talk a lot of shit about Islam. You do your part -- go get a burka and have your picture taken with some cows!

NISREEN: Fuck you!

JALAL: Burka!

NISREEN: Prada!

JALAL: Burka!

NISREEN: Prada!

JALAL: Burka!

NISREEN: (sighs) Done, Jalal.

JALAL: Oh, Nisreen, how I long to rim your juicy asshole.

NISREEN: And how I love your pet name for it -- "Facing Mecca!"

(They both laugh)

JALAL and NISREEN: (sing) Till then, till then,
Things remain, and ever shall be,
Fixed, fixed, fixed.

All the other songs fall into place: "He Makes the IED" ("and it blows off part of my knee"), "The Bomb" ("We're waiting for the tick, tick, tick, of democracy exploding"), and "Crude to Petrol to Gas." I smell Tony!

SHORTER EUGENE VOLOKH: Say it! Say it! Say you fags are trying to recruit! (more strongly applies logical chokehold)

Next week: how come they get to call each other "nigger" and we can't?

Here is where the nonsense starts. It includes tables. Jesus. Maybe this sort of thing comes from premature exposure to debating societies.

APPLAUSE, APPLAUSE. Thanks to all who expressed interest in my theatrical endeavor. I have thus far received two reviews: one calls my performance "strangely flat," while the other insists it is "grating rather than ingratiating." Of course both these things are frequently said of me offstage as well, so the critics are inadvertently paying tribute to my naturalism. In any case, I think their judgement may have been colored by my rejection of their sexual advances in the theatre's men's room.

I tell ya, despite all the makeup and hairspray, the stage ain't for sissies.

SIDESHOW. Ann Althouse:

Should Democrats bring back the Vietnam era anti-war imagery, with folksinging gatherings and get-out-now rhetoric? I can understand wanting to express yourself that way if that's what you feel, but you know it didn't win elections back then. There were some intense events, like the Democratic Convention of 1968, but then Nixon got elected.

And yet the U.S. eventually wound up bugging out of Vietnam without a trophy anyway. While some still blame this on Democratic treason, the choppers retreated from Saigon on the watch of President Gerald Ford.

It seems not to have occurred to Professor Althouse that for the most part the anti-Vietnam movement was not first and foremost a Democratic Party strategy, though a lot of protestors stormed that Party's weakened gates as a tactic. As things worked out, the War collapsed of its own weight without the intervention of President McGovern or his champions. That some longhairs who had hoped for that result stuck around to build careers within the Democratic Party just shows that the allure of politics for bright young things in the right place at the right time is eternal.

That's probably how things are going to work this time around, too. Chuck Hagel, no statesman he, is just getting an early seat on what he perceives to be a bandwagon. Sooner or later, non-statesmen of either party will probably get with it, too. The War was good politics when War President Bush was heading the ticket, but there are already plenty other fish getting fried in the run-up to 2006 and 2008, and whatever bloggers may bellow, the guys who want to get elected have their eyes on the main chance rather than any nation-building escapade. (Hillary Clinton's rightward lean on the issue is the same sort of gamesmanship, practiced by the leading candidate of a Party that has been comically labelled anti-war.)

The folks at Camp Sheehan are, for all their good intentions, players in a sideshow. Power holds the main stage, as it always has. Why do you think Joan Baez is getting headlines out of this? She's got name recognition. She knows it, the reporters know it. The stories get thrown out there, and bloggers snatch and raise them in their teeth, baying through the shredded newsprint that Democrats are smelly old hippies that you should have nothing to do with.

The blogdogs are pleased, their audiences are pleased -- for a while. Public relations is all very fine, but our citizens' current war fatigue probably has less to do with poor Cindy Sheehan, or with any imagined plot by MSM reporters to deny the public the happy-puppy Iraq stories war boosters demand, or with (it is almost embarrassing to say) anything a stupid blog can accomplish, than with a human, not to say American, nose of our people for a con job.

It is not a very sharp nose, not quick to offense, but once its nostrils are disturbed, antipathy kicks in fast. As the Backstreet Boys and Menudo could only glitter at the summit of fame for a moment, however protracted, so the Iraq War, in its disastrous third season, has seen its Q rating suddenly plummet. Well-lit fakes can only hold our people's attention for a while; then comes the puzzled look into the chest of drawers -- did I really buy a T-shirt bearing this tawdry image? Off it goes to the Salvation Army or the dump. And the politicians see the ashcans being emptied, and take notes.

We talk about the War as a crucial event, and of course it is. But the way things work, your reason, your cause, your snark, your cri de coeur, your blog post is just another yelp from the balcony. Back on the main stage -- not even on it, but behind it -- the real work is being done, and the real money is changing hands.

BUT I THOUGHT SHE WAS GOING TO WIND UP WITH THAT RICH SNOB! Saw two of the summer hits this weekend -- Wedding Crashers and The 40-Year-Old Virgin. I understand the good reviews each has received, but I think both films are getting graded on the curve.

There's great stuff in both pictures. I love the way the "Shout" medley in Crashers encapsulates both the animal joy and the depressing childishness of the crasher schtick; the pursuit looks exhilarating, and the sex looks tiresome, which is of course absolutely right for the characters and the movie. And Steve Carell's Virgin is a brilliant creation:­ an overgrown boy with all the enthusiasm, likeability, and nervous stares of incomprehension pertaining thereunto. When I saw these, I was fascinated: could it all go this quickly and surely?

Alas, no. Both movies drag in the middle, with occasional jet-blasts of schtick to revive the viewer, instead of tight plotting to guide him or her to the inevitable happy endings. No matter how well-played, the sex-starved and/or humorously foul-mouthed older people, horny temptresses, devious richies, stoners with hearts of gold, etc., are such glaring and antique contrivances that I would have to be in a ridiculously good mood to shake them off. And I am rarely in that good a mood.

Worse still, I'm sorry to say, are the allegedly adorable love interests. In Being John Malkovitch Catherine Keener's character is a delightful surprise; in Virgin the woman Keeler plays is earthy, quirky, and sweet ­-- that is, a compilation of descriptive terms for the Catherine Keener persona, all of which I adore, but which add up to considerably less than a character.

I think the movies get over on the acting (Wilson and Vaughn especially benefit from having a real love affair to play), and on the general perception that they are "sweet" -- i.e., despite the grotesqueries and nude bodies lying about, these entertainment machines are gonna make you feel good about life and love. Yes, we are all terrible, terrible people and we want to experience vicarious redemption, even if we need the Rappin' Grandma to help us along. Well, for my part, I dislike being prodded and goaded into vicarious redemption. I have nothing against sweetness, but after three plus hours of Hallmark sentiment with dirty words scrawled around the margins, I really wanted to watch some Billy Wilder. That's sweet too, but considerably more substantial.

OK, I'll shove the crayon back up my nose now.

(Update: fixd stupid spellin misteak)

SERVICE ADVISORY. Posting will be infrequent for a few several days. I have a theatrical commitment that is coming to a head and eating into my precious ranttime. I have neither the talent nor the inclination for self-promotion, so I won't steer you to it, but I will say that this one's going a lot better than others with which I have been involved, thanks to the enormously talented folks with whom I have, by some perverse accident, fallen in.

MAU-MAUING THE FLAK CATCHERS. Somebody is promoting his direct-to-DVD movie via the blogosphere with an anti-Hollywood message, assisted by Michael Totten and other such like. The film's site's call to arms:

…a new band of warriors, better known as bloggers… add strength to the voice of the fans, fighting for more choice for themselves and, in the end, all of us. Now there is more new content, as well as more ways to access it and distribute it. There is no reason why you should depend on a handful of major studios to tell you when, where, and what to watch.

Fight the power, brother! And speaking of power, the guy has superstar Jim Treacher for a blog barker. Here's Treacher pulling the suckers a little closer to the tent:

Then Robert Boyd of the NY Sun wrote to me about Rosie O'Donnell appearing in Fiddler on the Roof on Broadway, after I cleverly compared her to a farm animal. Robert said that it made perfect sense for her to do such a thing, and I was all like: Yeah, but won't she need to trim her beard a bit to play Tevye?

'Cause these anti-authoritarian types, see, they love that sort of stuff.

I have no idea whether this movie, called Blowin' Smoke, is any good, but I have to say I admire the filmmaker's moxie. Show biz is a hard dollar and it seems to me that perspiring artists are well within their rights to use any dodge at their disposal to move product. And from the looks of the comments ("we need to see this gluttonous distribution/production-monopoly rumble and burn. Let's starve the bastards"), the Blogbrothers vs. Hollywood schtick seems to be working, at least among souls who find Rosie the Rugmuncher gags appealing.

'Twas ever thus; a lot of people will buy entertainment products just to show solidarity with some band of outsiders with a grievance against authority figures. Maybe a Blowing Smoke DVD will be the Che Guevara t-shirt of the suburban keyboard commando. And, who knows? This may be the beginning of something even bigger. Blowin' Smoke, the Liberty Film Festival guys, all those Regnery authors, et alia -- maybe these are the faces of the new counterculture! Perhaps, as Lenny Bernstein once feted the Black Panthers, we'll have Jason Apuzzo hosting the Minutemen. Dennis Miller could be their Lenny Bruce, Ann Coulter their Twiggy.

I'd say something about "first time tragedy, second time farce," except it was pretty funny the first time, too.