THE GHOST DANCE CONTINUES. I have noted, time and again, here and elsewhere, the weird habit among American right-wingers of insisting that pop culture artifacts they enjoy are "conservative." Doesn't matter whether the movies, rock songs, TV shows etc. that they adopt are overtly political or not -- if a piece of pop dross pleases them, then they are sure that it stands for low taxes or war in Iraq or some damn thing.

So I was pleased that someone some folks besides myself and Brad noticed this breathtakingly insane Wall Street Journal article by Andrew Klavan, which seeks to demonstrate that the latest popular comic-book movie is not merely a series of explosions, CGI effects, and lurid performances, but first and foremost a ringing defense of the Bush Administration -- even though it was made by the sort of Hollyweird players Klavan normally can't stop denouncing as evil cultural polluters (perhaps, in this case, the forces of decency threatened their families).

The brighter bulbs have found plenty of ripe comedy in the situation, so I will only add this: I recall another time in this country when politically engaged dumbasses became convinced that cultural portents such as Bonnie & Clyde, songs with drug imagery, and nude Broadway musicals all proved that the revolution was at hand. Junk culture is not a very good predictive mechanism, particularly when applied by folks who know most of their fellow citizens are sick to death of them and turn to the posters on their bedroom walls for validation.